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Rome, 1659. Months after the plague has ravaged Rome, men are still dying in unnatural numbers, and rumour has it that their corpses do not decay as they should. The Papal authorities commission prosecutor Stefano Bracchi to investigate, telling him he will need considerable mettle to reach the truth. To the west of the Tiber, Girolama and her female friends are at work, helping other women with childbirths and foretelling their futures. Elsewhere in the city, a young wife, Anna, must find a way to escape her abusive husband. But in a city made by men for men, there are no easy paths out.

Welcome to Florence, 1517. Sharp-witted seventeen-year-old con-woman Rosa Cellini has plans for the Pope and the Medicis - and, more specifically, the mountain of indulgence money they've been extorting from the people of Tuscany. To pull off the Renaissance's greatest robbery, she'll recruit a team of capable misfits: Sarra the tinkerer, Khalid the fighter, and Giacomo, the irrepressible master of disguise. To top it all off, and to smooth their entrance into the fortress-like Palazzo Medici, Rosa even enlists the reluctant help of famed artist and local misanthrope, Michelangelo.

London, 1608. Three years after the Gunpowder Treason, the King's enemies prepare to strike again. Daniel Pursglove is tasked by royal command with one final mission: he must infiltrate the Serpents - a secret group of Catholics plotting to kill the King - or risk his own execution. But other conspirators are circling, men who would blackmail Daniel for their own dark ends. In the Serpents' den, nothing is quite as it seems. And when Daniel spies a familiar face among their number, the game takes a dangerous turn.

England, 1591. Rose Rushe’s passion for life runs deep—she loves mead and music, meddles with astrology, and laughs at her mother’s warnings to guard her reputation. When Rose’s father dies and a noble accuses her and her dear friend Cecely of witchcraft, they flee to the household of respected alchemists in London. But as their bond deepens, their sanctuary begins to feel more like a cage. To escape, they turn to the occult, secretly casting charms and selling astrological advice in the hopes of building a life together.

Girolamo Savonarola was a Dominican friar living in Florence at the tail end of the fifteenth century. An anti-corruption campaigner his hellfire preaching increasingly spilled over into tirades against all luxuries that tempted people towards sin. These sermons led to the infamous ‘Bonfire of the Vanities'—a series of fires lit throughout Florence for the incineration of everything from books, extravagant clothing, playing cards, musical instruments, make-up and mirrors, to paintings, tapestries and sculptures.

France, 1351: Kemp and his men are captured in a skirmish near Calais, and subsequently imprisoned in a French castle. All attempts at escape are punished with death. Then Sir Hugues de Beauconray comes to Kemp with an offer: escort a Dominican friar on a quest to steal a mysterious book from an abbey in Scotland. Fail, and ten of Kemp's friends will be hanged.

Im 16. Jahrhundert ist das Wallis Schauplatz im Kampf um die Vorherrschaft in Europa. Inmitten von Krieg, Pest und der Jagd auf Hexen hat die Kräuterfrau Magdalena Capelani einen riskanten Beruf. Zwar wird ihr Wissen gebraucht, aber man traut ihr nicht: Wer sich mit den Kräften der Natur auskennt, steht mit dem Teufel im Bund. Und tatsächlich verfügt Magdalena über ein zweites Gesicht. Sie sieht den Tod ihres Bruders voraus, der in einer der Schlachten stirbt, in denen sich Kardinal Matthäus Schiner mit dem mächtigen Volkstribun Georg Supersaxo befehdet.

In 16th century France, Marguerite de Valois is growing up in one of Europe's most dysfunctional families - the Medici clan. Their extreme inbreeding has led to an alarming number of genetic defects in France's kings. Marguerite alone has escaped this curse. Uncharacteristically beautiful, intelligent, and sane, she is seen as a useful pawn by her mother, Catherine de Medici. In a scheme to unite the country during the raging religious wars, the queen decides to marry her Catholic daughter to Protestant Henri, Prince of Navarre, a charming libertine.

From the author of The Good Wife of Bath comes this brilliant recreation of the vibrant, optimistic but politically treacherous world of London's Restoration theatre, where we are introduced to the remarkable playwright Aphra Behn, now a feminist icon but then an anomaly, who gravitated to the stage—a place where artifice and disguise are second nature and accommodates those who do not fit in.

Thomasin Marwood is one of Queen Catherine's ladies-in-waiting at the court of Henry VIII, and she does not trust Lady Anne Boleyn. But when an accident forces Thomasin and her family to take refuge at the Boleyn family home at Hever Castle, Thomasin is entrusted with an unexpected mission by Anne's mother.

All’approssimarsi di un evento decisivo per la storia della Cristianità – la battaglia di Lepanto (1571) che impegnerà la flotta mussulmana dell’Impero Ottomano e quelle alleate del Papa e dell’Imperatore guidate da don Giovanni d’Austria, figlio naturale di Carlo V d’Absburgo – a Messina un maturo frate intellettuale e una donna di nobili origini, giunta da Aquisgrana al seguito del giovane condottiero, tramano un complesso intrigo per favorire la flotta imperiale a scapito dei papisti, tra colpi di scena e difficoltà nel portare a buon esito il piano.

Florence, 1415. Banker Cosimo Medici is looked down upon as a jumped up money-changer. Then he marries the noble Contessina de Bardi and becomes the richest man in Europe. But his wealth and power threaten the Florentine elite, who are determined to bring him down. However, the House of Medici cannot be crushed that easily. Sixty years and many violent deaths later, the family are the unquestioned, ruthless rulers of Florence.