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"Diese Lyrik macht den Leser reich" - Gedichte aus 25 Jahren. Ulrike Draesner hat ein helles Ohr für Zwischenräume und "subsongs", die Lieder unter den Liedern - Stimmen, die man gemeinhin nicht hört. In "hell & hörig" zeigt sich das ganze Können der Dichterin: Gedichte aus 25 Jahren, sinnlich, gedankenreich und zugewandt. Souverän werden traditionelle lyrische Formen aufgegriffen, naturwissenschaftliche Kenntnisse integriert. Polyglott, polyamorisch, zeitgenössisch ist Draesners Poesie, deren Originalität sich auch im Umgang mit fremden Sprachen beweist.

Both and All is a poetic memoir for the queer canon and all who've mended their own hearts. It is sad and saucy. A sapphic love story that looks at heartbreak and heartmend, parenthood, loverhood, and falling in love with your sweet self. A demonstration of the complexities of motherhood, loverhood, and all of the hardships, sensuality, monotony, and joy that comes with it.

Comprised of four heroic crowns of sonnets, Alicia Mountain’s Four in Hand is both formal and experimental, ranging from lyric romantic and familial narratives to blank verses of reconfigured found text pulled from financial newsletter emails.

Seeking respite from an unsettled time in his life, the author organizes three intricately planned days filled with excursions, activities, dates, and parties—all of which collapse just as his much-anticipated weekend is about to arrive. Instead of staying home to absorb the bad luck, he accepts an impromptu invitation to an art show opening at a New Orleans gallery for an architect and artist friend. Time Calluses chronicles his 1,200 miles and 48 hours in New Orleans, on the road, and time with a woman he has not seen in 14 years.

This collection of prophetic poems invites you to encounter the tree of life and find deep rest and refreshment at the center of the Gospel message. Through powerful declarations of grace and truth, Veronica McDonald inspires listeners to embrace their worth and dignity to let go of the hamster wheel of strife.

This is a collection of poems and images that were generated by fine-tuned versions of popular artificial intelligence models.

SHORTLISTED FOR THE NATIONAL BOOK AWARD The winner of Sweden’s most prestigious literary award makes her American debut with an epic, multigenerational novel-in-verse about two Sámi families and their quest to stay together across a century of migration, violence, and colonial trauma...

In 2008, I was diagnosed with bladder cancer. I underwent two years of treatment, including chemotherapy, radiation, and surgery. In January of 2010, I had my bladder removed, and thankfully, I have been cancer free since then.

Poetry has over the centuries grouped poets or poems into many different themes and movements. Amongst its most unusual movements are the English wordsmiths, The Silver Poets. This select band lived during the sixteenth century reign of Queen Elizabeth 1st. Amongst their storied ranks were Sir Thomas Wyatt, Sir Philip Sidney, Henry Howard, the Earl of Surrey, Sir Walter Raleigh, John Davies, Michael Drayton and Mary Sidney (Herbert), the Countess of Pembroke.

Once more the year begins. The first month of the Gregorian calendar. Cold winds howl, the landscape shivers, frost, snow, ice are the many blankets for the land. Daylight is thin; it arrives late and leaves early, ceding the hours to shadow and the ink of night. From the pens of our remarkable poets, including Shelley, Dickenson, Shakespeare, Whitman, Gilbran and a wealth of others, come sumptuous verse that describe our moods, feelings, travels and desires of the dawning year.

Silence is rare in Nature. When we really listen, Nature is conducting symphonies of sound as her world goes about the day and night. Her invisible heartbeat is everywhere, for everyone. Our eyes are constantly bathed in the wonder of her ways, the soft drizzle of rain from soft grey clouds, the bleached harsh desert sand of a noon day, a wave caressing the shore, to the ravenous colours of a departing sunset. Indeed, whenever we look and listen to the vastness of our world Nature’s beauty is always there for us..

The year reaches its end with the Twelfth month. The landscape may be bleak, a sculpture of lines, monochrome dominates. The air carries the sounds of winter: wind, storms, silence. Our classic poets flex their lexicons with verse that describes all manner of events, sights and sounds. Among their ranks are Hardy, Shakespeare, Rossetti, Nesbit, Burns and a wealth of others, who, with their thoughts and desires express the world in lines of inky marvel.

Silence is rare in Nature. When we really listen, Nature is conducting symphonies of sound as her world goes about the day and night. Her invisible heartbeat is everywhere, for everyone. Our eyes are constantly bathed in the wonder of her ways, the soft drizzle of rain from soft grey clouds, the bleached harsh desert sand of a noon day, a wave caressing the shore, to the ravenous colours of a departing sunset. Indeed, whenever we look and listen to the vastness of our world Nature’s beauty is always there for us. In these 60 minutes Nature takes us through her world of wonder.

Mark Twain once wrote: “Sing like no one's listening, love like you've never been hurt, dance like nobody's watching, and live like its heaven on Earth.” This is what each of us should strive for in this God-ordained life. It does not require anything extra or cost all that you have. It does not bring about the daily emergence of new levels of pain or the forming of lies just to get by.

Whilst Europe endured the Dark Ages in the 6th & 7th Centuries, devotees of Shiva and Vishnu in Southern India were creating the Bhakti Movement. Some of these exponents, as in our volume, were bestowed with the title of saint but some had the additional title of sant, swami or goswami. Broadly speaking, Bhakti poetry, as in Hinduism itself, is divided into ‘Nirguna’, the idea that the divine is formless as exampled by Kabir and ‘Saguna’, which interprets the divine as having physical form as captured by Mirabai.

Enchanted Spark takes each listener on a poignant pilgrimage of candid emotion. With mindfulness and heartfulness, this poetess instills an unwavering sense of transformative awakening upon one’s psyche.

Amy Acre’s debut collection is an unforgettable, unflinching excavation of motherhood, what it means to be a female artist, and what it means to be a poet with a deeply integrated community. This is a timeless work the like of which we haven’t seen enough of in the past, primed to last long into the future.

V krátkých hutných povídkách s autobiografickými prvky cestujeme mezi severními Čechy, Brdy, polabskou nížinou, Brnem a Gruzií. Autor barvitým jazykem popisuje prchavé okamžiky všedního dne natolik sugestivně, že čtenáři i posluchači cítí vůni daného prostředí nebo dne. Bez problémů se vciťují do pocitů hlavního hrdiny, který utíká a zároveň hledá a sám neví před čím a co.

Tre le sezioni di questo testo, in cui la prima si fa antefatto delle due successive: "Quel mio ritornare a te / da tutte le strade / per sottrarci da tanta morte". Fra le pagine una mappatura dell'anima che è luogo e memoria - "Ti tengo / nell'entroterra dell'anima / in un respiro di due sillabe", la vita come frattura in fiore su un muro: "la conseguenza del mattino / uno schianto in due tempi", e ovunque il frammento dell'esperienza restituito in trama: "nulla sappiamo della mano / che ci regge il giorno / a tremare / fra la memoria e la sete".

Useful Junk includes a series of poem-letters that began as a digital correspondence between the author (a Gen-X English professor in rural Virginia with two kids) and a young writer (a Millennial former tech industry worker in New York coming to terms with her queer identity after a recent miscarriage). These poems explore the unique dynamic of online cross-generational friendships and the life lessons both women learned from each other.