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‘darakht kaa darpaṇa’ ek visheṣ kavitaa-sngrah hai. Is sngrah kee kavitaa_en adhyaatm aur jeevan darshan par aadhaarit hain. Jeevan kaa mukhy uddeshy jeevan maraṇa ke chakravyooh se mukt honaa hai, isake lie shaastron men chaar mukhy maarg kaa varṇaan kiyaa gayaa hai jisamen bhakti aur prem maarg sabase lokapriy hai.

Raghupati Sahay, jinhein duniya Firaaq Gorakhpuri ke naam se jyaada pehchaanti hai, ek lekhak, shayar, kavi, samalochak aur apne samay ke mashoor Urdu lekhak-kavi hue hain.

Mohammad Iqbal was a poet and political philosopher who is known both for his poetry and his ideas that were influential in the creation of Pakistan. Mohammad Iqbal was born in Sialkot, Punjab, in 1877 and graduated from Government College, Lahore, with a master's degree in philosophy. He then taught there until 1905. This book presents a collection of some of the best poems and ghazals of Iqbal, along with their English translation as well as transliteration so that the listeners can enjoy the original flavor of Urdu poetry.

'iraaq’ saahab ne anginat ghazalein, nazmein, rubaayiyaan, katye, ityaadi likhein hain. Samalochak bhi vah ucch-koti ke the lekin smaran ve sadaa apni ghazalon aur ghazalon ke unn sheron ke kaaran kiye jaayeingay jinki sankhya sainkdon tak pahuchti hai aur jo nihsandeh classic ka darza rakhte hain, unhee sheron ke kaaran jinmein tassafuk ghazal ki paramparaagat kathavastu se lekar raajneeti aur varFg-sangharsh tak sabhi kuch hai. Mashhoor shayar Firaaq Gorakhpuri ki chuni hui behtareen ghazalon ka sankalan hai Sargam.

Talkhiyan literally means ‘bitterness’ and was written in the poet’s student days. He discovered his unique style of expression by weaving his poetry with shades of bitterness that captured the decadence of the contemporary world. His romanticism was not in praising beauty or the consuming passion of love, but in sensitively urging the reader to empathise with other challenges of the world. His heart went out to the suffering of people in war, debt, poverty, homelessness, political conflict and gender inequality.

Dr. Bashir Badra is considered an poet of such stature, who has not only transcended into his readers' hearts and minds through the fame of his published couplets but also into the literary hall of fame of well-received poets. For his contribution to Urdu and Hindi literature, he was awarded the prestigious Padma Shree in 1995. Dr. Badra has been a part of many prestigious mushayraas world over. Dr. Badra's style of poetry resonates with the common man and demystifies the world of Urdu shayari while staying true to its essence.

Nainai has lived in Shanghai for many years, and the time has come to find a wife for her adopted grandson. But when the bride she has chosen arrives from the countryside, it soon becomes clear that the orphaned girl has ideas of her own. Her name is Fu Ping, and the more she explores the residential lanes and courtyards behind Shanghai’s busy shopping streets, the less she wants to return to the country as a dutiful wife. As Fu Ping wavers over her future, she learns the city through the stories of the nannies, handymen, and garbage collectors of postwar Shanghai....

Naraz has many references that reflect the resenting virtue of Rahat Indori. A lyricist of films par excellence, and a master of literature in college, he is a famous poet loved by all - who also accomplishes in playing with colours and lines. Besides all these traits, he is also able to discern the inner and outer dilemmas of people against the political and social backdrop.

Do Kadam Aur Sahi is an excellent compilation of selected poems by the renowned Urdu poet Rahat Indoori. The compiler, Sachin Chaudhary, has named the collection as ‘selected pearls of the ocean’. The magic that flows from the pen of Rahat Indauri gives a different feeling.

The compositions of Wasim Barelvi, an exponent of Moradabadi School of poetry, appeal to the classes and masses alike. Charag is a compilation of these works. Known for his deft handling of easy and everyday language, the poetry of Wasim wins the hearts of all. It also shows Wasim Barelvi’s engagement with contemporary times and its issues. His poems do not just dwell in any imaginary world, but contemporary problems and events form an integral part of his repertoire, which makes his works more relevant.

Gautam Rajrishi - a name that has emerged as a refreshing change in modern poetry of Hindi literature. Who would have imagined that a serving colonel of Indian army would introduce us to a new style of Ghazals? And that is precisely what he does, with ease and panache...dismantling all the stereotyped images we have harbored in our minds. He picks up his words from our daily life, giving them a sublime bliss that we have never seen before in Ghazals.

Luka-Jhanki, by Darpan Sah, is an anthology of anti-poems! The poet’s works are deeply philosophical and evocatively esoteric in nature, they arouse the listener’s most intense emotions. Darpan Sah’s poetry guides you only halfway to an ontological understanding of his poems. You will find yourself left alone at the right point of time to ponder the bigger questions of life all by yourself and to interpret each piece of his poetry in your own way.

Khair Chhodo is a niche collection of poems written by Vishwa Deepak. In this book, the poet has tried to include poems on various emotions like love, valor, revolution, family relations, etc. The metaphors and similes used in his poems are refreshingly new, and the abstract references used by him in some places enchant you. But the real treat for the listener will be the introduction of a relatively new genre called Triveni.

Mirza Ghalib was an Urdu poet who is known for his unique and smooth style of writing. This book is a compilation of the events which happened throughout his life, along with few of the poems written by him. The poems in this book are an ideal listen for people who are fascinated by Urdu poetry but do not understand the nastaliq, the script in which Urdu is written.

Il est parfois plus difficile de respirer en dehors de l'eau que dans les profondeurs des vastes océans... Sur l'île de Jeju, au sud de la Corée, Hana et sa petite sœur Emi appartiennent à la communauté haenyeo, au sein de laquelle ce sont les femmes qui font vivre leur famille en pêchant en apnée. Un jour, alors qu'Hana est en mer, elle aperçoit un soldat japonais sur la plage qui se dirige vers Emi. Aux deux filles on a maintes fois répété de ne jamais se retrouver seules avec un soldat.

R.K. Narayan’s reputation as one of the founding figures of Indian writing in English is re-examined in this comprehensive study of his fiction, which offers detailed readings of all his novels. Arguing against views that have seen Narayan as a chronicler of “authentic” Indianness, John Thieme locates his fiction in terms of its specific South Indian contexts and cultural geography and its non-Indian intertexts.

Ghalib is the greatest Urdu poet and one of the greatest in any Indian language. He would rank perhaps among the great poets of the world. With Meer Ghalib, Iqbal and Faiz, to name only four, the firmament of Urdu poetry is truly star studded, with numerous starlets strewn around. Ghalib has not only a pride of place among them; his stature is growing with every passing decade. In fact it is well nigh impossible to do full justice to his poetry, particularly the ghazal in translation. The best that could be done was to translate the verses into independent rhymed couplets.

This Hindi play by Mohan Rakesh debuted in 1958 and is considered the first modern Hindi play. The play received a Sangeet Natak Akademi Award for best play in 1959. Before this play was written, Hindi plays were either idealistic or didactic, devoid of any connection with contemporary reality; above all their language remained the language of literature, which wasn't suitable for the stage. This play changed it all. Mohan Rakesh went on to write two more plays and left one unfinished at the time of his death in 1972.

This book revolves around the life of renowned Indian Urdu poet and lyricist of films in Hindi, Majrooh Sultanpuri. This book describes his life and career as an Urdu poet, lyricist, and songwriter in the Hindi film industry. He has written lyrics for a number of Hindi–Urdu soundtracks. He was one of the most dominant figures in Indian Urdu poetry and is still considered to be one of the finest avant-garde poets of 20th-century Urdu literature.

The position which Allama Iqbal holds in the world of Urdu literature is equivalent to what Rabindranath Tagore means for Bengali literature. He is famous for his thought-provoking style of writing and Sufi poetry. But Iqbal stands apart from the rest of his time for the inclusion of certain unique elements in his works, like description of nature, nuances of patriotism, love for the nation and the importance of fostering religious tolerance. This book by Prakash Pandit outlines his life story and the important literary elements of his poetry.