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How to Be Both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving, genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real - and all life's givens get given a second chance.

My name is Katherine Parr. I’m thirty-one years old – already twice widowed. I love a man I can’t have. I’m to wed a man no one would want. He has cast aside two wives and watched another die in childbirth. Two more have had their heads struck from their bodies, on his order. What will become of me as Henry VIII’s sixth wife? I will have the king’s ear. With that comes power. But power means danger in the Tudor court.

When a land of ice and fire, legends and sagas is swept into the Protestant Reformation, a witch-hunting craze begins. Unusually, those condemned and burned as witches are not women, but respectable men of learning. Þuríður Jónsdóttir has grown up praying to the old gods, and watching her father and brother practise rune magic. When the two men are accused of witchcraft and condemned to burn at the stake, Þuríður is helpless to save them.

Penguin presents the audiobook edition of Tomorrow by Damian Dibben, read by George Blagden. Tomorrow tells the story of a 217-year-old dog and his search for his lost master. His adventures take him through the London Frost Fair, the strange court of King Charles I, the wars of the Spanish succession, Versailles, the Golden Age of Amsterdam, 19th-century Venice and the Battle of Waterloo.

Renaissance Venice is a furnace of ideas and ambition. Artists flock here, not just for wealth and fame, but for revolutionary colour. Yet artist Giorgione 'Zorzo' Barbarelli's career hangs in the balance. Competition is fierce, and his debts are piling up. When Zorzo hears a rumour of a mysterious, other-worldly new pigment, brought to Venice by the richest man in Europe, he sets out to acquire the colour and secure his name in history. Winning a commission to paint a portrait of the man's wife, Sybille, Zorzo thinks he has found a way into the merchant's favour.

England, 1613. At the dazzling but brutal court of King James I, politician and philosopher Francis Bacon, the cleverest person in England, the inventor of the modern world, has a fight to survive. A life-threatening alliance of his enemies has formed around the king's exquisite but noxious lover, Carr. Bacon, always the outsider and the plotter, goes to his friend, James' neglected queen, and together they come up with a plan.

Penguin presents the unabridged, downloadable audiobook edition of Sisters of Treason by Elizabeth Fremantle. Lady Jane Grey has just been executed by her cousin Mary Tudor and her two younger sisters, Mary and Catherine, live in the shadow of their sister's tragic demise. Lady Catherine's fatal flaw is her compulsive desire for love, while clever Lady Mary is burdened with a crooked spine and tiny stature - and both have inherited the curse of royal blood.

In the autumn of 1615, a scandal rocks the Jacobean court when a celebrated couple are imprisoned on suspicion of murder. She is young, captivating and from a notorious family. He is one of the richest and most powerful men in the kingdom. Some believe she is innocent; others think her wicked or insane. He claims no knowledge of the murder. The king suspects them both, though it is his secret at stake.

Forcibly seduced by George Villiers, duke of Buckingham and the king's favourite, doctor's daughter Hester was cast aside to raise her illegitimate son, Rafe, alone and in secret. She hopes never to see his father again. Melis's visions cause disquiet and talk. She sees what others can't - and what has yet to be. She'd be denounced as a witch if Hester wasn't so carefully protective. Young Hope's beauty marks her out, drawing unwelcome attention to the family. Yet she cannot always resist others' advances. And her sisters cannot always be on their guard.

Young D'Artagnan arrives in Paris to join the king's elite guards but almost immediately finds he is duelling with some of the very men he has come to swear allegiance to - Porthos, Athos and Aramis: inseparable friends, the Three Musketeers. Soon, part of their close band, D'Artagnan's loyalty to his new allies puts him in the deadly path of Cardinal Richlieu's machinations. And when the young hero falls in love with the beautiful but inaccessible Constance, he finds himself in a world of murder, conspiracy and lies, with only the Musketeers to depend on.

Beatrice yearns to escape the clutches of her abusive father and determined to find a way back to Rome, enlists the help of Olimpio, the castle’s keeper. Soon the love that grows between them will transform Beatrice’s fortunes, for better and for worse. History has sold her short. She is no doe-eyed victim of her father’s brutality, nor the cunning murderer who plotted her father’s demise. No, this Beatrice - a woman pregnant by her lover, incarcerated in a remote castle by her father, and brim-full of white-hot rage - is both innocent and guilty, saint and sinner.

Artemisia Gentileschi dreams of becoming a great artist. Motherless, she grows up among a family of painters - men and boys. She knows she is more talented than her brothers, but she cannot choose her own future. She wants to experience the world, but she belongs to her father and will belong to a husband. As Artemisia patiently goes from lesson to lesson, perfecting her craft, she also paints in private, recreating the women who inspire her, away from her father's eyes. Until a mysterious tutor enters her life.

Florence, New Year’s Day 1557. As dawn breaks, a painter is discovered lying on the floor of a church, stabbed through the heart. Above him, the paintings he laboured over for more than a decade. At his home, a hidden painting scandalously depicting Maria de Medici, daughter of the Duke and Duchess of Florence, as a naked Venus. Who is the murderer? Who is behind the painting? As the city erupts in chaos, Giorgio Vasari, the great art historian, is picked to lead the investigation.

Palermo 1632: Giulia is thirteen years old when she learns her mother Teofania's greatest secret. Her mother knows how to brew an undetectable lethal poison, which she uses to free the broken and abused women of Palermo. Now Teofania wants to pass her recipe on to her daughter, and Giulia soon learns that, in a time when women have no voice, justice is sometimes best served in a cup of wine. Rome, 1659: Years later, Giulia ends up alone and poor in Rome. Within the alleys and shadows of the Eternal City, she forms her own circle of female poisoners.

It is 1486 and Venice is a wealthy, opulent center for trade. Orsola Rosso is the eldest daughter in a family of glassblowers on Murano, the island revered for the craft. As a woman, she is not meant to work with glass—but she has the hands for it, the heart, and a vision. When her father dies, she teaches herself to make glass beads in secret, and her work supports the Rosso family fortunes.