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Sinister in Savannah is a fictional podcast exploring the city's most nefarious crimes with Southern-fried snark. The best-selling trilogy is now available in one collection. When the Sinister in Savannah team delves into the thirty-eight-year-old murder of a drag queen, they quickly discover that the story doesn't end with the alleged killer's confession in 1995. In Mr. Perfect, the podcast is back to investigate allegations that a local businessman is dabbling in money laundering. Pretty Poison follows Tess, a woman accused of killing her three husbands.

Lola Ellis has a picture-perfect life. Until she doesn't. On her way to Florida to open a new branch of the family business and meet her fiancé, she unexpectedly detours to visit her best friend in Durham, North Carolina. What was meant to be a week of rest and relaxation stretches into a permanent TBD. Will English is an uptight, arrogant bartender who keeps scaring away waitresses. When Lola takes a job at his bar to fill her time, he decides not to engage with the underqualified waitress. And yet there's something about her that keeps him from dismissing her.

This breathtaking saga, set in the 1990s, tells the story of the landlords and tenants of a derelict canning factory in Southern Portugal. The wealthy, always-scheming Leandros have owned the building since before the Carnation Revolution, a peaceful coup that toppled a four-decade-long dictatorship and led to Portugal's withdrawal from its African colonies. It was Leandro matriarch Dona Regina who handed the keys to the Matas, the bustling family from Cape Verde who saw past the dusty machinery and converted the space into a warm - and welcoming - home. 

During the Great Depression, labor camps crop up in remote areas throughout the American South. Destitute workers live under terrible conditions. Trapped in these isolated locations, workers are entirely dependent on the often greedy, abusive camp owners who provide food and housing at grossly inflated prices. But for the most desperate among America's vast unemployed, these camps are often the last and only option.

F. Scott Fitzgerald's second novel, The Beautiful and Damned, is a savage and haunting satire of the young, rootless postwar generation who lived intent only on the pursuit of wealth and decadent pleasure. Anthony Patch is a 1920s socialite and the presumptive heir to a tycoon's fortune. His marriage to the beautiful but selfish Gloria is idyllic at first, but the union slowly disintegrates as reality sets in and their sole goal becomes Anthony's grandfather's fortune.

Rick Greenberg joined the Corps right out of high school because he always wanted to be a Marine. Little did he know what it would ultimately cost him to even approach earning such a title. After boot camp, "Greeny", as he was later known by his Recon team buddies, attended radio communication school in San Diego, California. As a radio operator, upon arrival in Vietnam, Greenberg was both surprised and troubled when he was arbitrarily assigned to the First Recon Battalion, generally considered to be an elite unit.

Pigeonholed in popular memory as a Jazz Age epicurean, a playboy, and an emblem of the Lost Generation, F. Scott Fitzgerald was at heart a moralist struck by the nation's shifting mood and manners after World War I. In Paradise Lost, David Brown contends that Fitzgerald's deepest allegiances were to a fading antebellum world he associated with his father's Chesapeake Bay roots. Yet as a midwesterner, an Irish Catholic, and a perpetually in-debt author, he felt like an outsider in the haute bourgeoisie haunts.

"Walden. Yesterday I came here to live." That entry from the journal of Henry David Thoreau, and the intellectual journey it began, would by themselves be enough to place Thoreau in the American pantheon. His attempt to "live deliberately" in a small woods at the edge of his hometown of Concord has been a touchstone for individualists and seekers since the publication of Walden in 1854. But there was much more to Thoreau than his brief experiment in living at Walden Pond.

Carson Bradley is the CEO of Bradley Pharmaceutical Corporation, a powerful and influential multi-billion dollar drug empire. His wealth spans beyond anyone's imagination, but is useless to his lonely soul, which has been dormant since the death of his first love to cancer. Every day he strives for the sake of his research because he's determined to eradicate that vile disease forever. Lillian Ly is a young, humble medical student whose compassion for people is boundless.

Jonathan Franzen's work raises major questions about the possibilities of contemporary fiction: How does one appeal to a broad mass of mainstream readers on the one hand while persuading connoisseurs, on the other, that one's fiction has is high art? Even more acutely, how did Franzen move from the rage that animates his first two novels to the more generous comic stance of the two later novels, on which his reputation rests?

This novel centers on the "It's me" telephone scam - often targeting the elderly - that has escalated in Japan in recent years. Typically, the caller identifies himself only by saying, "Hey, it's me", and goes on to claim in great distress that he's been in an accident or lost some money with which he was entrusted at work, etc., and needs funds wired to his account right away. ME's narrator is a nondescript young Tokyoite named Hitoshi Nagano.

Veronica Cruz has been through hell and back. After disconnecting with the world two years ago to be at the side of her dying mother, she's left alone, unemployed, overweight, and feeling a decade older than her 28 years. When her best friend coaxes her into joining the local gym to ditch her depression and rejuvenate her life, she meets Noah. What she least expected was for him to fall for her, but he has. There's just one problem: Noah is eight years younger.

Lucia Vega is on a winning streak. Her book has taken the country by storm, and now it's being made into a movie. After years of chasing it, she can finally taste freedom. Reece Carras is one of the most powerful men in Hollywood. Handsome, rich, and generous, he's everything girls like her aren't supposed to dream of. But dream she does. And in his strong arms, she finds a freedom she never even knew existed.

If your love for someone is greater than your own life, what would you sacrifice to keep her safe? The world and everything you've worked most of your life to procure? That is CEO Carson Bradley's catch-22. Unfortunately for Carson, his rivals have discovered his only weakness - Lillian Ly, the owner of his heart. The power behind his new cancer drug is what they desire, and they will stop at nothing to seize it. If necessary, kidnapping and murder are just the means to an end.

When tragedy strikes it doesn't always signal the end. Sometimes it can mean a new beginning.... Still reeling from the events of the past culminating in her devastating loss, an emotionally scarred Lillian Ly is determined to follow her heart and temporarily forego a bright academic career to keep alive the only thing that matters, being with the man she loves. Guilt pours over Carson Bradley like molten lava, but despite his shame, he cannot let her go. She is the flame to his fire, the soul of his heart. Without Lillian by his side, he is just a body without a warm pulse.

They said I was a bad idea. Poor. Violent. Criminal. They said I'd amount to nothing, and I believed them, too. Until I met her. Layla Barros saved me from my worst, but to do that, she lost the best herself. Now it's my turn to bring her back to life. If only I can figure out how to do it. I'll do anything to protect the chance we finally have together. I'll follow her to the other side of the word: Brazil. Cuba. You name it. But how can I be her true north when I'm still finding my direction, too?  

Six months ago, I gave my heart to a girl. Beautiful, kind, and sexy as sin, she's the only person who saw past my record or the color of my skin. Who ever saw me for me. She loved me enough to let me go, to let me leave this city to find my own path. But without her, I drift, lost without direction. Without me, she spirals, desperate for connection. I gave my heart to a girl, and she gave hers to me. But love shouldn't hurt this much.

In his great triptych The Millennium, Bosch used oranges and other fruits to symbolize the delights of Paradise. Whence Henry Miller's title for this, one of his most appealing books; first published in 1957, it tells the story of Miller's life on the Big Sur, a section of the California coast where he lived for 15 years. Big Sur is the portrait of a place - one of the most colorful in the United States - and of the extraordinary people Miller knew there.

For twelve-year-old Martha "Sonny" Creech, there is no place more beautiful than her family's cotton farm. She, her two brothers, and her parents work hard on their land - hoeing, planting, picking - but only Sonny loves the rich, dark earth the way her father does. When a tragic accident claims his life, her stricken family struggles to fend off ruin - until their rich, reclusive neighbor offers to help finance that year's cotton crop.

In the modern world, qi is money. The days of traveling martial artists and mountaintop masters are over. Power is controlled by corporations, modernized martial arts sects, and governments. Those at the bottom of society struggle as second-class citizens in a world in which power is a commodity. Rick has attempted to separate himself from the world of cutthroat killers but is drawn in by a chance to participate in a contest at the highest levels.