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The child of a married Japanese aristocrat and her African American GI lover, Nori is an outsider from birth. Her grandparents take her in, only to conceal her, fearful of a stain on the royal pedigree that they are desperate to uphold in a changing Japan. Obedient to a fault, Nori accepts her solitary life, despite her natural intellect and curiosity.

For the tourists traveling on Henry Flagler’s legendary Overseas Railroad, Labor Day weekend is an opportunity to forget the economic depression gripping the nation. But one person’s paradise can be another’s prison, and Key West-native Helen Berner yearns to escape. After the Cuban Revolution of 1933 leaves Mirta Perez’s family in a precarious position, she agrees to an arranged marriage with a notorious American.

So begins Benjamin Taylor's Here We Are, the unvarnished portrait of his best friend and one of America's greatest writers. Needless to say, Philip Roth's place in the canon is secure, but what is less clear is what the man himself was like. In Here We Are, Benjamin Taylor's beautifully constructed memoir, we see him as a mortal man, experiencing the joys and sorrows of aging, reflecting on his own writing, and doing something we all love to do: passing the time in the company of his closest friend.

What would you do if you knew your life's potential? That's the question facing the residents of Deerfield, Louisiana, when the DNAMIX machine appears in their local grocery store. It's nothing to look at, really—it resembles a plain photo booth. But its promise is amazing: With just a quick swab of your cheek and two dollars, the device claims to use the science of DNA to tell you your life's potential. With enough credibility to make the townspeople curious, soon the former teachers, nurses, and shopkeepers of Deerfield are abruptly changing course to pursue their destinies.

At 33, Andrea Tang is living the dream: She has a successful career as a lawyer, a posh condo, and a clutch of fun-loving friends who are always in the know about Singapore's hottest clubs and restaurants. All she has to do is make partner at her law firm and she will have achieved everything she's worked for. And if she's about to become the lone unmarried member of her generation in the Tang clan - a disappointment her meddling Chinese Malaysian family won't let her forget - well, who needs a husband, anyway?

Ba dies in the night; Ma is already gone. Newly orphaned children of immigrants, Lucy and Sam are suddenly alone in a land that refutes their existence. Fleeing the threats of their Western mining town, they set off to bury their father in the only way that will set them free from their past. Along the way, they encounter giant buffalo bones, tiger paw prints, and the specters of a ravaged landscape as well as family secrets, sibling rivalry, and glimpses of a different kind of future.

Ever since she can remember, Vanessa has been able to see people's fortunes at the bottom of their teacups. To avoid blurting out their fortunes, she converts to coffee, but somehow, fortunes escape and find a way to complicate her life and the ones of those around her. To add to this plight, her romance life is so nonexistent that her parents enlist the services of a matchmaking expert from Shanghai.

Over four decades, Carolyn Forché's visionary work has reinvigorated poetry's power to awaken the reader. Her groundbreaking poems have been testimonies, inquiries, and wonderments. They daringly map a territory where poetry asserts our inexhaustible responsibility to each other. Her first new collection in 17 years, In the Lateness of the World is a tenebrous book of crossings, of migrations across oceans and borders but also between the present and the past, life and death.

As the creator of "Cathy", Cathy Guisewite found her way into the hearts of fans more than 40 years ago and has been there ever since. Her hilarious and deeply relatable look at the challenges of womanhood in a changing world became a cultural touchstone for women everywhere. Now, Guisewite returns with her signature wit and warmth in this debut essay collection about another time of big transition, when everything starts changing and disappearing without permission: aging parents, aging children, aging self stuck in the middle.

Migration. Betrayal. Family secrets. Doomed love. Uncertain futures. In Daniel Alarcón's hands, these are transformed into deeply human stories with high-stakes. In "The Thousands", people are on the move and forging new paths; hope and heartbreak abound. A man deals with the fallout of his blind relatives' mysterious deaths and his father's mental breakdown and incarceration in "The Bridge". A gang member discovers a way to forgiveness and redemption through the haze of violence and trauma in "The Ballad of Rocky Rontal".

Two sisters - Miranda, the older, responsible one, always her younger sister's protector; Lucia, the headstrong, unpredictable one, whose impulses are huge and, often, life changing. When their mother dies and Lucia starts hearing voices, it is Miranda who must find a way to reach her sister. But Lucia impetuously plows ahead, marrying a bighearted, older man only to leave him, suddenly, to have a baby with a young Latino immigrant.

As a child Gifty would ask her parents to tell the story of their journey from Ghana to Alabama, seeking escape in myths of heroism and romance. When her father and brother succumb to the hard reality of immigrant life in the American South, their family of four becomes two - and the life Gifty dreamed of slips away. Years later, desperate to understand the opioid addiction that destroyed her brother's life, she turns to science for answers. But when her mother comes to stay, Gifty soon learns that the roots of their tangled traumas reach farther than she ever thought.

One day, while browsing an antique store in Helena, Montana, photographer Tyler Knott Gregson stumbled upon a vintage Remington typewriter for sale. Standing up and using a page from a broken book he was buying for two dollars, he typed a poem without thinking, without planning, and without the ability to revise anything. He fell in love. Three years and almost 1,000 poems later, Tyler is now known as the creator of the Typewriter Series: a striking collection of poems typed onto found scraps of paper or created via blackout method.

One summer, a teenager disappears from Deep Valley, Pennsylvania. She is beautiful, intelligent, richer than most in those parts - and black. The cops search for her, but not as hard as they would if she were a white girl. Watching this drama unfold is Cindy, a younger girl from a white trash family. She has idolised Jude for years, yearning for her glamour, her popularity, her loving home and decent chance in life. And so, in the absence of anyone to give a damn where she goes or what becomes of her, Cindy starts to slip out of her own skin and into the space Jude left behind....

Twenty-five years after its original publication, Do I Have to Say Hello? Aunt Delia’s Manners Quiz for Kids and Their Grown-ups is back, and do we and our kids all need it. In a series of light-hearted multiple choice quizzes, alternate scenarios, and true-or-false questions, Delia Ephron and Edward Koren, the author and illustrator team who brought us the best-selling How to Eat Like a Child, depict a range of possibilities that reflect life as it is as well as life as it ought to be.

One day, while browsing an antique store in Helena, Montana, photographer Tyler Knott Gregson stumbled upon a vintage Remington typewriter for sale. Standing up and using a page from a broken book he was buying for $2, he typed a poem without thinking, without planning, and without the ability to revise anything.

May 1998: Mimi Traung and her baby daughter Ngan wait restlessly at the gates of Philadelphia airport. There is still a day’s travelling left before they would land back home on Vietnamese soil. While they prepare to board, the unimaginable happens. Seventeen years later, two best friends are discussing their summer plans before college over a piece of mooncake. Both have trips ahead in search of their roots: Sabrina is preparing to travel to China to meet her mother’s family.

As the youngest and most rebellious daughter of the overly protective Luna family, Gabriela Luna Valdés claws after her freedom in any way she can. This time, her hunger for adventure has led her aboard a windswept ship bearing for her homeland, away from a mob of fumbling British suitors. But Gabby can’t escape her father’s expectation that she settle down to find a proper husband—a compromise she’s unwilling to make.

Veronica is late, and Julián is increasingly convinced she won't ever come home. To pass the time, he improvises a story about trees to coax his stepdaughter, Daniela, to sleep. He has made a life as a literature professor, developing a novel about a man tending to a bonsai tree on the weekends. He is a narrator, an architect, a chronicler of other people's stories. But as the night stretches on before him, and the hours pass with no sign of Veronica, Julián finds himself caught up in the slipstream of the story of his life—of their lives together.

A mail order bride from Taiwan is packed up in a cardboard box and sent via express shipping to California, where her much older husband awaits her. Two teenage girls meticulously plan how to kill and cook their downstairs neighbor. An American au pair moves to Paris to find herself, only to find her actual French doppelgänger. A father reunites with his estranged daughter in unusual circumstances: as a background actor on the set of her film.