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Callista McCoy is a strong, well-educated werewolf with no desire for a mate. She's seen what happens when you love too deeply and wants to avoid it at all costs. Her work as an environmental scientist and activist is enough to keep her busy. But when one of the new wolves in her pack starts to make her feel things she thought she'd successfully suppressed, her only hope is to ignore him. Wyatt Carter's only concerns are taking care of his sick mother and proving his worth to his new pack. But the moment he gets a look at his new alpha's sister, all bets are off.

JARED - If I had a dollar for every time Banner Morales made my heart skip a beat...The heart everyone assumes is frozen over. Her anger is...arousing. Every glare from those fire-spitting eyes, every time she grits her teeth, gets me...well, you know. If I had a dollar for every time she's put me in my place, I'd be an even richer man. I'm a successful sports agent because I assume "no" means you'll think about it. I'm sure what you meant to say is, "Coming right up." They say even rich men don't always get what they want, but those men don't know how to play the game.

Fifteen-year-old Mattie Lee Watson dreams of men, not boys. So when James T. Cullowee, the Kudzu King, arrives in Cooper County, North Carolina, in 1941 to spread the gospel of kudzu—claiming that it will improve the soil, feed cattle at almost no cost, even cure headaches—Mattie is ready. Mr. Cullowee is determined to sell the entire county on the future of kudzu, and organizes a kudzu festival, complete with a beauty pageant. Mattie is determined to be crowned Kudzu Queen and capture the attentions of the Kudzu King.

Birdie Fuller's new year is off to a bad start. Her husband has mysteriously disappeared, leaving Birdie to cope with their unmarried daughter's unplanned pregnancy. Birdie and Hannah disagree about the baby. Birdie urges her daughter to consider abortion, but Hannah is determined to see the pregnancy to term. When Hannah returns for her last semester in college, Birdie must face her demons, the problems in her marriage that drove her husband to clean out their bank accounts and run off with another woman.

At the time of her death in 2004, Lucia Berlin was known as a brilliant writer of short stories, beloved by other writers but never achieving wide readership or acclaim. That changed in 2015 with the publication of A Manual for Cleaning Women, a collection of some of her best work. Almost overnight, Lucia Berlin became an international bestseller. Love, Loosha is the extraordinary collection of letters between Lucia Berlin and her dear friend, the poet and Broadway lyricist Kenward Elmslie.

A compelling debut that glows with bittersweet heart and touching emotion, deeply interrogating questions of family, redemption, and unconditional love in the sweltering summer heat of Savannah, as two people discover what it means to truly forgive.

On March 23, 1849, Henry Brown climbed into a large wooden postal crate and was mailed from slavery in Richmond, Virginia, to freedom in Philadelphia, Pennsylvania. "Box Brown," as he came to be known after this astounding feat, went on to carve out a career as an abolitionist speaker, actor, magician, hypnotist, and even faith healer. The Many Resurrections of Henry Box Brown is the first book to show how subversive performances were woven into Brown's entire life, from his early days practicing magic in Virginia while enslaved, to his last shows in Canada and England in the 1890s.

Caroline McAlister, college professor and lifelong skeptic, is reeling from the loss of her father and her marriage. Her once promising career has come to a standstill. When her father bequeaths the family cabin to her, it comes with a ghost who haunted her childhood. When she discovers a century-old journal in the attic, she awakens the voice of Carson Quinn. The journal reveals Carson's love for the same hollow that enthralled Caroline growing up. A little sleuthing uncovers rumors that the kind, curious boy in the journal grew up to murder his brother.

Talk of impending war is a steady drumbeat throughout North Carolina, though Joetta McBride pays it little heed. She and her husband, Ennis, have built a modest but happy life for themselves, raising two sons, fifteen-year-old Henry, and eleven-year-old Robert, on their small subsistence farm. They do not support the Confederacy's position on slavery, but Joetta considers her family to be neutral, believing this is simply not their fight. Her opinion is not favored by many in their community, including Joetta's own father-in-law, Rudean.

After his parents are killed in a horrific roadside execution, Alvaro flees his home in Colombia and finds work as a line cook at the seedy hotel. Together with his sister, Carmen, he begins to make a new life in the desert, earning a promotion to management along with an irresistible offer to stay at the hotel rent-free. But as beloved photographs go missing and grotesque strangers wander the corridors, the promise of the Alicia decays into nightmare.

Graham Greene's first published novel tells the story of Andrews, a young man who has betrayed his fellow smugglers and fears their vengeance. Fleeing from them, with no hope of pity or salvation, he takes refuge in the house of a young woman, also alone in the world. Elizabeth persuades him to give evidence against his accomplices in court, but neither she nor Andrews is aware that to both criminals and authority, treachery is as great a crime as smuggling.

Benjamin Alire Sáenz's stories reveal how all borders—real, imagined, sexual, human, the line between dark and light, addict and straight—entangle those who live on either side. Take, for instance, the Kentucky Club on Avenida Juárez two blocks south of the Rio Grande. It's a touchstone for each of Sáenz's stories. His characters walk by, they might go in for a drink or to score, or they might just stay there for a while and let their story be told. Sáenz knows that the Kentucky Club, like special watering holes in all cities, is the contrary to borders.

The linked stories in Mama Said are set in Louisville, Kentucky, a city with a rich history steeped in tobacco, bourbon, and gambling, indulgences that can quickly become gripping and destructive vices. Set amid the tail end of the crack epidemic and the rise of the opioid crisis, Mama Said evokes Black family life in all its complexity, following JayLynn, along with her cousins Zaria and Angel, as they come of age struggling against their mothers' drug addictions.

In the 1970s, Lee Gutkind, a leather-clad hippie motorcyclist and former public relations writer, fought his way into the academy. His goal: to make creative nonfiction an accepted academic discipline, one as vital as poetry, drama, and fiction. In this book Gutkind tells the true story of how creative nonfiction became a leading genre for both audiences and writers.

Their Boston friends are convinced they won't last the summer. But the South works its magic on the Beckers, holding them fast to misty marsh, farmlands, and grand oaks, the sweet twang of banjos and the blues. Even the locals have put aside their usual mistrust of transplants. Joe is convinced that has more to do with Abigail's beauty than with his dubious charms-especially in the case of Billy Euston. A celebrated pit master and womanizer, Billy is transfixed with Abigail at first sight.

Years ago, yellow fever gripped the small lakeside town of Prosper, Arkansas. At the height of that summer swelter, in the wake of an unexpected storm, the dam failed and the valley flooded—drowning the town and everyone trapped inside. The secrets of old Prosper drowned with them. Now, decades later, when a mysterious locked box is pulled from the depths of the lake, three descendants of that long-ago tragedy are hurled into another feverish summer.

In her small hometown, librarian Ruth Cornier has always felt like an outsider, even as her beloved father rains fire-and-brimstone warnings from the pulpit at Holy Fire Baptist. Unfortunately for Ruth, the only things the townspeople fear more than the God and the Devil are the myths that haunt the area, like the story of the Low Man, a vampiric figure said to steal into sinners' bedrooms and kill them on moonless nights. When a skull is found deep in the swamp next to mysterious carved symbols, Bottom Springs is thrown into uproar.

It's Halloween in New Orleans, and the staff of Bon Vee Culinary House Museum is setting up a fantastic haunted house tour for their visitors. But when flashy movie star Blaine Taggart and his entourage move into the mansion next door, gift shop proprietor Ricki James-Diaz gets a fright of her own.

John Clellon Holmes met Jack Kerouac on a hot New York City weekend in 1948, and until the end of Kerouac's life they were—in Holmes's words—"Brother Souls." Late one night as they sat talking, Kerouac spontaneously created the term "Beat Generation" to describe this new attitude they felt stirring around them. Brother-Souls: John Clellon Holmes, Jack Kerouac, and the Beat Generation is the remarkable chronicle of this cornerstone friendship and the life of John Clellon Holmes.

Nine-year-olds Max Sassaport and Ruby Johnson are best friends who can't imagine a world where they aren't together. Unfortunately, no one-not their families, nor anyone else in rural Georgia in 1906-wants to see a White middle-class Jewish boy get too close to the Black daughter of a sharecropper. It's only a matter of time before fate will separate the two. And that day comes on the eve of Ruby's womanhood, when a violent act sends her running from her home to the life of a child laborer at the National Pencil Factory in Atlanta.