検索キーワード： 制作 "--Tyson Hanks" アメリカ

Take an unforgettable journey from the Cold War USSR to Savery, Wyoming, from the mountains of Tuscany to the peak of Yosemite's Half Dome, from the Canadian wilderness to the beaches of Normandy.

Una incisiva colección de ensayos, donde Jonathan Franzen vuelve con renovado vigor a los temas, tanto humanos como literarios, que le han preocupado durante mucho tiempo. Bien sea narrando su violento encuentro con cazadores furtivos en Chipre, bien sea señalando de forma aguda y conmovedora cómo el abuso de las nuevas tecnologías está erosionando el sentido de la intimidad, Franzen cumple en cada uno de estos textos la promesa implícita de llegar hasta el fondo y no escatimar nada.

Todos sabemos desde la infancia qué personas forman nuestra familia y cuáles son los lazos que nos unen a cada una de ellas. Todos menos la protagonista de esta novela, a quien nunca contaron que ella también, en algún momento de su vida, había tenido una. ¿Qué sucedió en aquellos años para que todos los vestigios de la época desaparecieran?

Bike cop Ellie Rush dreams of becoming a homicide detective, but it's still a shock when the first dead body she encounters on the job is that of a former college classmate. At the behest of her Aunt Cheryl, the highest-ranking Asian-American officer in the LAPD (a source of pride for Ellie's grandmother, but annoyance to her mom), Ellie becomes tangled in the investigation of the coed's murder—with equal parts help and hindrance from her nosy best friend, her over-involved ex-boyfriend, a smoldering detective, and seemingly everyone else in her extended family.

“We lived overlooking the walls overlooking the cemetery.” So begins the title poem of this collection, whose recursive temporality is filled with living, grieving things, punctuated by an unseen world of roots, bodies, and concealed histories. Like a cemetery, too, The Milk Hours sets unlikely neighbors alongside each other: Hegel and Murakami, Melville and the Persian astronomer al-Sufi, enacting a transhistorical poetics even as it brims with intimacy.

Human Resources follows a woman working in the male-dominated world of AI, designing women that don’t exist. In discerning verse, she workshops the facial characteristics of a floating head named “Nia,” who her boss calls “his type”; she loses hours researching “June,” an oddly sexualized artificially intelligent oven; and she spends a whole day “trying to break” a female self-improvement bot. The speaker of Stevenson’s poems grapples with uneasiness and isolation, even as she endeavors to solve for these problems in her daily work.

“You were supposed to find God here / the signs said.” In these poems, hinterlands demand our close attention; overlooked places of industry become sites for pilgrimage; and history large and small—of a city, of a family, of a shirt—is unearthed.

Inside this debut collection, girlhood’s dangers echo, transmuted, in the poet’s fears for her son. A body just discovering the vastness of “want’s new acreage” is humbled by chronic illness. Epithalamion turns elegy. But this world that so often seems capricious in its cruelty also shelters apple orchards, glass museums, schoolchildren, century-old sharks; “there’s no accounting for / all we want to save, no names.” Oliver’s polyphonic gathering of speakers includes lovers and saints, painters and dead poets, a hawk and a mother.

For fourteen-year-old Leah Payne, life in her beloved coastal Carolina town is worlds away from the harsh realities of the day. Loyal to her lumberjack father, she knows only of the familiarity of her small community, the magic of the natural world, and the creative intuition that prompts her to march to the beat of her own drum. But when an accident takes her father's life, leaving her an orphan, Leah finds herself cast into a family of strangers whose welcoming façade hides a terrible secret.

With mysterious serial murders putting peaceful Lexington, Alabama, on edge, Jessie and Hubert Wiggins’ steadfast calm and devotion to each other reassures everyone that faith will see them through. But Jessie and Hubert have paid a terrible hidden cost to maintain their devout facade and respectable standing. Nothing can allay the guilt they feel—or stop the growing distrust between them.

Ro is stuck. She's just entered her thirties, she's estranged from her mother, and her boyfriend has just left her to join a mission to Mars. Her days are spent dragging herself to her menial job at the aquarium, and her nights are spent drinking sharktinis (Mountain Dew and copious amounts of gin, plus a hint of jalapeño). With her best friend pulling away to focus on her upcoming wedding, Ro's only companion is Dolores, a giant Pacific octopus who also happens to be Ro's last remaining link to her father, a marine biologist who disappeared while on an expedition when Ro was a teenager.

In 2009, when he was twenty years old, Joshua Bennett was invited to perform a spoken word poem for Barack and Michelle Obama, at the same White House "Poetry Jam" where Lin-Manuel Miranda declaimed the opening bars of a work-in-progress that would soon revolutionize American theater.

Where does one go, you might ask, when the world falls apart? When the immutable facts of your life—the mundane, the trivial, the take-for-granted minutiae that once filled every second of every day—suddenly disappear? Where does one go in such dire and unexpected circumstances? I went home, of course.

Río Salado es una población pesquera que muere lentamente y dentro de ella sus pobladores que se han acostumbrado tanto al lugar, que carecen del ánimo necesario para traspasar los cerros, cruzar el desierto y alejarse de ese sitio en el que muchas mujeres son seducidas, anualmente, por pescadores japoneses que las enamoran, las embarazan y las ilusionan con volver. Solo les dejan como recuerdo y recompensa bolsitas de perlas que muy pronto pierden valor porque en cada casa hay una de ellas.

Dia Mittal is an airline call center agent in Mumbai searching for an easier life. As her search takes her to the United States, Dia’s checkered relationship with the American Dream dialogues with the experiences and perspectives of a global South Asian community across the class spectrum.

Cuando Eufrasia Vela empieza a trabajar como cuidadora de ancianos, no sospecha que su oficio la llevará a una encrucijada existencial. La íntima relación que mantiene con doña Carmen, el doctor Harrison y Los Siete Magníficos —entrañables personajes que se apoderan de su pensamiento y su cariño— la obliga a replantearse su papel de madre y hermana, las vicisitudes de la longevidad, las formas de la compasión y el sorpresivo valor que los cuyes, esos conejillos de Indias tan peculiares, adquieren en su presupuesto moral.

Follow Europe’s most cunning art thief, forger, and amateur sleuth as she tracks down priceless antiquities and foils nefarious plots.

A poetry collection by Ismael S. Rodriguez Jr.

Berührende Gedichte des weltweit erfolgreichen Instagram-Poeten. In seinen poetischen Texten beschreibt Yung Pueblo, wie sich intensive Emotionen in unser Unterbewusstsein einbrennen und unsere Handlungen und Beziehungen beeinflussen. Klarheit über seine Vergangenheit zu gewinnen und die Verbindung zu sich selbst zu finden, schafft die Grundlage für persönliches Wachstum. Mit seiner markanten Stimme, die zugleich kraft- und stimmungsvoll ist, begleitet uns der Autor auf dieser Suche und hilft, die Gefühle der Vergangenheit endlich zu verstehen.

A woman (Alison Pill) finds herself grappling with both grief and anger following the sudden death of her mother and the shocking revelation of her father’s infidelity. Her father (Reed Birney), on the other hand, is just trying his best to verbalize his own complicated feelings about love, loss, lust…and household chores. And the other woman (Marsha Mason) simply wonders: Is she still “the other woman” when the original woman is gone?