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What elevates Teaching My Mother How to Give Birth, what gives the poems their disturbing brilliance, is Warsan Shire's ability to give simple, beautiful eloquence to the veiled world where sensuality lives in the dominant narrative of Islam, reclaiming the more nuanced truths of earlier times - as in Tayeb Salih's work - and translating to the realm of lyric the work of the likes of Nawal El Saadawi.

A new century, and a time of celebration, for family, marriages and children, and a necessity to expand the business. It is also a time for sadness, suffering and loss; Mother Africa does not change her rules for anyone. When all is against the Langbourne brothers, a higher loyalty must prevail.

There is something about the boy. When he is angry, clouds darken. When he cries, rivers burst their banks. And when he touches a basketball, deities want courtside seats. Half Nigerian mortal, half Grecian god: Demi is the Half-God of Rainfall. His mother, Modupe, looks on with a mixture of pride and worry. From close encounters, she knows that gods are just like men: the same fragile egos, the same subsequent fury, the same sense of entitlement to the bodies of mortals. The gods will one day tire of sports fans, their fickle allegiances and their prayers to Demi.

أكثر ما أرهقني، في التصاق كولمبس وامرأته بي، هو أنني لم أعد أجد وقتًا لمحاولة تخمينك، وكلما جلست مطأطأ النوم، وواسع الأرق، لأحياك كما أريد، وأحيك دسائس الحب وتوعكاته، وخسائره وانتصاراته، أفاجأ بجاريّ، شرهين وواسعي الابتسامات، يتسليان بعورات بيتي، المرأة تفتح خزانتي بلا مناسبة، وتغلقها، ترتب سريري بحسب ذوقها، تغسل أطباقًا للطعام، ربما تركتها متسخة، تنحني لتكنس غرفتي وصالتي الضيقة، تطبخ لي ما تعتقد أنني أفضله، ولا أتذوق منه الكثير حقيقة، وأنتبه إلى لهاثها المجنون، وأترجاها أن تكف ولا تكف، والزوج، منكفئًا على وسادتي، تلك التي طرزتها بدموعي

African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives.

The Journey Back is the blistering sequel to The Journey. Kalu is a doctor, who escaped an extremist revolution in Nigeria. He tried to get his family across the Sahara to look for passage to the safety of Europe but they were duped by ruthless people traffickers and his wife and two daughters were lost at sea. Fast forward twenty-years and his daughter, Kissie is in Ukraine when Russian tanks cross the border and his family are in terrible danger again.

In these eclectic mix of riveting short stories, Sade Adeniran the award-winning author of Imagine This, explores a selection of shorts that range from love at first sight in Tube Ride, to a chilling encounter with a painting, in The Painting. Some of the stories are steeped in sorrow, others put a smile on your face.

In The New Carthaginians, time – and with it the world – is out of joint. A hijacked plane lands at Entebbe International Airport in 1976, triggering the crisis that will lead to Idi Amin’s Uganda becoming a pariah state and, within a few years, to the young Nick Makoha’s flight from the country. A mysterious writer daubs poetic slogans on the walls of late-’70s New York City, signing them SAMO©. Concerned throughout with flight and falling, the sample and the loop, The New Carthaginians is a poetry collection of staggering originality.

Laurel Sibanda is a Zimbabwean-British writer and poet currently living in Southeast England. She holds a Bachelor of Arts degree in English with American Literature. This is her first poetry collection, exploring identity, mental health, generational trauma, and her relationship with poetry.

Shad-Dari has escaped her past, her dreams now in reach. An excavator of the valuable old sounds of Órino-Rin, she steals tiny, unheard fragments of the sacred songs to erase the painful echo of her home planet, Ekwukwe. In one rebellion too far, she sets off a chain of events that severs her from time itself, forcing her, without another way forward, to face her past.

Tales from the Eastern Cape, gathered in 1886.

In the Early settler days, the British did more than go to war. Many found the local folklore and beliefs fascinating, and collected them together. This is one of the first explorations of South African folk tales.

“The poet is endemic with life itself,” Will Alexander once said, and in this searing pas de trois, Refractive Africa: Ballet of the Forgotten, he has exemplified this vital candescence with a transpersonal amplification worthy of the Cambrian explosion. “This being the ballet of the forgotten,” he writes as diasporic witness, “of refracted boundary points as venom.” The volume’s opening poem pays homage to the innovative Nigerian-Yoruban author Amos Tutuola; it ends with an encomium to the modernist Malagasy poet Jean-Joseph Rabearivelo.

From Malawian storyteller Upile Chisala comes a collection of poetry and prose exploring the self, joy, Blackness, gender, matters of the heart, spirituality, the experience of Diaspora, and above all, how we survive. Told in five parts, soft magic is a shared healing journey.

From beloved Malawian storyteller Upile Chisala comes the revised and expanded edition of her second collection of poetry. In nectar, Chisala guides listeners through a beautiful process of growth and renewal. These poems celebrate our always complex, sometimes troubled roots while encouraging us to grow through and beyond them toward a passionate self-love. Chisala’s hope is that her words will encourage listeners to sow seeds of change in their own lives and the lives of others.

I want you to know that I see you. I want you to know that even if no one else does, even if you are a ghost in this bookshop, or just the static floating across the screen of your computer, wherever you’re reading this, I see you. I see you in the dark and I see you in the grey. I see you as a story, as words I have spoken or may yet speak. Maybe only in a memory or a dream. I see your hands and your arms and your body and your legs and your face and I see what you have been and what you will be.

Chameleon Aura presents a harmonious blend of experience and advice through a chaptered series of prose and poetry that focuses on shared experiences in love and loss. Chapata's touching narrative celebrates humanity for their biological resilience and undeniable worth. This collection leaves listeners warm with hope for growth, rebirth, and, most prominently, self-acceptance.

As Soft as Fire collects Upile Chisala’s three acclaimed poetry books—soft magic, nectar, and a fire like you—in audiobook form, complete with the author’s reflections on her inspiration and process. soft magic, Chisala’s debut collection, explores themes of survival and healing; nectar expands on the topics of growth and renewal despite hardship; and a fire like you, her most recent collection, celebrates self-love and desire.

In this never-before-published collection, poet Upile Chisala grapples with themes of love, loss, and desire. Throughout this third book, she explores her identity as a black Malawian woman, offering intimate reflections on her life and experiences, imparting a stirring, universal message of empowerment and self-love.

Persévère partage avec vous des pensées édifiantes sur l'amour, la solitude et les relations humaines. Vous serez inspirés. Vous vous sentirez moins seuls et vous serez encouragés à approcher la vie avec une rare confiance en soi.