検索キーワード： ルネサンス

As Allied bombs rain down on Torino in the autumn of 1942, Stella Costa’s mother sends her to safety with distant relatives in a Tuscan villa. There, Stella finds her family tasked with a great responsibility: hiding nearly 300 priceless masterpieces from Florence, including Botticelli’s famous Primavera. With the arrival of German troops imminent, Stella finds herself a stranger in her family’s villa and she struggles to understand why her aunt doesn’t like her. She knows it has something to do with her parents.

From the author of The Good Wife of Bath comes this brilliant recreation of the vibrant, optimistic but politically treacherous world of London's Restoration theatre, where we are introduced to the remarkable playwright Aphra Behn, now a feminist icon but then an anomaly, who gravitated to the stage—a place where artifice and disguise are second nature and accommodates those who do not fit in.

himself threatened from all sides. First, his secret plans are stolen, then his son is kidnapped by a vengeful enemy from his past. At the same time, Dee’s wife, Jane, is sent by Queen Elizabeth I to console her cousin, Mary, Queen of Scots, whom court advisors are determined to try for treason. But Jane suspects her assignment is much more than a visit from a sympathetic cousin.

Welcome to Florence, 1517. Sharp-witted seventeen-year-old con-woman Rosa Cellini has plans for the Pope and the Medicis - and, more specifically, the mountain of indulgence money they've been extorting from the people of Tuscany. To pull off the Renaissance's greatest robbery, she'll recruit a team of capable misfits: Sarra the tinkerer, Khalid the fighter, and Giacomo, the irrepressible master of disguise. To top it all off, and to smooth their entrance into the fortress-like Palazzo Medici, Rosa even enlists the reluctant help of famed artist and local misanthrope, Michelangelo.

In the scorched city of Rome, the cobbled streets hum with gossip and sin. Costanza Piccolomini is a respectable young wife - until she meets Gianlorenzo Bernini, the famed sculptor and star of Roman society, whose jet-black gaze matches his dark temper. From the second they set eyes upon each other, a fatal attraction is born. Their secret love burns with a passion that consumes them. But with every stolen kiss and illicit tryst, Costanza's reputation is at stake. Meanwhile, Bernini has a dangerous desire: he wants to make Costanza immortal.

At a safe distance from the intrigues of courtly life at Louis XIV’s Versailles, an intellectual crowd of mostly women have been gathering in a Parisian home to share what hostess Marie D’Aulnoy herself has christened contes de fées: fairy tales. Recently ousted from court and still raw from the death of his beloved wife, Charles Perrault finds companionship and creative camaraderie at the salon, where he eagerly joins the storytellers. Their hostess is impressive, fiercely intelligent, but somehow unreadable. She is harboring secrets of her own.

England, 1591. Rose Rushe’s passion for life runs deep—she loves mead and music, meddles with astrology, and laughs at her mother’s warnings to guard her reputation. When Rose’s father dies and a noble accuses her and her dear friend Cecely of witchcraft, they flee to the household of respected alchemists in London. But as their bond deepens, their sanctuary begins to feel more like a cage. To escape, they turn to the occult, secretly casting charms and selling astrological advice in the hopes of building a life together.

Palermo 1632: Giulia is thirteen years old when she learns her mother Teofania's greatest secret. Her mother knows how to brew an undetectable lethal poison, which she uses to free the broken and abused women of Palermo. Now Teofania wants to pass her recipe on to her daughter, and Giulia soon learns that, in a time when women have no voice, justice is sometimes best served in a cup of wine. Rome, 1659: Years later, Giulia ends up alone and poor in Rome. Within the alleys and shadows of the Eternal City, she forms her own circle of female poisoners.

At our betrothal ball—where, quite by accident, I meet a beautiful young man who makes me wonder if perhaps there is something to love at first sight—I stumble upon Duke Stephano with a dagger in his chest. But who killed him? His late wives’ families, his relatives, his mistress, his servants—half of Verona had motive. And when everyone around the Duke begins dying, disappearing, or descending into madness, I know I must uncover the killer . . . before death lies on me like an untimely frost.

Florence. Autumn, 1539. Cesare Aldo was once an officer for the city’s most feared criminal court. Following a period of exile, he is back but demoted to night patrol when only the drunk and the dangerous roam the streets. Chasing a suspect in the rain, Aldo discovers a horrifying scene beneath Michelangelo’s statue of David. Lifeless eyes gaze from the face of a man whose body has been posed as if crucified. It’s clear the killer had religious motives. When more bodies appear, Aldo believes an unholy murderer is stalking the citizens of Florence. 

It is 1486 and Venice is a wealthy, opulent center for trade. Orsola Rosso is the eldest daughter in a family of glassblowers on Murano, the island revered for the craft. As a woman, she is not meant to work with glass—but she has the hands for it, the heart, and a vision. When her father dies, she teaches herself to make glass beads in secret, and her work supports the Rosso family fortunes.

Adored only child of King Henry VIII and his first wife Katherine of Aragon, young Princess Mary grows up as the sole heiress to the English throne. But her father wants a son, and soon Mary's world begins to fall apart. With her parents' marriage - and England - in crisis, Mary is banished from the court and kept apart from the mother she adores. The King promises to restore his daughter to favour, but first Mary must do something for which she will never forgive herself. She seeks solace in her faith.

Erzsébet Báthory, whose infamous place in history characterises her as the 'Blood Countess', is rumoured to have murdered 600 peasant girls. The Nightingale's Castle tells the gripping story of an intelligent and capable woman fighting to hold onto her wealth and independence, in a world where the poor and the wealthy alike face savage challenges.

France, 1351: Kemp and his men are captured in a skirmish near Calais, and subsequently imprisoned in a French castle. All attempts at escape are punished with death. Then Sir Hugues de Beauconray comes to Kemp with an offer: escort a Dominican friar on a quest to steal a mysterious book from an abbey in Scotland. Fail, and ten of Kemp's friends will be hanged.

London, 1608. Three years after the Gunpowder Treason, the King's enemies prepare to strike again. Daniel Pursglove is tasked by royal command with one final mission: he must infiltrate the Serpents - a secret group of Catholics plotting to kill the King - or risk his own execution. But other conspirators are circling, men who would blackmail Daniel for their own dark ends. In the Serpents' den, nothing is quite as it seems. And when Daniel spies a familiar face among their number, the game takes a dangerous turn.

When Sir Guy promised Will's dying mother he'd look after her son, he couldn't imagine where that oath would lead. So he takes Will on as a man-at-arms for the worst job in England—guarding the deposed king. Will's fondness for making friends in the tavern and for the occasional company of barmaids runs contrary to Guy's personal code of honor-devotion to God and king. But the young man is a competent soldier and well-liked, so Guy settles for the occasional, public admonishment to keep the others from going down what he considers Will's path of dissolution.

In a shabby house, on a shabby street, in the new capital of Madrid, Luzia Cotado uses scraps of magic to get through her days of endless toil as a scullion. But when her scheming mistress discovers the lump of a servant cowering in the kitchen is actually hiding a talent for little miracles, she demands Luzia use those gifts to improve the family's social position.

Highland Scotland was no place for a woman in the early 1500s. Life was turbulent and short, battles were waged, and sisters and daughters were traded as pawns in marriage. Catherine Campbell was one such young bride, betrothed to Lachlan Maclean and sent from her fine home to join him on the Isle of Mull, to bear his sons and heirs. But Lachlan proved to be nothing like the man of Catherine’s dreams, and she was forced to resign herself to enduring life with him for the sake of duty. Until the day when he threatened to take away the one thing she couldn’t sacrifice: her daughter.

In 16th century France, Marguerite de Valois is growing up in one of Europe's most dysfunctional families - the Medici clan. Their extreme inbreeding has led to an alarming number of genetic defects in France's kings. Marguerite alone has escaped this curse. Uncharacteristically beautiful, intelligent, and sane, she is seen as a useful pawn by her mother, Catherine de Medici. In a scheme to unite the country during the raging religious wars, the queen decides to marry her Catholic daughter to Protestant Henri, Prince of Navarre, a charming libertine.

Im 16. Jahrhundert ist das Wallis Schauplatz im Kampf um die Vorherrschaft in Europa. Inmitten von Krieg, Pest und der Jagd auf Hexen hat die Kräuterfrau Magdalena Capelani einen riskanten Beruf. Zwar wird ihr Wissen gebraucht, aber man traut ihr nicht: Wer sich mit den Kräften der Natur auskennt, steht mit dem Teufel im Bund. Und tatsächlich verfügt Magdalena über ein zweites Gesicht. Sie sieht den Tod ihres Bruders voraus, der in einer der Schlachten stirbt, in denen sich Kardinal Matthäus Schiner mit dem mächtigen Volkstribun Georg Supersaxo befehdet.