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Before Ellie Spencer came to Sims Chapel and caught Jack Bennett’s eye, Sara Coffee had been the brightest star in his universe. Having grown up together, Sara and Jack were best friends, their bond as deep as the river that formed the lake where they spent countless summer days fishing and sharing dreams. But then Ellie Spencer happened, and everything changed. Desperate to keep Jack’s attention, Sara takes matters into her own hands, ending the blossoming romance before it has a chance to fully bloom. Twelve years later, Sara appears to have it all—including Jack.

In There is No Humor in Heaven, Dwayne Eutsey challenges the persistent view of Twain as a hostile critic of religion by placing him within the prevailing liberal religious ethos of his time. Eutsey contends Twain’s vocation as a humorist was rooted in his frustrated youthful ambition to become a preacher of the Gospel. Throughout his life, his friendships with several influential liberal ministers, each of them espousing various forms of the era’s diverse progressive theology, informed not only Twain’s evolving religious worldview but his lecture performances and literary output.

In Ed Park’s utterly original collection, An Oral History of Atlantis, characters question the fleetingness of youth and art, reckon with the consequences of the everyday, and find solace in the absurd, the beautiful, and the sublime. Throughout, Park deploys his trademark wit to create a world both strikingly recognizable and delightfully other. All together, these sixteen stories have much to say about the meaning—and transitory nature—of our lives. And they are proof positive that Ed Park is one of the most insightful and imaginative writers working today.

Gracie Harris never intended to become the queen of grief. But when an essay she writes the night of her husband Ben’s memorial goes viral, she lands a popular column on love and loss and an impressive book deal. Now, the biggest tragedy of her life is the center of her world. With a looming book deadline and her kids at summer camp, Gracie escapes for a summer of solitude to the ramshackle mountain house she and Ben bought for their family before his death. When charming contractor Josh arrives on her doorstep to help renovate the home, Gracie discovers an unexpected connection.

Within the shores of Isla Bestia, guests from around the world discover a utopia of ever-changing performances, sumptuous feasts and beautiful monsters. Many enter, but few ever leave—the wine is simply too sweet, the music too fine and the revelry endless. Sofía, a freedwoman from a nearby colonized island, cares little for this revelry. Born an enslaved mestiza on a tobacco plantation, she has neither wealth nor title, only a scholarly pragmatism and a hunger for answers. She travels to el Carnaval de Bestias in search of her twin brother, who disappeared five years ago.

Patricia Campbell’s life has never felt smaller. Her husband is a workaholic, her teenage kids have their own lives, her senile mother-in-law needs constant care, and she’s always a step behind on her endless to-do list. The only thing keeping her sane is her book club, a close-knit group of Charleston women united by their love of true crime. At these meetings they’re as likely to talk about the Manson family as they are about their own families.

A second chance stand-alone from small-town romance author Brooke Montgomery about a literary agent from NYC who returns to her Southern hometown and the cowboy high school sweetheart she left behind…

José Fernandez, el protagonista de la novela que presentamos, es un joven aristócrata bogotano que, durante una velada a finales del siglo XIX, y a petición de sus amigos más cercanos, lee de su diario las entradas correspondientes a un periodo de su vida en que viajó y vivió en Europa y en el que conoció y sufrió por cuenta de un enamoramiento que casi lo lleva a la tumba.

Un sorbo amargo, latidos descompasados, la presencia inminente de la emoción y el miedo. Marion y Paris: una pareja joven que se expone de continuo a transgresiones en la búsqueda de experiencias extremas. Narcotizados por las sensaciones que les regala la química de sus cuerpos puestos al límite, se desenvolverán en una atmósfera nebulosa que los llevará a crear una complicidad perversa e irrenunciable. Sin remedio, su futuro cambiará y los empujará por escenarios llenos de los más bajos instintos del ser humano.

When a tornado nearly wipes the town of Croy, Oklahoma, off the map, Lerner Alquist, its wealthiest citizen, vows to memorialize the wife he lost by building a magnificent library. It is a splendid goal, but hard times keep delaying it. By 1952, Alquist needs one final ornament to make it complete: a sculpture over the main entrance. Pursuing that vision sets in motion a series of events that uncovers the racism, religious bigotry, and sexual tensions that underlie the town.

In Driving Lessons, Christopher B. Strain sets out on a quintessential American road trip, exploring not just the roads and byways of the country but the road trip's place in American culture. Strain dives into the well of American travel writing, illuminating fascinating aspects of the road trip, such as how race, class, and gender shape the experiences of road trippers.

Benjamin lives with a name he hates in a run-down San Francisco apartment, until his brother Billy finds him. Billy's a war veteran who sleeps under a bridge with his loyal band of phone thieves, trying to avoid the police and the VA. Thirty years earlier, Benjamin had an Ivy League degree and was getting noticed for his Peace Corps work on the Ecuadorian coast. But Felicia also noticed, seducing him into a life of cajoling secrets from others to be peddled to the highest bidder. Felicia's talented protégé lived a privileged life until he made a mistake and had to flee with the name Gloria.

It’s January 2020, and Miriam is already getting a sense that the world might be ending. First, she learns that her best friend, Esther, has died. Then her faith in God—in everything, really—follows suit. Her job teaching Scripture at a private Christian school suddenly seems untenable, so she quits. Thankfully, the postal service is hiring. While Miriam finds comfort in her route, the mail truck can hardly outpace the memory of her lost friend and eroded faith.

When I’m offered a spot in the best business incubator in the world, I jump at the chance. There’s one catch. I have to send letters to the mysterious billionaire who funds the program. It’s a world I don’t belong to. Luckily, I meet Javier Pendleton. He’s alluring, confident, and fits in with this crowd. We get close, dancing and watching fireworks together… Until it’s clear we both want more. He looks at my curves like he craves them, and his serious blue eyes and reluctant smile drive me wild. Soon I can’t hold back— But kissing him is a mistake.

Will Alexander is the sheriff in a small town in southern Appalachia, and he knows that the local thug Holland Winchester has been murdered. The only thing is the sheriff can find neither the body nor someone to attest to the killing. Simply, almost elementally told through the voices of the sheriff, a local farmer, his beautiful wife, their son, and the sheriff's deputy, One Foot in Eden signals the bellwether arrival of Ron Rash, one the most mature and distinctive voices in Southern literature.

It is 1978, and Nieve finds herself caught between the tides of her parents' turbulent relationship and a country in turmoil. To try to control her situation, she begins to record the intimate and harsh details of her life in her diary. Becoming her sole means of expression, the diary is her only constant and her only friend.

Five years after they thought they’d said goodbye forever, a group of sorority sisters find themselves back at the University of Alabama for Rush Week. Some return to rekindle their friendships, and others to keep long silent secrets from being exhumed. Unbeknownst to them at the time, the infamous “Spill Book” they wrote confessions in as a trust (hazing) exercise over the years was placed into a time capsule—now it’s been stolen, and the anonymous thief is threatening to expose them all on Bid Day.

As a child, Phoebe Manigault developed the gift of premonition after she was struck by lightning in the creeks near her Charleston home. Plagued throughout her life by mysterious dreams, and always living in the shadow of her beautiful sister, Addie, Phoebe eventually moves to the West Coast, as far from her family as possible. Now, years later, she is summoned back to South Carolina, to help Addie care for their ailing mother. As Phoebe’s return lures her back into deep-rooted tensions and conflicts, she is drawn toward Celeste, whose granddaughter went missing years ago.

Southern Bred is a haunting, powerful collection of gothic poems that captivate and transport the listener into the heart and soul of the Deep South. Each poem offers a glimpse into its mystery and enchantment, drawing you in with a blend of beauty and darkness. In the style of a memoir in verse, it showcases Ghigna’s southern soul and his tender, yet piercing language, and affirms his place as one of the finest poets of our time.

Etienne Arceneaux, a Louisiana game warden and lifelong son of the bayou, is used to quiet patrols, half-full ice chests, and the occasional drunk fisherman. But when he finds an abandoned skiff stuck on an oyster bed—gear intact, no sign of struggle—something feels wrong. Then he realizes it belonged to Ben, a childhood friend he hasn’t seen in years. A good fisherman. As Tee begins to ask questions, the answers grow darker: fishermen going missing, shrimpers whispering about boats running at night, and bodies turning up in pieces—picked apart by more than crabs.