検索キーワード： 制作 "--Tyson Hanks" ダークユーモア

Filled with relentless drinking in seamy bars and glamorous nightclubs, wild, drug-fuelled parties, and dispassionate sexual encounters, Less than Zero - narrated by Clay, an 18-year-old student returning home to Los Angeles for Christmas - is a fierce coming-of-age story, justifiably celebrated for its unflinching depiction of hedonistic youth, its brutal portrayal of the inexorable consequences of such moral depravity and its author’s refusal to condone or chastise such behaviour.

Sharply observant and outrageously funny, Rejection is a provocative plunge into the thorniest problems of modern life: sex, relationships, identity and the internet. We see a young man’s passionate allyship turn to a furious and debilitating nihilism as he realizes, over thirty lonely years, that his feminism isn’t getting him laid; a young woman’s unrequited crush spirals into borderline obsession and the systematic destruction of both her sense of self and her group chat; and witness a shy late bloomer’s flailing efforts at a first relationship lead to a life-upending mistake.

Who hasn’t wondered for a split second what the world would be like if a person who is the object of your affliction ceased to exist? But then you’ve probably never heard of The McMasters Conservatory, dedicated to the consummate execution of the homicidal arts. To gain admission, a student must have an ethical reason for erasing someone who deeply deserves a fate no worse (nor better) than death. The campus of this “Poison Ivy League” college—its location unknown to even those who study there—is where you might find yourself the practice target of a classmate.

Everyone in my family has killed someone. Some of us, the high achievers, have killed more than once. I’m not trying to be dramatic, but it is the truth. Some of us are good, others are bad, and some just unfortunate. I’m Ernest Cunningham. Call me Ern or Ernie. I wish I’d killed whoever decided our family reunion should be at a ski resort, but it’s a little more complicated than that.

When her mother emigrates to China for work, twenty-year-old Chizu moves in with 71-year-old Ginko, an eccentric distant relative, taking a room in her ramshackle Tokyo home, with its two resident cats and the persistent rattle of passing trains. Living their lives in imperfect symmetry, they establish an uneasy alliance, stress tested by Chizu's flashes of youthful spite. As the four seasons pass, Chizu navigates a series of tedious part-time jobs and unsatisfying relationships, before eventually finding her feet and salvaging a fierce independence from her solitude.

Korede is bitter. How could she not be? Her sister, Ayoola, is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola's third boyfriend in a row is dead. Korede's practicality is the sisters' saving grace. She knows the best solutions for cleaning blood, the trunk of her car is big enough for a body, and she keeps Ayoola from posting pictures of her dinner to Instagram when she should be mourning her 'missing' boyfriend. Not that she gets any credit.

Molly the maid is all alone in the world. A nobody. She’s used to being invisible in her job at the Regency Grand Hotel, plumping pillows and wiping away the grime, dust and secrets of the guests passing through. She’s just a maid—why should anyone take notice? But Molly is thrown into the spotlight when she discovers an infamous guest, Mr Black, very dead in his bed. This isn’t a mess that can be easily cleaned up.

A woman visits a friend who is dying of cancer. Brilliant and stubborn, her friend makes a momentous request. She wishes to end her life on her own terms - and she wants the narrator's help. Stricken, she agrees. 'I promise,' says the friend, 'to make it as much fun as possible.' What follows is an extraordinary tale of a friendship put to the greatest test: to witness, unflinching, its end. It is also a portrait of the way we live now, in a world endlessly troubled by crises and the dramatically changing nature of human relationships in our time.

It’s almost Christmas and Bunny McGarry is not in the festive spirit. His mood is not improved when an old friend becomes the victim of a violent assault and, for reasons he can’t understand, the police force he is a member of has decided not to investigate. Getting to the bottom of the case ends up putting him on the wrong side of some powerful people.

In 1761, a tiny, odd-looking girl named Marie is born in a village in Switzerland. After the death of her parents, she is apprenticed to an eccentric wax sculptor and whisked off to the seamy streets of Paris, where they meet a domineering widow and her quiet, pale son. Together, they convert an abandoned monkey house into an exhibition hall for wax heads, and the spectacle becomes a sensation. As word of her artistic talent spreads, Marie is called to Versailles, where she tutors a princess and saves Marie Antoinette in childbirth. But outside the palace walls, Paris is roiling....

Have you ever walked home at night, keys in hand, ready to throw a punch in self-defence? That’s how it all started. The killing spree, I mean. I sort of tripped into this role. Literally. The first one was following me. That guy from the nightclub who wouldn’t leave me alone. I pushed him, he stumbled, and fell onto his own broken wine bottle. Oops. It was such a waste of a good house white. But now I can’t seem to stop and nor do I want to. I’ve got a taste for revenge and quite frankly, I’m killing it.

She’s a fashion model who has everything: a boyfriend, a career, a loyal best friend. But when a sudden freeway "accident" leaves her disfigured and incapable of speech, she goes from being the beautiful center of attention to being an invisible monster, so hideous that no one will acknowledge she exists. Enter Brandy Alexander, Queen Supreme, one operation away from becoming a real woman, who will teach her that reinventing yourself means erasing your past and making up something better. And that salvation hides in the last places you’ll ever want to look.

This series of short, fictional vignettes explores our day-to-day interactions with an ever-elusive and arbitrary God. It's the Book of Common Prayer as seen through a looking glass - a powerfully vivid collection of seemingly random life moments. The figures that haunt these stories range from Kafka (talking to a fish) to the Aztecs, Tolstoy to Abraham and Sarah, O. J. Simpson to a pack of wolves. Most of Williams' characters, however, are like the rest of us.

Dolores dela Cruz has been dying to spot one in the wild, and he fits the mold perfectly: strangler gloves, calculated charm, dashing good looks that give a leg up in any field ... including fields of unmarked graves. The new office temp is definitely a serial killer.

Boy (Tim Heidecker) is a dog who is tired of being held back by humans. When he wakes one morning to find his owner dead, he assumes there’s no one left to stop him from achieving his goal of being a wild and majestic wolf. Unfortunately, he’s about to meet Rebecca (Patti Harrison), a lifelong slacker who is out to prove to her roommates (Poppy Liu and Danny Pudi) that she’s not a total loser by getting a job as a dog walker for a start-up called Bow-Now.

When Rita McCall discovers her husband’s affair, there isn’t a lick of surprise—not a single tear or broken heart. Just a wife and mother who’s over it and ready to watch her twenty-three-year marriage go up in flames. Sticking close, thick as thieves since childhood, Rita’s unfailingly loyal cousins Jemel and Sharae become her lifeline. They stand beside her as she contemplates a new career and navigates the murky waters of being a preacher’s daughter disgraced by scandal.

Tender Branson - last surviving member of the so-called "Creedish Death Cult" - is dictating his incredible life story into the flight recorder of Flight 2039, cruising on autopilot at 39,000 feet somewhere over the Pacific Ocean. He is all alone in the plane, which will shortly reach terminal velocity and crash into the vast Australian outback.

Stormy Weather centers on the aftermath of Hurricane Andrew. The devastation of the storm has attracted crowds of voyeurs and impostors to Florida. Drawn by the chance to prey on Andrew's victims, misfits like the murderous ex-con Snapper and the dangerously seductive Edie find easy targets for their insurance scams. They're not prepared, though, when they meet their opposition, led by a hoary ex-governor who smokes toads.

Both hilariously funny and deadly accurate, Carl Hiaasen's novel will take you into a Florida that is far from the frilly palms and pink flamingos of its post cards.

Rhiannon is your average girl next door, settled with her boyfriend and little dog...but she's got a killer secret. Although her childhood was haunted by a famous crime, Rhinannon's life is normal now that her celebrity has dwindled. By day her job as an editorial assistant is demeaning and unsatisfying. By evening she dutifully listens to her friend's plans for marriage and babies whilst secretly making a list. A kill list.

A palm reader notifies Lord Arthur that murder is in his future. But not his murder - he’s the murderer. This really throws a wrench into his wedding plans, for Lord Arthur is soon to be married to the most beautiful lady in London. In fact he loves her so much, he decides to postpone the wedding until his business is done. Now, for a tasteful homicide....