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The Divine Comedy is a narrative poem by Dante Alighieri that describes the the pilgrim Dante’s travels through Hell (Inferno), Purgatory (Purgatorio), and Paradise (Paradiso). This trio of books, or cantiche, is one example of the number three as a theme throughout the work. Each book consists of 33 cantos, which—added to an introductory canto—totals 100. Each cantica follows a pattern of nine phases plus one for a total of ten: nine circles of hell plus Lucifer, nine rings of Mount Purgatory plus the garden of Eden, nine celestial bodies of Paradise followed by the Empyrean essence of God.

Troja steht in Flammen und ist unrettbar verloren. Nun soll der Trojaner Aeneas, im Auftrag Jupiters, in der Ferne die Stadt Rom gründen. Doch die Göttermutter Juno zürnt Aeneas und seinen Gefährten. Unzählige Prüfungen müssen die Trojaner bestehen, hungrige Zyklopen überlisten und gegen die Heere Latiums kämpfen, bevor sie am Tiber eine neue Heimat finden. Die hochkarätig besetzte Hörspielinszenierung des SWR erweckt Vergils mythischen Bericht von der Entstehung Roms auf mitreißende Weise zu neuem Leben. Ein absolutes Muss für alle Klassiker-Fans!

Paradise Lost is an epic poem in blank verse by the 17th-century English poet John Milton (1608–1674). The first version, published in 1667, consists of ten books with over ten thousand lines of verse. A second edition followed in 1674, arranged into twelve books (in the manner of Virgil's Aeneid) with minor revisions throughout. It is considered by critics to be Milton's major work, and it helped solidify his reputation as one of the greatest English poets of his time.

Hafiz's Little Book of Life is a lush collection of more than 250 selections from his lifework (his divan). Alongside a Quran, a copy of his divan can be found in average homes in Iran—where stars can be heard singing his poetry on the radio, and lines from his poems are quoted on the street. His poetry is sure to strike a chord in the hearts of readers everywhere. This vital collection of mystical poetry focuses on the issues we encounter in everyday life. Each brief poem may be savored as an oasis of clarity in the hurried literacy of our time, or the entire book enjoyed in one sitting.

Saundarya Lahari is a popular Sanskrit hymn celebrating the power and beauty of Sakti, the primordial goddess. In one hundred verses, it underlines the centrality of the feminine principle in Indian thought. Attributed to Adi Sankaracarya, Saundarya Lahari is a valuable source for understanding tantric ideas. Every verse is associated with yantras and encoded mantras for tantric rituals, and specific verses in the hymn are considered potent for acquiring good health, lovers, and even poetic skills.

Thomas Stearns Eliot OM (26 Sept 1888 – 4 Jan 1965) was a poet, essayist, publisher, playwright, and literary and social critic. Born in St. Louis, Missouri, to a prominent Boston Brahmin family, he moved to England in 1914 at the age of 25 and went on to settle, work and marry there. He became a British subject in 1927 at the age of 39, subsequently renouncing his American citizenship.

"Les Fleurs du mal", in english "The Flowers of Evil" is a volume of French poetry by Charles Baudelaire. First published in 1857 it was important in the symbolist and modernist movements. The poems deal with themes relating to decadence and eroticism. Baudelaire dedicated the book to the poet Théophile Gautier, describing him as a "parfait magicien des lettres françaises" ("a perfect magician of French letters").The author and the publisher were prosecuted under the regime of the Second Empire as an "outrage aux bonnes mœurs" ("an insult to public decency").

Fille de Minos et de Pasiphaé, Phèdre lutte en vain contre la passion qu'elle éprouve pour Hippolyte, le fils de Thésée dont elle est l'épouse.

Il Canzoniere di Francesco Petrarca è uno dei capolavori della poesia di tutti i tempi, rappresentando la linfa vitale per tutta la storia letteraria dell’occidente. L’antologia propone una sostanziosa scelta di rime capaci ancora oggi di parlarci con immutata, universale intensità.

Paradise Lost is the greatest epic poem in the English language. In words remarkable for their richness of rhythm and imagery, Milton tells the story of Man's creation, fall, and redemption to "justify the ways of God to men."

The poems of the Poetic Edda have waited a long time for a modern English translation that would do them justice. Here it is at last (Odin be praised!) and well worth the wait. These amazing texts from a 13th-century Icelandic manuscript are of huge historical, mythological, and literary importance, containing the lion's share of information that survives today about the gods and heroes of pre-Christian Scandinavians, their unique vision of the beginning and end of the world, etc.

Many masters employed the form of the sonnet, including Petrarch, Spenser, Shakespeare, Keats, and Robert Bridges. However, the most celebrated, and oft quoted, examples are to be found in the collection by Shakespeare, first published in 1609. In the 154 poems, Shakespeare surveys and dissects the subject of love in all its guises, and its relationship with youth, age, illness, death, and memory.

The Aeneid is one of the greatest works in all of world literature. It is filled with mythology, history, and archaeology; it is infused with patriotism, religious feeling, and pathos; it is rich in adventure and romance. As the story begins, a storm shipwrecks Aeneas and his Trojan followers near Carthage in North Africa. There, Aeneas falls in love with Dido, queen of Carthage. But the gods order him to leave for Italy. In despair, Dido commits suicide. Upon finally reaching Italy, Aeneas goes down into the lower world and learns about his future descendants, the Romans.

Homer is one of the most important figures in ancient Greek literature, believed to have lived in the 8th century BC. He is most famous for his epic poems, the Iliad and the Odyssey, which are considered to be the founding works of Western literature. The Iliad tells the story of the Trojan War, focusing on the hero Achilles, while the Odyssey recounts the adventures of the Greek hero Odysseus as he attempts to return home after the war. Both works are celebrated for their vivid storytelling, complex characters, and profound exploration of human nature.

A powerful and poignant translation of Vergil’s epic poem, newly equipped with introduction and notes.

Содержание: «Идешь, на меня похожий…», «Безумье и благоразумье…», Два стихотворения из цикла стихи о Москве («Мимо ночных башен…», «Над синевою подмосковных рощ…»), Два стихотворения из цикла Ахматовой («Не отстать тебе…», «Руки даны мне…»),«Я тебя отвоюю у всех земель, у всех небес…», «Я помню первый день, младенческое зверство…», «Не самозванка – я пришла домой…», «В черном небе слова начертаны…», «Я – страница твоему перу…», «Мой день беспутен и нелеп…»

Содержание: Любви утехи, Кавалер, «Отрадно улетать в стремительном вагоне…», «Светлая горница – моя пещера…», «Снова чист передо мною первый лист…», «Пришел издалека жених и друг..!», «Пусть сотней грех вонзался жал…», «Как песня матери…», «Когда мне говорят: "Александрия"…», «Вечерний сумрак над теплым морем…», «Когда я тебя в первый раз встретил…», «Ты – как у гадателя отрок…», «Наверно в полдень я был зачат…», «Люди видят сады с домами…»

Dating to the ninth century BC, Homer’s timeless poem still vividly conveys the horror and heroism of men and gods wrestling with towering emotions and battling amidst devastation and destruction, as it moves inexorably to the wrenching, tragic conclusion of the Trojan War. Renowned classicist Bernard Knox observes in his superb Introduction that although the violence of the Iliad is grim and relentless, it coexists with both images of civilized life and a poignant yearning for peace.

El profeta da a todos los hombres, de acuerdo con las leyes de Dios, impulsos para reflexionar y respuesta sobre los sucesos y anomalías que tienen lugar en este mundo. Además habla también sobre su tarea y así también sobre sí mismo.

Petronius’ Satyricon is a rampant and vivacious Roman adventure dating back to the first century, during the reign of Nero. It follows the exploits of Encolpius, an impoverished ex-gladiator, and his boy-lover Giton. The action is fleet and the narrative sweeping: over the course of their journey we meet a host of lewd and comical rogues, including beggars, prostitutes, poets, sodomites, and pedants, and witness many strange and curious events, including a remarkably vulgar multi-course feast, hosted by the pompous nouveau riche Trimalchio