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Dating to the ninth century BC, Homer’s timeless poem still vividly conveys the horror and heroism of men and gods wrestling with towering emotions and battling amidst devastation and destruction, as it moves inexorably to the wrenching, tragic conclusion of the Trojan War. Renowned classicist Bernard Knox observes in his superb Introduction that although the violence of the Iliad is grim and relentless, it coexists with both images of civilized life and a poignant yearning for peace.

The Divine Comedy describes Dante's descent into Hell with Virgil as a guide, his ascent of Mount Purgatory and his encounter with his dead love Beatrice, and finally, his arrival in Heaven. Examining questions of faith, desire and enlightenment, the poem is a brilliantly nuanced and moving allegory of human redemption. This major translation is published here for the first time in a single volume.

Rediscover the greatest love poetry ever written. Shakespeare’s sonnets are some of the nation’s favourite lines of verse, but the Elizabethan language can make it difficult to really understand them. Many guides offer to clarify the meaning, but lose the magic of the words by explaining them away. James Anthony has done something boldly different.

In Paradise Lost, Milton produced a poem of epic scale, conjuring up a vast, awe-inspiring cosmos and ranging across huge tracts of space and time. And yet, in putting a charismatic Satan and naked Adam and Eve at the centre of this story, he also created an intensely human tragedy on the fall of man....

One of the foremost achievements in Western literature, Homer's Iliad tells the story of the darkest episode in the Trojan War. At its centre is Achilles, the greatest warrior-champion of the Greeks, and his refusal to fight after being humiliated by his leader, Agamemnon. But when the Trojan Hector kills Achilles' close friend Patroclus, he storms back into battle to take revenge - although knowing this will ensure his own early death.

Setting aside the streamlining, modernizing approach of many recent translations, Mendelsohn artfully reproduces the epic’s formal qualities – meter, enjambment, alliteration, assonance – and in so doing restores to Homer’s masterwork its archaic grandeur. His expansive six-beat line, far closer to the original than that of other recent translations, allows him to capture each of Homer’s verses line for line, without sacrificing the amplitude and shadings of the original.

Together, Hafez, a giant of world literature; Jahan Malek Khatun, an eloquent princess; and Obayd-e Zakani, a dissolute satirist, represent one of the most remarkable literary flowerings of any era. Here Dick Davis, an award-winning poet widely considered "our finest translator of Persian poetry" (The Times Literary Supplement), presents a diverse selection of some of the best poems by these world-renowned authors and shows us the spiritual and secular aspects of love, in varieties embracing every aspect of the human heart.

The iconic love story of the Middle East, by a 12th-century Persian poet who has been compared to Shakespeare for his subtlety, inventiveness, and dramatic force, Layli and Majnun tells of star-crossed lovers whose union is tragically thwarted by their families and whose passion continues to ripple out across the centuries. Theirs is a love that lasts a lifetime, and in Nezami's immortal telling, erotic longing blends with spiritual self-denial in an allegory of Sufi aspiration, as the amenities of civilization give way to the elemental wilderness.

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is of immense importance to the culture of the Indian subcontinent and is a major text of Hinduism. Its discussion of human goals (artha or 'purpose', kama or 'pleasure', dharma or 'duty' and moksha or 'liberation') takes place in a long-standing tradition, attempting to explain the relationship of the individual to society and the world (the nature of the 'self') and the workings of karma.

Beowulf is the greatest surviving work of literature in Old English, unparalleled in its epic grandeur and scope. It tells the story of the heroic Beowulf and of his battles, first with the monster Grendel, who has laid waste to the great hall of the Danish king Hrothgar, then with Grendel's avenging mother and finally with a dragon that threatens to devastate his homeland.

Taliesin's is one of the most important names in all Welsh literature - and one of its greatest mysteries. He has fascinated and inspired some of our greatest poets, including Tennyson and Robert Graves. He is a poet; a shape-shifter; a seer; a chronicler of battles fought, by sword and with magic, between the ancient kingdoms of the fifth- and sixth-century British Isles; a bridge between old Welsh mythologies and the new Christian theology; and a figure whose literary legend culminated with the compilation in 13th-century North Wales of The Book of Taliesin.

Warrior-prince Rama is about to be crowned Young King, when he hears the devastating news that his father, king of Ayodhya, has been tricked into banishing him to the forest. His devoted wife, Sita, insists on accompanying him in exile, but the evil 10-headed Lord Ravana has fallen deeply in love with the beautiful princess and steals her away. Aided by Hanuman, mighty captain of the monkeys, Rama sets out across the world to find her and destroy Ravana in a deadly battle.

Composed during the 14th century in the English Midlands, Sir Gawain and the Green Knight describes the events that follow when a mysterious green-coloured knight rides into King Arthur's Camelot in deep mid-winter. The mighty knight presents a challenge to the court: he will allow himself to be struck by one blow, on the condition that he will be allowed to return the strike on the following New Year's Eve.

Ovid's sensuous and witty poetry brings together a dazzling array of mythological tales, ingeniously linked by the idea of transformation - often as a result of love or lust - where men and women find themselves magically changed into new and sometimes extraordinary beings. Beginning with the creation of the world and ending with the deification of Augustus, Ovid interweaves many of the best-known myths and legends of Ancient Greece and Rome, including Daedalus and Icarus, Pyramus and Thisbe, Pygmalion, Perseus and Andromeda, and the fall of Troy.

In The Canterbury Tales Chaucer created one of the great touchstones of English literature, a masterly collection of chivalric romances, moral allegories and low farce. A story-telling competition between a group of pilgrims from all walks of life is the occasion for a series of tales that range from the Knight's account of courtly love and the ebullient Wife of Bath's Arthurian legend, to the ribald anecdotes of the Miller and the Cook.

This translation of The Iliad equals Fitzgerald's earlier Odyssey in power and imagination. It recreates the original action as conceived by Homer, using fresh and flexible blank verse that is both lyrical and dramatic.

Based on historical characters of the seventh-century Iranian court and written 850 years ago, the narrative poem about Khosrow and Shirin shares a shelf with the most intensely romantic classic stories readers love, from Tristan and Isolde to Layla and Majnun to Romeo and Juliet to Gatsby and Daisy.

Homer's Iliad is the famous epic poem set among the tales of Troy. Its subject is the anger of the hero Achilles and its consequences for the warring Greeks and Trojans. Unlike other books on the Iliad, this one combines the detailed expertise of a historian with the sensitivity of a teacher of it as poetry. Lane Fox goes on to consider hallmarks of the poem, its values, implicit and explicit, its characters, its women, its gods and even its horses. He argues repeatedly for its beautiful observation and addresses its parallel use of what is, to us, the natural world.