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Harry Bannerman drinks his nightly bourbon on the train from New York City to Putnam's Landing, Connecticut. A typical commuter, he has a bald spot, a house, two mortgages, three children, and a wife who is a committed soccer mom and pillar of the community. Second Lt. Guido di Maggio loves baseball less than his last name implies and his fiancee, Maggie Larkin, more than the army allows. College sweethearts, the couple has their future all mapped out: Guido will complete his military service in Maryland while Maggie starts her teaching career in Putnam's Landing.

All over the city, they are watching: Black men paid to stand guard, invisible among the wealthy flâneurs and yet the only ones who truly see. From Les Grands Moulins to a Sephora on the Champs-Élysees, Ferdinand, Ossiri, and Kassoum find their way as undocumented workers amidst political infighting and the ever-changing landscape of immigration policy. Fast-paced and funny, poignant and sharply satirical, Standing Heavy is a searing deconstruction of colonial legacies and capitalist consumption and an unforgettable account of everything that passes under the security guards' all-seeing eyes.

When Dinah Brooke's second novel, Lord Jim at Home, was first published in 1973, it was described as "squalid and startling," "nastily horrific," and a "monstrous parody" of upper-middle class English life. It is the story of Giles Trenchard, who grows up isolated in an atmosphere of privilege and hidden violence; who goes to war, and returns; and then, one day—like the hero of Joseph Conrad's classic Lord Jim—commits an act that calls his past, his character, his whole world into question.

Erwin 'Harvard' Vandeer has run out of luck. After failing as an actor in Hollywood, he heads home for Boston, but when he loses all of his cash in a poker game, he finds himself stranded in dusty Abilene, Texas. However, all is not lost. Harvard meets rough and tumble oilman Merle Luskey who takes him in and puts him to work. Except working for Merle may not exactly be the stroke of luck he was hoping for.

I lost a bet to my older brother. My evil, life-ruining older brother, and now I can't go on a date for FOUR months. I can't even touch a woman. No hand holding. Forget kissing. I'm walking the straight and narrow (AKA dateless and lonely) just fine. Until my best friend (the woman I've been pining over since college) gets her heart broken.

Leave it to my little brother to come back home announcing he knocked up his fiancee and the wedding has been moved . . . to next month. When he tries to set me up with one of his football buddies, I tell him I'll be bringing my own plus-one. Only problem? I'm hopelessly single.

Paradise is supposed to be a short-term stop. Until Thor shows up. Okay, not the real Thor. But replace the hammer with a dog who won't stop barking, and Adam Thomsen is definitely long-haired Thor's doppelganger. Too bad for me, he's decided I'm the villain in his story. Too bad for him, his scowl is no match for my super-powered positivity.

It was just supposed to be one night. No kissing. No feelings. A wham-bam-thank-you-ma'am tangle in the sheets and we go our own ways. Only it's a small town, and I was bound to run into the irresistible Porter Jones again. I just didn't expect it to be at my job interview...which he's conducting.

Alexander Otkazov is a failed pianist trying to start a new life in journalism. But when he starts reporting on a mysterious group of avant-garde musicians, the story takes him into a shadowy world of obscure composers, megalomaniac artists, and real estate barons, where the lines between art, finance, and fraud blur and the stakes are existential.