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A delightful British comedy from the wonderful world of P.G. Wodehouse! The perpetually misguided Bertie finds himself embroiled in a madcap adventure sparked by the abrupt departure of his beloved Jeeves.

Shakespeare's drama tells the story of a young man who can only come into his own upon his father's death and the father who longs for immortality. Using only Shakespeare's words, this adaptation tells the deeply personal story of Prince Hal's coming of age and his relationships with two father figures: the mistrustful King Henry IV and the hilarious, irrepressible Falstaff. A Court Theatre Production.

A tender love story, a serpentine villainess, a glittering setting in London society, and a showering of Wildean witticism are only a few of the reasons why this play has enjoyed hugely successful revivals in London, in New York, and on the silver screen. This 1895 drama is eerily prescient, as it examines the plight of a promising politician, desperate to hide a secret in his past. With empathy and wit, Oscar Wilde explores the pitfalls of holding public figures to higher standards than the rest of us.

Eugene O’Neill’s tale of Ephraim Cabot, greedy and hard like the stone walls that surround his farm, the family patriarch brings home his new young bride, Abbie. His grown sons dissaprove; one leaves but the other stays to fight for the family fortune. What follows is a tragedy of epic proportions.

After helping to murder Becket, King Henry II is haunted by memories of their passionate friendship. Appointing Becket as Archbishop was the King's greatest mistake, for Becket finds his allegiance shifting from king and country to God and Church.

David Weir explores the conflicting attitudes towards modernity present in decadent culture by examining the difference between aesthetic decadence - the excess of artifice - and social decadence, which involves excess in a variety of forms, whether perversely pleasurable or gratuitously cruel. Such contrariness between aesthetic and social decadence led some of its practitioners to substitute art for life and to stress the importance of taste over morality, a maneuver with far-reaching consequences. 

Professor Esolen who has served as your guide through both the Inferno and Purgatory will guide you through the profound and elevated poetry of Paradise. An expert who has taught Dante to college students for more than 20 years, Professor Esolen is also the preeminent modern translator of the entire Divine Comedy from the original Italian. Discover the ineffable majesty of Paradise with Professor Esolen, and complete the journey of all men who have conquered the self through the sufferings of Purgatory.

Professor Megan Lewis of the University of Massachusetts, Amherst takes us on an engaging journey through the history of theater in the 20th century. She explores some of the century's early movements such as Symbolism, Expressionism, and Dada, which arose amid political turmoil and quickly began to fuel rapid change in the way playwrights, directors, and actors where approaching theater.

When this groundbreaking serialized dramatization premiered on 320 U.S. radio stations, critics were unanimous in their praise. It won numerous honors including the George Foster Peabody Award and the Pulitzer Prize for broadcasting. Never before or since has such an ambitious undertaking been attempted in public radio, and it was accomplished, not by a major network, but by a small nonprofit independent producer in Chicago. That was in 1981. It has been sitting on the shelf ever since.

Blackstone Audiobooks is pleased to present the first audio recordings ever of the only two Holmes plays written by his creator, Sir Arthur Conan Doyle. This new, specially commissioned production of the Hollywood Theater of the Ear stars Audie Award-winning readers Martin Jarvis (as Sherlock Holmes) and Kristoffer Tabori (as Dr. Watson).

Blackstone Audio is proud to present the Oregon Shakespeare Festival's 2014 production of The Tempest, Shakespeare's magical romantic comedy, directed by Tony Taccone. This stunning work of audio theater, fully dramatized with performances by the OSF cast, is a must-listen.

Richard II is dangerously out of touch with his kingdom. He wastes money, raises taxes to support his lavish lifestyle, plays favorites, and cares more about his vanity than the common good. When Henry Bolingbroke - father of the future Henry V - challenges Richard for the throne, it's a fight the king can't win. But in losing his crown he gains far greater things: his humanity and his soul.

In this engaging series of lectures, theatre historian, Megan Lewis takes listeners on a journey from the ancient world of the Greeks and Romans to the modern era as she explores how theatre - a live event that synthesizes many other art forms and disciples in a collaborative process of storytelling - entertains, educates, and inspires us, as well as helps build community and reflect society.

The idealistic Lydia Languish, reads nothing but romantic novels, and in doing so, believes she can only find true love in the arms of a man without wealth. Captain Jack Absolute has fallen in love with her, and pretends to be a penniless ensign to win her heart. Coming between these two lovers are some of the most extraordinary comic characters ever to grace a stage; the autocratic Sir Anthony Absolute, the misspeaking Mrs. Malaprop, the fiery Irishman from Clod hall - Sir Lucius O’Trigger; and poor Bob Acres, a country squire who finds himself with a dueling pistol in his hand.

Written a year before his death, this collection of short plays by Miguel de Cervantes is a fine example of his genius. Oftentimes overlooked, these eight vignettes are funny and touching at the same time. Designed to be performed in between larger acts, they give a glimpse into a world far less glamorous than courtly life.

This course will examine the social, historical, and political context of ancient Greek drama and equip listeners with a set of critical analytical tools for developing their own appreciation of this vitally important genre. The course will focus on the four extant playwrights, Aeschylus, Sophocles, Euripides, and Aristophanes, and examine each of their plays closely.

The Tempest is a beautiful and sweeping drama by William Shakespeare and is one of the Bard’s last plays. With a role written as a farewell to the theater, this emotional drama is a beautiful testament to Shakespeare’s talents as a storyteller and writer. The play centers around Prospero, a usurped ruler and powerful sorcerer who lives out his days on a remote island with few humans with whom to interact. Prospero seeks his revenge on his brother by causing his ship to wreck on his island, and the adventure of the play begins.

A Midsummer Night’s Dream is one of William Shakespeare’s most well-known comedies and is arguably one of his most beloved plays. The play tells the tale of the misadventures of the people gathering to participate in their marriage of the duke of Athens and Hippolyta, former queen of the Amazons.

Coriolanus is a tragedy by William Shakespeare, believed to have been written between 1605 and 1608. Coriolanus is a tragedy by William Shakespeare, believed to have been written between 1605 and 1608. The play is based on the life of the legendary Roman leader, Gaius Marcius Coriolanus...

Henry IV, Part 1 is a history play by William Shakespeare, believed to have been written no later than 1597 PERFORMED BY HARRY ANDREWS AND CAST Henry IV, Part 1 is a history play by William Shakespeare, believed to have been written no later than 1597. It is the second play in Shakespeare's...

Sir Derek Jacobi and cast perform another Shakespeare classic which has been released for the first time as a digital download. The play opens with the King of Navarre and three noble companions, Berowne, Dumaine, and Longaville, taking an oath to devote themselves to three years of study...

Anacreon (582 BCE–485 BCE) was a Greek lyric poet born in Teos, an Ionian city on the coast of Asia Minor. He likely moved to Thrace in 545 BCE with others from his city when it was attacked by Persians. He then moved to Samos, to Athens, and possibly again to Thessaly, seeking a safe place to write his poems as his patrons (including Polycrates, tyrant of Samos, and Hipparchus, brother of Athenian tyrant Hippias) kept being murdered. It is unknown where Anacreon died, though he lived to the unusually advanced age of 85.

Produced in 458 BC, Aeschylus' Choephori is the second play in the Oresteian trilogy. The bloodshed begun in the first play with the murder of Agamemnon by his wife Clytemnestra is here continued when Agamemnon's son Orestes avenges his father's death by killing Clytemnestra. It is not until the third and final play, Eumenides, that peace is restored to the family of the Atreidae. The introduction discusses the pre-Aeschylean 'Orestes' tradition in literature and art, as well as the place of Choephori within the Oresteia.

The Theogony "the genealogy or birth of the gods" is a poem by Hesiod (8th – 7th century BC) describing the origins and genealogies of the Greek gods, composed c. 730–700 BC. It is written in the Epic dialect of Ancient Greek and contains 1022 lines. Hesiod's Theogony is a large-scale synthesis of a vast variety of local Greek traditions concerning the gods, organized as a narrative that tells how they came to be and how they established permanent control over the cosmos. It is the first known Greek mythical cosmogony.

Agamemnon is the first of the three linked tragedies which make up The Oresteia trilogy by the ancient Greek playwright Aeschylus. Trilogy as a whole, originally performed at the annual Dionysia festival in Athens in 458 BCE, where it won first prize, is considered to be Aeschylus' last authenticated, and also his greatest, work. Agamemnon describes the homecoming of Agamemnon, king of Argos, from the Trojan War, and his return to his wife, Clytemnestra, who had been planning his murder (in concert with her lover, Aegisthus) as revenge for Agamemnon's earlier sacrifice of their daughter, Iphigenia.

The final play of the Oresteia, called The Eumenides (Εὐμενίδες, Eumenídes), illustrates how the sequence of events in the trilogy ends up in the development of social order or a proper judicial system in Athenian society. In this play, Orestes is hunted down and tormented by the Furies, a trio of goddesses known to be the instruments of justice, who are also referred to as the "Gracious Ones" (Eumenides). They relentlessly pursue Orestes for the killing of his mother.

Antigone by Sophocles, is a classic Greek tragedy that unfolds against the backdrop of Thebes. The play delves into the profound ethical and moral dilemmas faced by its characters, with Antigone at the center of a conflict between personal convictions and civic duty. The narrative begins with the aftermath of a brutal war, where two brothers, Eteocles and Polynices, have fallen on opposing sides. Antigone, their sister, defies the king's decree and buries Polynices, setting the stage for a clash between divine law and human authority.

"Die Perser" (472 v. Chr.) ist die älteste erhaltene Tragödie der Literaturgeschichte. Das Werk schildert aus der Perspektive der persischen Königsfamilie den katastrophalen Untergang von Xerxes' Flotte bei Salamis. In eindringlichen Chor- und Monologszenen schildern Atossa, der verstorbene König Dareios und Xerxes selbst das Trauma einer untergehenden Großmacht. Aischylos, selbst Veteran von Marathon und Salamis, mahnt vor Hybris und lädt zur Empathie mit den Besiegten ein. Ein dramatisches, historisch verwurzeltes Meisterwerk – reich an Sprache, Emotion & zeitlosem moralischem Gewicht.

Mit "Lysistrate" schuf Aristophanes eine der bekanntesten Komödien des antiken Griechenlands. Das Stück wurde 411 v. Chr. uraufgeführt – mitten im Peloponnesischen Krieg – und ist bis heute ein Paradebeispiel für politische Satire, weiblichen Protest und kluge Komik. In der Handlung verbünden sich die Frauen Athens und Spartas, um ihre Männer zum Frieden zu zwingen – indem sie den Geschlechtsverkehr verweigern. Was folgt, ist eine bissige, humorvolle und überraschend moderne Auseinandersetzung mit Krieg, Macht, Geschlechterrollen und gesellschaftlichem Wandel.

Mit "Medea" schuf Euripides eines der eindrucksvollsten Dramen der griechischen Antike. Im Mittelpunkt steht Medea, die von ihrem Mann Jason für eine andere verlassen wird – und deren Reaktion in eine der radikalsten Taten der Tragödienliteratur mündet. Die Tragödie thematisiert Liebe, Rache, Machtlosigkeit und die Stellung der Frau – und zeigt, wie Schmerz, Stolz und Ausgrenzung einen Menschen zu tragischen Entscheidungen bewegen können. Ein weltberühmter Stoff – Medeas Geschichte wird bis heute auf den Bühnen der Welt gespielt und diskutiert.