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Arnold Bennett was born in 1867 in Hanley one of the six towns that formed the Potteries that later joined together to become Stoke on Trent; the area in which most of his works are located. For a short time he worked for his solicitor father before realising that to advance his life he would need to become his own man. At the turn of the century he turned full time to writing and shortly thereafter in 1903 he moved to Paris and in 1908 published to great acclaim The Old Wives Tale. With this his reputation was set. Clayhanger and The Old Wives Tale are perhaps his most lauded novels.

At the end of our days we will most likely lie for eternity in the cemetery or graveyard. Many of these, now wreathed in time, have a romance and overgrown beauty as nature keeps and shelters the dead. For our varied and talented authors, a major theme, or indeed character of the stories in this volume is that very location, and how they weave it into their narratives is both fascinating, enlightening and a wonderfully distinct way of telling classic short stories.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Edward Alexander Crowley was born on 12th October 1875 to wealthy parents in Royal Leamington Spa in Warwickshire. He was educated at Malvern College, Tonbridge School, Eastbourne College and finally Trinity College, Cambridge where he focused on his passions of mountaineering and poetry and published several volumes. His literary works were both prolific and covered many topics. In the early part of his career he published many poetry books, even plays, before his darker and more forceful works came to dominate his output.