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“Tramaine Suubi is a visionary love poet, and stages makes a singular life feel vaster than the life cycle of a star. In this poetry of dissolution and re-making, of multiplications and expansion, embodied tenderness is a force capable of moving us “beyond the binary.” As it journeys...

One of the most transcendent poets of his generation, Darwish composed this remarkable elegy at the apex of his creativity, but with the full knowledge that his death was imminent. Thinking it might be his final work, he summoned all his poetic genius to create a luminous work that defies categorization.

The poems in Leaked Footages carry urgent subjects, ranging from death to disappearance to grief to memory. Not only do the poems fulfill the tradition of witnessing often manifested in contemporary poets such as Garous Abdolmalekian and Ilya Kaminsky, but they extend that tradition by the medium through which they witness: the technical and the technological.

This dazzling debut announces a not-so-new voice: that of the spoken-word poet Tjawangwa Dema. Winner of the Sillerman First Book Prize for African Poets, Dema’s collection, The Careless Seamstress, evokes the national and the subjective while reemphasizing that what is personal is always political. The girls and women in these poems are not mere objects; they speak, labor, and gaze back, with difficulty and consequence. The tropes are familiar, but in their animation they question and move in unexpected ways.

Faydé ha preso la sua decisione. Andrà a Maroua, a servizio nella casa di qualche fulani benestante, come hanno fatto le sue amiche, che tornano al villaggio per le festività ben vestite e cariche di doni per le proprie famiglie. Per sua madre, Kondem, la sola idea è insopportabile. Lei sa bene che vita fanno le domestiche in città, e non vuole che sua figlia sperimenti sulla propria pelle la stessa sofferenza e la stessa umiliazione che l'hanno fatta tornare in montagna giurando: mai più.

Loving the Dying is a collection of poems on life’s different stages. Set against the backdrop of a conflicted society, Len Verwey looks at a person’s life from youth and growing up to aging and dying, considering what the ineluctable reality of death might imply about how we should think about our lives. These are poems of uncertainty rather than certainty. The more overtly biographical ones end with as many questions as they start with, and there is often sympathy for the outsider or the marginalized voice.

South Africa is a complicated, contradictory, and haunted place. Len Verwey captures the trajectory of life in such a place, dealing with childhood, war, marriage, divorce, and death. He explores the challenges posed by place and history, shared identities, deep embeddedness in the continent, and the legacies of violence and exclusion, as well as beauty. Verwey offers poems that speak of uncertainty, ask questions, and challenge simplistic and scapegoating narratives that become so tempting when living in a society undergoing intense social and economic pressure.

In A Delicate Delivery, Ndaba Sibanda masterfully weaves words into powerful poetic tapestries, unveiling the silenced struggles, uncelebrated triumphs, and raw resilience of Africa's unsung heroes. With evocative imagery and poignant rhythm, these poems echo the unheeded cries of history, the weight of injustice, and the enduring spirit of those who fought, suffered, and dreamed of a better tomorrow.

À la fin du XIXe siècle, Bilal Seck achève un pèlerinage à La Mecque et s'apprête à rentrer à Saint-Louis du Sénégal. Une épidémie de choléra décime alors la région, mais Bilal en réchappe, sous le regard incrédule d'un médecin français qui cherche à percer les secrets de son immunité. Ce chemin, Bilal l'emprunte à son tour, vers son pays natal, en passant par Djenné, la cité rouge, où vint buter un temps le voyage d'Ounifer et de son peuple.

Abdulrazak Gurnah erzählt klug, mit Wärme und Humor aus dem heutigen Leben junger tansanischer Weltbürger – gelesen von Richard Barenberg Tansania, heute. Drei junge Menschen wachsen hier auf: Karim, der nach seinem Studium mit Ehrgeiz und großen Ideen in seine verschlafene Heimatstadt Daressalam zurückkehrt. Fauzia, die in Karim nicht nur ihren geliebten Partner, sondern auch die Chance sieht, einer allzu behüteten Kindheit zu entkommen.

En 1994, alors que l'Algérie s'enfonce dans la violence, ses parents choisissent de retourner s'y installer avec leurs enfants. Le lendemain de leur arrivée, la voiture familiale tombe sur un faux barrage tenu par le GIA, le Groupe islamique armé, premier événement d'une série de tragédies liées à la décennie noire. Pourquoi ses parents ont-ils voulu rentrer alors que tous ceux qui le peuvent fuient le pays ? Comment se construire lorsque le passé hante et dévore vos nuits ?

À la mort de sa mère, Youssef, un professeur marocain exilé en France depuis un quart de siècle, revient à Salé, sa ville natale, à la demande de ses sœurs, pour liquider l'héritage familial. À travers lui, les voix du passé résonnent et l'interpellent, dont celle de Najib, son ami et amant de jeunesse au destin tragique, happé par le trafic de drogue et la corruption d'un colonel de l'armée du roi Hassan II.

What if words were the ultimate weapon? Welcome to The G.R.I.O.T. (The Gods Revel In Our Talents)—a groundbreaking cinematic spoken word journey where poetry fuels revolution, mythology meets reality, and truth is forged in the heat of battle. In the legendary Tournament of Ascension, warriors don’t fight with swords—they fight with their voices. 'The Nubian', an unknown poet with no rank or history, steps into the Celestial Coliseum, where gods, spirits, and oppressive systems await his challenge. With every verse, he shatters illusions, topples false kings, and reclaims lost narratives.

An epic take on the white slave trade by Barbary pirates, centreing on the most famous buccaneer of the Salle Rovers—Jan Janszoon Van Haarlem. This novel-length narrative poem is set over six books, all interconnected but each telling its own separate and unique story.

"Imbuidos de afán de no dejar morir el bagaje de la imaginación africana, de la imaginación negra, de la imaginación que no sale de leer ni escribir, Amalialú y yo nos encontramos. Es seguro que los cuentos del Chocó no son africanos, son chocoanos, pero, aunque en algo del fondo, sí lo son. También son africanos. Son negros. Son nuestros". Por Arnoldo Palacios

In Time and Songs of the River Men, Chinaka philosophises existence with an almost unflinching enthusiasm that transcends wandering, for although he describes himself as a "wanderer," it's obvious that the wealth of experience and philosophical insights engrafted in the poems surpass wandering, especially the metaphysical poems about 'life,' 'death,' and 'time'-the very essence of being. Chinaka puts on the gift of garb of an existentialist here.

In her dedication Safia Elhillo writes, “The January Children are the generation born in Sudan under British occupation, where children were assigned birth years by height, all given the birth date January 1.” What follows is a deeply personal collection of poems that describe the experience of navigating the postcolonial world as a stranger in one’s own land. The January Children depicts displacement and longing while also questioning accepted truths about geography, history, nationhood, and home.

A Swirl of Dust in Bulawayo by Ndaba Sibanda is a poignant collection of poems that captures the essence of life in Zimbabwe. Through vivid imagery and powerful language, Sibanda explores themes of love, loss, resilience, and hope, all set against the backdrop of Bulawayo. This striking work offers an intimate glimpse into the struggles and triumphs of a nation, making it a compelling listen for those seeking to understand the heart of Zimbabwe.

This audiobook explores what it means to love after the rush, in the quiet space where staying becomes the most romantic act of all.

The Teeth of GiantsIn the most savage wilderness on the planet, the Chinese crime cartels hunted the elephants for their ivory. And nobody dared to cross them... Could one man help to put an end to this horrific trade? He was an old friend. His death was suspicious. At the least, ex-special forces soldier Jason Green had to return to Africa to pay his respects. He never intended to get caught up in the murky world of the illegal ivory trade. And falling for a hot-blooded television reporter wasn't part of the plan either.