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Winner of an Obie and a finalist for the Pulitzer Prize, and directed by Tony nominee Leigh Silverman, Yellow Face is as timely as ever, wrestling with issues of cultural appropriation, complicity, and artistic freedom. It’s brought to life in this audio-only revival by a stunning all-star cast (many playing themselves) led by Daniel Dae Kim.

What if you could go back and change your life? For Brennan Ramirez, that question is no longer hypothetical. Brennan is determined that the ultimate way to fix his family's life for the best is to go back and prevent the traumatic childhood abuse that haunts his wife to this day.

I have strung these things together on a slight enough thread, but as the things themselves are slight, it is possible that the thread (and the metaphor) may manage to hang together. These notes range over very variegated topics, and in many cases, were made at very different times.

Since receiving the Pulitzer Prize in 1969 for his novel House Made of Dawn, N. Scott Momaday has had one of the most remarkable careers in twentieth-century American letters. Here, in In the Bear's House, Momaday passionately explores themes of loneliness, sacredness, and aggression through his depiction of Bear, the one animal that has both inspired and haunted him throughout his lifetime.

In Ann Lauterbach’s eleventh collection, the image of a Door recurs across several poems, as she considers the perpetual dialogue between what is open and what is shut for each of us. The Door is a threshold between the inner landscape of memory, thought, imagination and dream and the outer so-called real world, which increasingly comes to us through technology’s lens, displacing and distorting our sense of intimacy, presence and relation. What is near, and what is far away? She asks about the efficacy of language itself when confronted by the urgent uncertainties of experience.

A thirty-something single woman, the untried colt she inherits, a horse-crazy little girl, and their band of misfits and has-beens stick it to the establishment in the cutthroat world of horse racing.

Quirky reflections on rural and urban American life. The inspiration for each poem is from what I consider to be a common, if not always colossal human concern, and therefore possessing some truth which I hope makes them worth listening to.

En este relato de imaginación desbordante y gran belleza, Karina Sainz Borgo mezcla la realidad con lo fantástico y el mito para levantar, con una prosa cuidadísima y muy poética, un mundo nuevo centrado en una isla imaginaria donde habita el doctor Schubert, medio médico y medio aventurero.

"The sonnet, like poverty, teaches you what you can do / without," Diane Seuss writes in this brilliant, candid work, her most personal collection to date. These poems tell the story of a life at risk of spilling over the edge of the page, from Seuss's working-class childhood in rural Michigan to the dangerous allures of New York City and back again. With sheer virtuosity, Seuss moves nimbly across thought and time, poetry and punk, AIDS and addiction, Christ and motherhood, showing us what we can do, what we can do without, and what we offer to one another when we have nothing left to spare.

It's November 1, 1961, in a small town in South Carolina, and nuclear war is coming. Ten-year-old Wilson Porter believes this with every fiber of his being. He prowls his neighborhood for Communists and studies fallout pamphlets and the habits of his father, a scientist at the nuclear plant in town. Meanwhile, his mother Nellie covertly joins an anti-nuclear movement led by angry housewives-and his father, Dean, must decide what to do with the damning secrets he's uncovered at the nuclear plant. When tragedy strikes, the Porter family must learn to confront their fears.

The Ramirez women of Staten Island orbit around absence. When thirteen‑year‑old middle child Ruthy disappeared after track practice without a trace, it left the family scarred and scrambling. One night, twelve years later, oldest sister Jessica spots a woman on her TV screen in Catfight, a raunchy reality show. She rushes to tell her younger sister, Nina: This woman's hair is dyed red, and she calls herself Ruby, but the beauty mark under her left eye is instantly recognizable. Could it be Ruthy, after all this time?

In this powerful gathering of poems about her own "influencers," as well as poems on Dadaist artist Meret Oppenheim and the young choreographer Lauren Lovette, Brenda Shaughnessy dwells in memories of the women who set her on her artistic path. In flowing stair-step tercets, Shaughnessy leads us down into her generative core, exposing moments of spiritual and intellectual awakening, her love of art and the written word, and her sense of the life force itself, which is ignited by the conversation—across time and space—with other women.

A middle-aged woman feed slots at a secret back-room parlor. A new mother descends into a devastating postpartum depression, wracked with the fear that she is unable to protect her children. A daughter returns home to join the other women in her family waging spiritual combat with the ghosts of their past.

अमरकलई सपनक दश दखर नपल छडनहर परकरनतरल नपललई न सवपनभम दखन थलछन भनन भवम सरजत य उपनयस चलयमन परवस नपलहरक मनसथतक सनदर चतरण ह य सपन खजन वदशन यव र तनक अभभवक तथ आफनतजनल पढनपरन कत बनक छ ड. रमज तमलसन

Great wealth was brought to be over many decades, and thus the saying of old money has good reason. This story tells about wealth for a new generation and what it has given to a few families. The wealth in this story has brought good, happiness, and love.

La jamás inocencia es una novela para aprender y para reflexionar, sobre las peripecias de los personajes, y sobre nosotros mismos, como seres humanos y como seres sociales. A partir de la historia de una adolescente que súbitamente se enfrenta al horror del mundo vemos cómo pueden estar tejidos y entretejidos los hilos de la realidad, y además cómo es posible que la realidad siempre sea mucho más densa de lo que imaginamos.

El asesinato del general Joaquín Tinoco el 10 de agosto de 1919 precipitó,en pocas horas, la caída de la dictadura de su hermano Pelico. Durante treinta meses, los Tinoco gobernaron el país a sangre y fuego, a contrapelo de la posición oficial del presidente Wilson y de la crisis económica ocasionada por la Primera Guerra Mundial.

Fernanday Julio tienen un amor enfermo. Ella es una joven universitaria de Monterrey que busca sentirse protegida; él, un poderoso narco. Su relación no sólo es violenta, sino obsesiva. El miedo de Fernanda le ha hecho aceptar el maltrato de “su hombre”,volversedependiente. Sin embargo, poco a poco ella también empezará a ejercer violencia como una necesidad para sentirse poderosa.

In the fall of 1953, during the surface calm and prosperity of post-World War II America, the privileged West Texas Randolph family suffers a terrible blow. As a result, a disparate group of strangers become inextricably linked to the family, and to each other, for the four decades to follow. In the aftermath of their life-altering event, the deep-rooted Randolph clan is left vulnerable not only to threats from the outside, but to more sinister ones from within its own ranks.

Consciousness tends to insist on justification. Memory tends to invite revision. Life tends to replicate. Infinity is always in the moment. The disintegrating alkali villages of my synapses do daily battle with the elastic perspicacity of consciousness. A tardy valentine to a cross-country affair.