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Setting out to create a collection of J. Frank Dobie’s writing that brings him to life and makes him relevant to current generations, Steven L. Davis has combed through the works of this renowned Texas author, gathering together in one volume Dobie’s most vital writings. Dobie’s stories and essays here are meticulously edited to prune away some of the brushy undergrowth and bring Dobie’s folksy, erudite voice bounding back to life.

Una mujer baja los escalones que llevan a la orilla del río Garona, donde hace un tiempo vive un joven harapiento con un perro. Cuando se acerca, ella le toma la cara entre las manos y lo mira. La escena es extrañamente conmovedora. ¿Qué llevó a Thierry a abandonarlo todo para convertirse en vagabundo? Isabel y su esposo, cada uno a su manera, intentan descifrar los motivos de su hijo.

At the time of her death in 2004, Lucia Berlin was known as a brilliant writer of short stories, beloved by other writers but never achieving wide readership or acclaim. That changed in 2015 with the publication of A Manual for Cleaning Women, a collection of some of her best work. Almost overnight, Lucia Berlin became an international bestseller. Love, Loosha is the extraordinary collection of letters between Lucia Berlin and her dear friend, the poet and Broadway lyricist Kenward Elmslie.

It's 1949 and two young Cuban musicians make their way from Havana to the grand stage of New York City. It is the era of mambo, and the Castillo brothers, workers by day, become stars of the dance halls by night, where their orchestra plays the lush, sensuous, pulsing music that earns them the title of the Mambo Kings. This is their moment of youth, exuberance, love, and freedom―a golden time that decades later is remembered with nostalgia and deep affection.

Bizarre Blunts is a collection of poems meant to express the peculiarities found in smoking diabolical life experiences while illustrating the familiar filtering mental processes one undergoes after taking multiple hits. There is something within this audiobook that will strike even the most reticent smoker.

A man, out for prayers, is found dead by a river bank and the listener is off to the races in this relentlessly paced twentieth century chronicle. Strong female characters like the coprotagonist, contrast the story to its provocative title, who is a strong, independent woman who would stop at nothing to achieve what she believes in. Human irrationality is front and center in this historical fiction theater.

"¿Quiénes son los descendientes de los maestros del haiku? Uno piensa que deben estar en Japón o en otras latitudes, y no sólo eso, que deben ser ancianos y barbudos. Pero no. Los tenemos en Latinoamérica, y Lucía Vargas es una. Basta abrir este libro para comprobar que ella posee la mirada entrenada del sabio, que sabe comulgar con la naturaleza, que doma los símbolos y que cuenta con una precisión verbal y una sensibilidad insólita.

With the Great War finally behind them, many Americans flock to South Florida with their sights set on making a fortune. When wealthy industrialist Robert Barnes and his wife, Anna, build Marbrisa, a glamorous estate on Biscayne Bay, they become the toast of the newly burgeoning society. Anna and Robert appear to have it all, but in a town like Miami, appearances can be deceiving, and one scandal can change everything.

La increíble aventura de Kalapakte, un indígena selk'nam (ona) secuestrado junto con su familia y exhibido en la Exposición Universal de París en 1889, quien tras años de peregrinaciones por la variada geografía de Europa, América del Norte y del Sur logra regresar por sus propios medios a su Tierra del Fuego natal.

In a small pocket of London, between the houses of No.77 and No.79 Eastbourne Road, lies a neglected community garden. It was a beautiful thing once, a little oasis in a bustling city for neighbors by day and the local foxes at twilight. Now it’s overgrown and neglected, an empty patch of greenery lost to time.

En Reencuentro de personajes, Elena Garro convoca a sus espectros literarios—ciertos protagonistas de las obras de Scott Fitzgerald y Evelyn Waugh—con el misterioso designio de retornarlos a la vida dentro del espacio real de la novela. Así, mediante una operación que tiene mucho de acto mágico, desarrolla una inquietante experiencia de literatura en la literatura.

In Sticks and Stones, DeVries paints a poetic picture of love found and love lost and rising above toxicity, delving into what it means to find strength in the human spirit. Through poetry, the listener finds a voice of strength and the rebuilding of one's heart and home despite all the sticks and stones thrown upon it. Newly expanded with 41 new poems and a rewrite of "Drowning in an Ocean of No Tomorrows", DeVries shows a full poetic picture of turning pain into poetry in order so you can rise above whatever is pulling you under.

Joaquina Sanchez lives in total obscurity on a bull ranch in Mexico at the end of WWII. Joaquina's father, Salvador, is the foreman of the ranch and a trainer of matadors. He's been training Joaquina all of her life and now, at 17, she's as good a matador as any man living. But it's not acceptable for a woman to be a matador.

Drawing on the example of post-WWII Britain and looking ahead at America in the 2020s, Jed Esty suggests that becoming a second-place nation is neither disastrous, as alarmists claim, nor avoidable, as optimists insist. Contemporary declinism often masks white nostalgia and perpetuates a conservative longing for Cold War certainty. But the narcissistic lure of "lost greatness" appeals across the political spectrum.

Equal parts fantastical—a pair of talking dolls help twins escape a stifling home, a heart boils on the stove as part of an elaborate cure for melancholy, a fox demon contemplates avenging her sister's death—and true to life—a mother and daughter try to heal their rift when the daughter falls unexpectedly pregnant, a woman reexamines her father's legacy after his death—the stories in this collection are hopeful and heartbreaking, full of danger and full of joy.

Rose McLarney’s fourth collection of poems, Colorfast, reckons with fading and bleeding away, the gray of aging and the gray areas to which truths are relegated. McLarney reconsiders girlhood stories, acknowledges omissions from Southern history, and studies the silences of women’s and other voices left out of accounts of the past. Yet she does not write of only what has been lost, defying elegy with tributes to her mother while she is alive to read them, and finding vibrancy that remains in sources such as weeds, gravel, insect shells, and the flawed human body.

In his first international release since the award-winning, best-selling The Boat, Nam Le delivers a shot across the bow with a book-length poem that honors every convention of diasporic literature—in a virtuosic array of forms and registers—before shattering the form itself.

Nestled in the hills of West Virginia lies White Sulphur Springs, home to the Greenbrier Resort. Long a playground for presidents and film stars, the Greenbrier has its own gravitational pull. Over ten decades, four generations of the Zelner family must grapple with their place in its shadow . . . and within their own family.

In the early 1980s, Giselle Chin, Jackie Ong, and Ellen Ng are three teenagers drawn together by their shared sense of alienation and desire for something different. “Allied in the weirdest parts of themselves,” they envision each other as artistic collaborators and embark on a future defined by freedom and creativity. By the time they are adults, their dreams are murkier.

In South Korea in the 1980s, young Eunju and her mother are homeless on the street. After being captured by the police, they’re sent to live within the walls of a state-sanctioned reformatory center that claims to rehabilitate the nation’s citizens but hides a darker, more violent reality.