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Lucretius' poem On the Nature of Things combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour he demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed by the mechanical laws of nature and not by gods; and that by believing this men can live in peace of mind and happiness. He bases this on the atomic theory expounded by the Greek philosopher Epicurus, and continues with an examination of sensation, sex, cosmology, meteorology, and geology.

Was will er denn nur, der Rabe, der sich auf dem Kaminsims des einsamen Mannes niederlässt? Warum sagt er nur das eine Wort: "Nimmermehr?" Eines der bekanntesten Gedichte der Schauerromantik.

This enigmatic poem is attributed to Seng-t'san, the third Chinese patriarch of Zen, who died in 606 CE. The tone of the work is revealed in the opening stanza in which the patriarch recommends dynamic introspection as the ideal attitude in solving the apparent problems of life. He urges the seeker neither to become trapped in the "outer entanglements of life" nor to isolate himself in solitude, but to remain calm in the procession of personal vicissitudes, seeing the essential oneness of all things.

Still, the Sky is a speculative mythology rendered through poetry that combines the tales of Icarus and the Minotaur and creates for them a shared coming of age through a correspondence of written fragments, artifacts, ecofacts, and ephemera. Fragmented memories, relics, and confessions combine in a labyrinth of fever dreams and meditations that contemplate innocence and experience, war and peace, exile and homecoming, flight and failure, love and loss.

Hafiz's Little Book of Life is a lush collection of more than 250 selections from his lifework (his divan). Alongside a Quran, a copy of his divan can be found in average homes in Iran—where stars can be heard singing his poetry on the radio, and lines from his poems are quoted on the street. His poetry is sure to strike a chord in the hearts of readers everywhere. This vital collection of mystical poetry focuses on the issues we encounter in everyday life. Each brief poem may be savored as an oasis of clarity in the hurried literacy of our time, or the entire book enjoyed in one sitting.

Aeneas ist eine Person sowohl der griechischen als auch der römischen Mythologie. Er entstammt einer Nebenlinie des trojanischen Herrschergeschlechts und ist Sohn des Anchises und der Göttin Aphrodite (röm. Venus). Aeneas gilt als Stammvater der Römer. Seine Geschichte wird erzählt vom römischen Dichter Vergil. Sie ist in lateinischen Versen abgefasst und schlägt eine Brücke zwischen der trojanischen der römischen Sagenwelt.

Dieses Ringelnatzische Lyrikaversum hat nicht nur den unerschrockenen Seemann „Kuttel Daddeldu“, der als Europapa viele Enkel von diversen europäischen Frauen hat, der Landratten kritisch sieht, der bei seinen seltenen, aber doch regelmäßigen Landgängen eine Schneise des totalen Vergnügens ohne Rücksicht auf Verluste zurücklässt, zum Thema. Im geistesblitzartigen Dauerzustand werden hier die wildesten, verrrrrücktesten und gegensätzlichsten Gedanken elegant miteinander verknüpft, so dass man mit einmaligem Anhören noch lange nicht genug hat.

In the beginning, the world is spoken into existence with one word: “Earth.” There are no inhabitants, and no sun—only the broad sky, silent sea, and sovereign Framer and Shaper. Then come the twin heroes Hunahpu and Xbalanque. Wielding blowguns, they begin a journey to hell and back, ready to confront the folly of false deities as well as death itself, in service to the world and to humanity. This is the story of the Mayan Popol Vuh, “the book of the woven mat,” one of the only epics indigenous to the Americas.

Paradiso gives our imagination a hint of the beauty to come, by uncovering the deepest reality of the life we are living now. God is the same, eternity past to eternity future; He is the same God today. The great crescendo that is His beauty, dance, song, joy, holiness, and glory we hear but dimly, as from a distance land; but it undergirds and gives meaning to everything we know and experience.

The Völsunga saga is a legendary saga, a late 13th-century poetic rendition in Old Norse of the origin and decline of the Völsung clan (including the story of Sigurd and Brynhild and the destruction of the Burgundians). It is one of the most famous legendary sagas and an example of a "heroic saga" that deals with Germanic heroic legend. The saga covers topics including the quarrel between Sigi and Skaði, a huge family tree of great kings and powerful conquerors and the quest led by Sigmund and Sinfjǫtli to save princess Signý from the evil king Siggeir.

The ancient Greeks revered Homer and Hesiod and often cited their names together in theological and theological works. While the two could have been contemporaries, some estimate that Hesiod lived up to 100 years after Homer. Sappho was an ancient Greek poetess and musician. She pioneered song lyrics and the ancient Greeks included her in the canon of nine lyric poets. Plato even numbered her among the Parnassian goddesses, referring to her as the tenth muse.

من أجل عشقك، أريد هجر الروح، من أجلك، أريد هجر العالمَين. أرغب في أن تقع شمسك فوق المطر، لهذا سأذهب للقائك، مثل السحاب. يسأل أحدهم شمس تبريزي قائلاً: ماذا أفعل؟ إن...

The Roman poet Publius Ovidius Naso (Ovid) is best known for his epic poem Metamorphoses, a collection of myths and legends from Ancient Greece and Rome. His works continue to be widely read and admired, and he is regarded as one of the most significant poets of ancient Rome. Ovid’s love poems are both brilliant and evocative. In Amores, the romantic mysteriousness of elegiac love-poetry is exploded by his witty and ironic treatment of the form. Ars Amatoria and Remedia Amoris both lay down the rules for the game of love, which both sexes can play.

Розмисли наодинці з собою — це особисті записи римського імператора Марка Аврелія Антоніна, зроблені ним в 70-і рр. нової ери. Імператор вів щоденник, де розмірковував щодо понять громадянськості, обов'язку, честі, совісті, вірності і справедливості. На сторінках цього надзвичайного документа ми спостерігаємо напружену роботу особистості з опанування філософії стоїків та з практичного розвитку стоїчної традиції. Таким чином, щоденник Марка Аврелія — один з перших в історії людства приклад літератури про самовдосконалення.

The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line poem first appeared in the United Kingdom in the October issue of Eliot's The Criterion and in the United States in the November issue of The Dial. It was published in book form in December 1922. Eliot's poem loosely follows the legend of the Holy Grail and the Fisher King combined with vignettes of contemporary British society.

Thomas Stearns Eliot OM (26 Sept 1888 – 4 Jan 1965) was a poet, essayist, publisher, playwright, and literary and social critic. Born in St. Louis, Missouri, to a prominent Boston Brahmin family, he moved to England in 1914 at the age of 25 and went on to settle, work and marry there. He became a British subject in 1927 at the age of 39, subsequently renouncing his American citizenship.

La Vita Nuova (pronounced [la ˈviːta ˈnwɔːva]; Italian for The New Life) is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.

Noche oscura del alma es una travesía presentada a través de una serie de etapas dolorosas y purificadoras que el alma debe caminar para alcanzar la iluminación y el amor divino.

"Sztuka kochania" autorstwa Owidiusza to jedno z najbardziej znanych dzieł traktujących o kunszcie miłosnym w historii. Poemat rzymskiego twórcy skierowany jest zarówno do mężczyzn, jak i kobiet. Przy pomocy pięknego języka odsłania on przed odbiorcą arkana wiedzy z zakresu uwodzenia, flirtu, fizycznego zbliżenia oraz utrzymania przy sobie "drugiej połowy".

Have you ever heard the sounds of Hell? Felt the darkness and the ice? Tasted the burnt air on your tongue? Dante’s Inferno will give you a flavor of the wretchedness of sin that you will never forget. The images and action that bring you down into the very center of judgment and consequence, into that eternal realm of woe, will stick to the ribcages of your mind, and change the way you see the world, the devil, and your own flesh.