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No one can deny that Beatrice McCoy is tough. As the second in command of a large pack, she's had to be. But when one werewolf in particular wanders into her life, she finds she's got a soft spot for him and she hates that. Despite her best efforts, she's unable to resist his mysterious charms and dark green stare. When the fiery passion between them is stoked to life, no one is safe from the fallout. Can she let down her guard long enough to let him in? Or will his age-old heartache and guilt stand in the way of their future together?

Callista McCoy is a strong, well-educated werewolf with no desire for a mate. She's seen what happens when you love too deeply and wants to avoid it at all costs. Her work as an environmental scientist and activist is enough to keep her busy. But when one of the new wolves in her pack starts to make her feel things she thought she'd successfully suppressed, her only hope is to ignore him. Wyatt Carter's only concerns are taking care of his sick mother and proving his worth to his new pack. But the moment he gets a look at his new alpha's sister, all bets are off.

JARED - If I had a dollar for every time Banner Morales made my heart skip a beat...The heart everyone assumes is frozen over. Her anger is...arousing. Every glare from those fire-spitting eyes, every time she grits her teeth, gets me...well, you know. If I had a dollar for every time she's put me in my place, I'd be an even richer man. I'm a successful sports agent because I assume "no" means you'll think about it. I'm sure what you meant to say is, "Coming right up." They say even rich men don't always get what they want, but those men don't know how to play the game.

The linked stories in Mama Said are set in Louisville, Kentucky, a city with a rich history steeped in tobacco, bourbon, and gambling, indulgences that can quickly become gripping and destructive vices. Set amid the tail end of the crack epidemic and the rise of the opioid crisis, Mama Said evokes Black family life in all its complexity, following JayLynn, along with her cousins Zaria and Angel, as they come of age struggling against their mothers' drug addictions.

On March 23, 1849, Henry Brown climbed into a large wooden postal crate and was mailed from slavery in Richmond, Virginia, to freedom in Philadelphia, Pennsylvania. "Box Brown," as he came to be known after this astounding feat, went on to carve out a career as an abolitionist speaker, actor, magician, hypnotist, and even faith healer. The Many Resurrections of Henry Box Brown is the first book to show how subversive performances were woven into Brown's entire life, from his early days practicing magic in Virginia while enslaved, to his last shows in Canada and England in the 1890s.

Years ago, yellow fever gripped the small lakeside town of Prosper, Arkansas. At the height of that summer swelter, in the wake of an unexpected storm, the dam failed and the valley flooded—drowning the town and everyone trapped inside. The secrets of old Prosper drowned with them. Now, decades later, when a mysterious locked box is pulled from the depths of the lake, three descendants of that long-ago tragedy are hurled into another feverish summer.

Ellie stops for a friendly chat with gardener Eduardo Fuentes while patrolling one of Los Angeles's premier concert halls. A few minutes later she's shocked to discover him lying at the bottom of a staircase, clinging to life and whispering something indecipherable. Nearby, the father of Xu, a Chinese superstar classical musician, claims Fuentes was knocked down while attempting to steal his son's multimillion-dollar cello—a story Ellie has trouble believing.

If there's no place like home, that's more than okay for Mara Makinen. In fact, she prefers it that way. Going back to the place where she made the worst mistake of her life? Not ideal. So when a family emergency forces Mara to return home to her small lake town in Maine after seven years, she knows there's only one way she'll get through it unscathed: avoid Ambrose King at all costs. But that might prove difficult considering he lives right across the street.

Benjamin Alire Sáenz's stories reveal how all borders—real, imagined, sexual, human, the line between dark and light, addict and straight—entangle those who live on either side. Take, for instance, the Kentucky Club on Avenida Juárez two blocks south of the Rio Grande. It's a touchstone for each of Sáenz's stories. His characters walk by, they might go in for a drink or to score, or they might just stay there for a while and let their story be told. Sáenz knows that the Kentucky Club, like special watering holes in all cities, is the contrary to borders.

Scout Montgomery has made a career out of searching for her missing brother. Helping runaways gives meaning to her otherwise meaningless life. She hasn't spoken to her father in nearly two decades, and her crush on her sexy coworker is going nowhere.

In Unguessed Kinships, Steven Frye illuminates all these dimensions of McCarthy's work. In his novels and plays, McCarthy engages both explicitly and obliquely with the project of manifest destiny, in the western drama Blood Meridian, the Tennessee Valley Authority-era Tennessee novels, and the atomic frontier of Alamogordo in Cities of the Plain.

Amelia has been plotting to escape her abusive husband for years. When her mama's untimely death provides an unexpected opportunity, she hops on the next bus to the South Carolina Lowcountry. Her husband will eventually come for her. But she's prepared. Her freedom has given her the confidence to face her uncertain future. She settles in at her family's oceanfront estate to await her destiny. But a visit from Amelia's past presents danger in a different form.

In her small hometown, librarian Ruth Cornier has always felt like an outsider, even as her beloved father rains fire-and-brimstone warnings from the pulpit at Holy Fire Baptist. Unfortunately for Ruth, the only things the townspeople fear more than the God and the Devil are the myths that haunt the area, like the story of the Low Man, a vampiric figure said to steal into sinners' bedrooms and kill them on moonless nights. When a skull is found deep in the swamp next to mysterious carved symbols, Bottom Springs is thrown into uproar.

Birdie Fuller doesn't like change. And a lot of change is happening at once. Her daughter, Hannah, finally cutting the apron strings, is moving with her three-year-old grandson to a nearby city. Facing a lonely empty nest, Birdie joins a dating website to find companionship. She meets the seemingly perfect man, but is their relationship too good to be true? When the past comes back to haunt Birdie, she struggles to maintain the sobriety she's worked so hard to achieve.

Knox Thompson thinks he's working a hustle, but it's a hustle that's working him. Trying to keep his pizza shop and parents afloat, he cleans out a backroom Kentucky poker game only to be roped into dealing marijuana by the proprietor—an arrangement Knox only halfheartedly resists. Knox's shop makes the perfect front for a marijuana operation, but his supplier turns out to be violent and calculating, and Knox ends up under his thumb. It's not long before more than just the pizza shop is at risk.

Fifteen-year-old Mattie Lee Watson dreams of men, not boys. So when James T. Cullowee, the Kudzu King, arrives in Cooper County, North Carolina, in 1941 to spread the gospel of kudzu—claiming that it will improve the soil, feed cattle at almost no cost, even cure headaches—Mattie is ready. Mr. Cullowee is determined to sell the entire county on the future of kudzu, and organizes a kudzu festival, complete with a beauty pageant. Mattie is determined to be crowned Kudzu Queen and capture the attentions of the Kudzu King.

Bike cop Ellie Rush dreams of becoming a homicide detective, but it's still a shock when the first dead body she encounters on the job is that of a former college classmate. At the behest of her Aunt Cheryl, the highest-ranking Asian-American officer in the LAPD (a source of pride for Ellie's grandmother, but annoyance to her mom), Ellie becomes tangled in the investigation of the coed's murder—with equal parts help and hindrance from her nosy best friend, her over-involved ex-boyfriend, a smoldering detective, and seemingly everyone else in her extended family.

It's Halloween in New Orleans, and the staff of Bon Vee Culinary House Museum is setting up a fantastic haunted house tour for their visitors. But when flashy movie star Blaine Taggart and his entourage move into the mansion next door, gift shop proprietor Ricki James-Diaz gets a fright of her own.

Nine-year-olds Max Sassaport and Ruby Johnson are best friends who can't imagine a world where they aren't together. Unfortunately, no one-not their families, nor anyone else in rural Georgia in 1906-wants to see a White middle-class Jewish boy get too close to the Black daughter of a sharecropper. It's only a matter of time before fate will separate the two. And that day comes on the eve of Ruby's womanhood, when a violent act sends her running from her home to the life of a child laborer at the National Pencil Factory in Atlanta.

In this unusual biography Krystal gives us not only the peripatetic and turbulent life of a cultural icon but also the intellectual sweep of a period in history that created our modern America. Some Unfinished Chaos delivers a nuanced portrait of a man whose various sides embodied the trends, passions, and pursuits of the imperfect society that both glorified and dismissed him.