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«Qui giace l'Aretin, poeta Tosco, che d'ognun disse mal, fuorché di Cristo, scusandosi col dir: "Non lo conosco"!»

My poetry is about catching a glimpse of a doorway to another world, there is a sense of a spiritual yearning to know that place and to connect with it. It lies beneath or throughout our world and pulling it into concrete form is not an easy task but it is a gift to me when it happens. It creates something I love. I touch this world in landscape and in nature and sometimes in a particular place like in the Rock of Dunamase. If you have travelled in Ireland, you will know some of these landscapes and their temperaments well.

Un scriitor căruia nu i se cunoaște numele vine la o „cină artistică" găzduită de un compozitor și de soția lui bogată, cu o viață socială activă – un cuplu pe care l-a admirat cândva și pe care a ajuns să-l deteste. Invitatul de onoare al serii, un distins actor de la Burgtheater, întârzie peste măsură. În timpul îndelungatei așteptări, ceilalți oaspeți, cei mai mulți aduși laolaltă de înmormântarea Joanei, o veche prietenă comună, sunt văzuți prin ochiul critic al scriitorului, care se lansează într-o tiradă tăcută, dar frenetică și pe alocuri ambiguă, împotriva lor.

A book about what humans have done to the world and what we have done to ourselves. Specifically, it is a book about ‘Man’s best friends’ – their origin-myths, and their place in the world before they were coopted into human society and ideas of pure breeding and dysgenics. The Dogs also imagines a future where dogs develop the power of speech; led by the non-violent UnderDogs and the more radical Der Uberhünd, the animals of the world begin demanding their rights.

Hannah Sullivan's first collection, Three Poems , won the T. S. Eliot Prize and the inaugural John Pollard International Poetry Prize. Was It for This continues that book's project, offering a trenchant exploration of the ways in which we attempt to map our lives in space and time. But there is also the wider, collective experience to contend with, the upheaval of historic event and present disaster. 'Tenants', the first poem, is an elegy for Grenfell, written from the uneasy perspective of a new mother living a few streets away.

Do Jane Austen novels truly celebrate—or undermine—romance and happy endings? How did Jane Austen become a cultural icon for fairy-tale endings when her own books end in ways that are rushed, ironic, and reluctant to satisfy readers' thirst for romance? In Jane Austen and the Price of Happiness, Austen scholar Inger Sigrun Bredkjær Brodey journeys through the iconic novelist's books in the first full-length study of Austen's endings.

‘We Poets Speak Of Stars But Who Has Ever Met One?’ contains 62 poems of a varying nature. This poetry book is dedicated to, and begins with a eulogy for, a dear friend who passed away at the age of 70. He was a businessman & lecturer in life and had only just retired. News of this close friend’s death reached the poet on his 35th birthday.

Nach dem Tod seiner Eltern zieht der mittellose dänische Adelige Malte Laurids Brigge um 1900 nach Paris, um als Dichter zu leben. Doch die Stadt seiner Träume entpuppt sich als Ort des Elends. Rilke umkreist in seinem Werk Die Aufzeichnungen des Malte Laurids Brigge die elementaren Fragen nach Schicksal, Identität und Kunst und schuf damit den ersten bedeutenden Roman der literarischen Moderne.

"How do you measure a year?" Turning 30 is a milestone age in anybody's life, so why not chart the span of a year by writing a poem a day? Capturing the highs and lows of life and love, this poetry collection houses poems from the deeply personal to the truly random. It's a picture of one man's year through a poetic lens.

Al día siguiente, muy temprano, a la hora de siempre, Pinín y Rosa fueron al prao Somonte. Aquella soledad no lo había sido nunca para ellos hasta aquel día. El Somonte sin la Cordera parecía el desierto. De repente silbó la máquina, apareció el humo, luego el tren. En un furgón cerrado, en unas estrechas ventanas altas o respiraderos, vislumbraron los hermanos gemelos cabezas de vacas que, pasmadas, miraban por aquellos tragaluces.

This is the history of England told in a new way: glimpsed through twenty-five remarkable poems written down between the eighth century and today, which connect us directly with the nation’s past, and the experiences, emotions and imaginations of those who lived it. These poems open windows onto wildly different worlds – from the public to the intimate, from the witty to the savage, from the playful to the wistful. They take us onto battlefields, inside royal courts, down coal mines and below stairs in great houses.

Un soir, Amani, soixante-sept ans, femme de ménage à la retraite dans une cité HLM paisible en bordure de forêt, s'en va. Père et fils tentent de comprendre ce qui a poussé le pilier de leur famille à disparaître. Il pressent que ce départ est lié à l'histoire de ses parents, orphelins émigrés de Tunisie.

Dans ce village, c'est du corps des femmes qu'on tire l'argent qui fait vivre les familles. Car ici, on vend une denrée précieuse : le lait maternel. Sylvaine, son propre enfant à peine sevré, accueille chez elle comme tant d'autres une « petite de la ville ». Mais une nuit, en pleine forêt, elle découvre un bébé abandonné dans une clairière et à ses côtés un carnet qui raconte son histoire.

Rhyme and Reason takes you from a medieval accountant (called Chaucer) trying to entertain his lord, past a doomed love affair in the Tower of London, through adoring sonnets and notebooks filled with dirty poems, through Byromania and the Victorian hearth, understanding why people simply enjoyed poetry. From the poems of housemaids to the rhymes of kings it's the history of Britain through the poems that people read, recited and loved.

Was wäre, wenn sich dein vermeintlicher Feind als dein Traummann entpuppt? Jenifer erschafft als Kunsttischlerin exklusive Einzelstücke — als Frau geht sie jedoch in der Masse unter. Dabei träumt sie von der großen Liebe und versucht den smarten Banker Deacon Spencer zu erobern, doch der nimmt keine Notiz von ihr. Auch ihre Zwillingsschwester Jessica kann ihr nicht helfen, denn sie ist in New York und die Schwestern sind zum ersten Mal für längere Zeit voneinander getrennt. Seit dem Tod seiner Frau ist das Herstellen von kreativen Möbeln das Einzige, was Sean Murphys Herz berührt.

Pour sauver cette agence qui pourvoit aux besoins de sa famille, elle doit impérativement décrocher la vente du château Granville. Or, par orgueil, le propriétaire ne signera qu'avec un nom à particule. Fanny décide alors de se faire passer pour une aristocrate. Elle convainc Tancrède de Chassagne de Montbazon, un invité du château rencontré par un heureux hasard et quitté par sa fiancée à cause de sa paresse chronique, de faire équipe avec elle. Visage gracieux malgré son fichu caractère, à vingt-quatre ans, la jeune femme dispose encore d'une année avant de coiffer sainte Catherine !

C'est l'histoire de Mara, de Robert, de Sept Lieues, d'Henrique, de Bruce, de Clotilde, de cet homme qu'on appelle Le Breton, de Flora et d'Árpád. Un retraité, un joueur de guitare, un cow-boy, un exégète de Claude Simon, une brunette maigrichonne, un taiseux, une grande bourgeoise fatiguée, un gars que la vie un jour a pris pour un punching-ball.

Previo al enorme éxito internacional de sus libros, antes de que su nombre apareciera en el horizonte de lo que cierta crítica ahora llama “literatura mundial”, Roberto Bolaño perpetraba pequeños actos de subversión simbólica. Tras presenciar uno de éstos en la feria del libro de París en 2003, donde Bolaño pasaba como anónimo entre varios editores franceses, Oswaldo Zavala — autor de La guerra en las palabras — decidió hacer una exploración de la obra del autor chileno como un gran proyecto literario, donde lo “marginal” se oponía a la producción cultural “hegemónica”.

This debut collection carries the listener on a journey from childhood to adulthood, covering the joy, pain, introspection and laughter encountered along the way. A must-have compilation of poems for every moment. Not to be missed.

I am Blooded, and this is my creed. I am warrior, and this is my sword. I am shadow, and this is my cloak. I am darkness, bringer of light. The whisper in the wind. The order in the chaos. I am the blood, and the blood is me. From this breath until my last. I am Blooded, and this is my creed. A great spirit rises from the ashes of a dying world. Tenochtitlan, the Aztec capital and greatest city in the New World, crumbles and burns under the weight of the Spanish onslaught.