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"Sein oder Nichtsein, das ist hier die Frage!" Der dänische Prinz Hamlet weiß nicht mehr weiter: Einerseits ist er sich sicher, das sein Vater, der König, ermordet wurde, und zwar durch Claudius, dessen Bruder - der jetzt König ist und sogar Hamlets Mutter geheiratet hat. Andererseits ist der wankelmütige, schöngeistige Prinz nicht sicher, ob und wie er seinen Vater rächen soll - obwohl dieser ihn in Gestalt eines Geistes dazu auffordert. Hamlet beschließt auf Zeit zu spielen, und spielt die Rolle des Verrückten. Doch dies macht nicht nur seiner Geliebten Ophelia zu schaffen.

This production is abridged and in plain English. Timon of Athens (The Life of Tymon of Athens) is perhaps Shakespeare's sharpest satire on wealth, greed, and betrayal. Scholars generally classify Timon either as a tragedy or a problem play.

This play has been adapted into plain English and is performed as a theatrical full-cast production. At just over 20 minutes long, it is an abridged and adapted version of one of the relatively underperformed works in Shakespeare's canon. The plan opens with a threat from the French. Negotiations, conflict, and palace intrigue follow, as King John works his way through many issues of war and diplomacy in classic Shakespearean fashion.

Eve Best, Danny Sapani and Shaun Dooley star in this modern, riveting and magical production of The Winter's Tale by William Shakespeare. The Winter's Tale treads new dramatic ground embracing tragedy, poetry, folklore, magic realism, music, comedy and the infamous stage direction 'exit pursued by a bear'. One of Shakespeare's mesmerising later productions, it is often considered a 'problem play' as it starts with a tragedy and ends in a romance.

In England in the Age of Shakespeare, Jeremy Black takes readers on a tour of life in the streets, homes, farms, churches, and palaces of the Bard’s era. Panning from play to audience and back again, Black shows how Shakespeare's plays would have been experienced and interpreted by those who paid to see them. From the dangers of travel to the indignities of everyday life in teeming London, Black explores the jokes, political and economic references, and small asides that Shakespeare’s audiences would have recognized.

Venus and Adonis is a rich and rewarding work. This version includes substantial in introductory and concluding commentary from Shakespeare expert Charlie Creed, in addition to the full poem. Written in glorious language, the story balances comic invention with a tragic and moving love story. Appearing in quarto form in 1593, Venus and Adonis was Shakespeare’s first published work - for though several of the author’s plays had been performed by this date, none had been printed.

All of the Shakespeare plays within the Argo Classics catalogue are performed by the Marlowe Dramatic Society and Professional Players. The Marlowe was founded in 1907 with a mission to focus on effective delivery of verse, respect the integrity of texts and rescue neglected plays by Shakespeare’s contemporaries and the less performed plays of Shakespeare himself. The Marlowe has performed annually at Cambridge Arts Theatre since its opening in 1936 and continues to produce some of the finest actors of their generations.

Love's Labour's Lost is believed to be among Shakespeare's earlier plays and was performed before Queen Elizabeth in 16th-century England. It is a comedy as the King of Narrarre and his three friends (Berowne, Dumaine, and Longaville) take an oath to avoid the company of women for three years. The arrival of the Princess of France and her ladies in waiting quickly disrupts their scheme. The result is a level of confusion common to Shakespearean comedies.

Politics, power and the tragedy of war are played out in these sweeping histories that continue to surprise and entertain. Performed by an incredible array of the 20th century’s greatest actors, Marlowe alumni including Ian McKellen, Derek Jacobi, Prunella Scales, William Squire and Timothy West can be heard in these recordings.

Young love, bawdiness and exuberance are played out in these comedies that continue to make us laugh and cheer. Performed by an incredible array of the 20th century’s greatest actors, Marlowe alumni including Ian McKellen, Diana Rigg, Derek Jacobi and Prunella Scales can be heard in these recordings.

Mystery, power and malevolence are present in these plays, all of which subvert the happy endings that one would expect in a comedy and the tragic effect one would expect in a tragedy, to pose deeper moral questions that echo modern society. Performed by an incredible array of the 20th century’s greatest actors, Marlowe alumni including Roy Dotrice, Prunella Scales, Ian McKellen, Michael Hordern and Derek Jacobi can be heard in these recordings.

Power, tragedy and hubris are played out in this quartet, all of which are set in the febrile political atmosphere of ancient Rome. Performed by an incredible array of the 20th century’s greatest actors, Marlowe alumni including Ian McKellen, Prunella Scales, Patrick Wymark and William Devlin can be heard in these recordings.

Power, excess and betrayal are played out in these tragedies that continue to hold modern resonance. Performed by an incredible array of the 20th century’s greatest actors, Marlowe alumni including Ian McKellen, Diana Rigg, Derek Jacobi and Prunella Scales can be heard in these recordings.

The so-called "Bad Quarto" of Shakespeare's Hamlet is the first known version of this world-famous tragedy. Published in 1603, this text is significantly shorter, has some divergent character names, and contains different renditions of some of the play's most famous lines. Some scholars believe that the Bad Quarto is a pirated edition, written down by one or more of the company actors, while others think that it is Shakespeare's first attempt that he later revised and expanded.

In Ovid’s Metamorphoses, the boy hunter Adonis is the willing lover of Venus, the goddess of love, and dies accidentally. Shakespeare has Adonis reject Venus. Venus endlessly argues for making love, with Adonis uttering petulant protests.

Trojan Prince Troilus falls in love with Cressida as war rages around them. After vowing to be faithful, Cressida is traded to the Greek camp, where she then agrees to see another man. Troilus witnesses Cressida's unfaithfulness and vows to put more effort into the war. The play ends after further deaths on both sides and with no resolution in sight.

The Roman General Titus Andronicus returns from war with four prisoners who vow to take revenge against him. They rape and mutilate Titus' daughter and have his sons killed and banished. Titus kills two of them and cooks them into a pie, which he serves to their mother before killing her, too. The Roman emperor kills Titus, and Titus' last remaining son kills the emperor and takes his place.

Magical and dreamlike in its tone, Shakespeare’s The Tempest begins with a storm of epic proportions and a shipwreck. Banished from Italy, Prospero lives on a remote island with his daughter. Using his magic, he vows to seek revenge on the injustice dealt to him by his brother, but in doing so, Shakespeare questions the difficulty of distinguishing ‘men’ from ‘monsters’, and the realities of justice.

Bianca is beautiful and demure, with a plethora of would-be suitors, but marriage is forbidden until her older sister, Katherina, finds a suitable match. The hitch? Fiery Katherina has sworn to deny the hand or demands of any would-be suitor. That is, until she meets her match in the wily Petrucio. As Katherina’s own sharp tongue is met by Petrucio’s feigned cruelty, the ‘shrew’ apparently capitulates. Or does she?

The Rape of Lucrece follows a popular story from one of Shakespeare's favourite ancient writers, Ovid. Lucrece is the angelic wife of Collatine, an illustrious Roman general. She is coveted and eventually attacked by Prince Tarquin, Collatine's best friend.