検索キーワード： 制作 "-- Kevin Wright --" テーマ・スタイル

These poems are short stories about an emotion that the author was feeling, pieces of his life in words frozen in time. By listening to these poems, you will get to know him and what he was going through in life. These are the thoughts of emotions, and he hopes you will enjoy and feel what he felt at the time he wrote the poem.

Este poemario sabe a mentiras bajo una palmera, a dolor del que marca, a lágrimas dulces, a noches sin dormir, a corazón abierto. El conjunto perfecto de sentimientos para olvidar a alguien. Escribimos para escupir dolor hasta que escupimos tanto que la se nos queda seca y ya no queda más que el folio en blanco. En este libro sucede exactamente eso. Estuve escribiendo hasta que esa persona dejó de importarme. Y entonces me di cuenta de que lo había logrado, de que ya no la necesitaba: cuando ya no tinta nada.

Reflexión lírica y descarnada sobre el final del amor. El yuigon es el último poema que se escribe antes de proceder a la ceremonia de autoinmolación japonesa, llamada seppuku o harakiri. Es una reflexión íntima y expone la última voluntad de quien lo escribe. Este poemario pretende reflejar una última voluntad con respecto al final de una relación amorosa, el daño sufrido y la responsabilidad de poner punto final. Está organizado en tres partes que crean paralelismo simbólico entre la relación vivida y las etapas del ritual nipón [seiza, tantō y kaishaku]. Se revela la razón de ser de la vivencia amorosa.

This epic narrative poem focuses on the days after the end of the Civil War through the fall of 1877, describing the leaders and events of the Indian Wars, including Red Cloud, Sitting Bull, Crazy Horse, Dull Knife, Spotted Tail, the Fetterman Massacre, the Wagon Box Incident, and the Battle of Little Big Horn.

This poetic exploration of the subject of love was composed in Italy 1821, and published anonymously, as the poet wished its circulation to be restricted to the "esoteric few." The title means "concerning or about a little soul", the subject, in this case, being Shelley's inamorata of the time, Countess Teresa (designated "Emily" in the poem) Viviani, a young woman who was immured in the Convent of Saint Anna by her father. Shelley had had a number of contacts with her by letter and in person.

Sensación o Vigilia es una antología poética viva, valiente, reflexiva, emocional, sensible e inteligente. Por sus páginas deambulan multitud de temas, aunque son especialmente redundantes algunos, como el análisis introspectivo de las emociones y los sentimientos—en especial, el amor, en sus distintas expresiones—, la náusea existencial, el paso del tiempo, la crítica constructiva/destructiva hacia las incoherencias de los humanos, o, simplemente, la grandeza estética de la naturaleza.

El pasado es fiera astuta que simula haber muerto mientras ruge en los oídos del presente y se asoma a los ojos del futuro. No hay manera de esquivarlo. Tus memorias del ayer son instantáneas que habitan tu añoso inconsciente como Remembranzas Añejas que acechan, esperando su momento, tras el velo nebuloso del tiempo.

For many of those who've lived there, the Upper Peninsula of Michigan can seem like a magical place because nature there feels so potent and, at times, full of mystery. After having grown up there, Raymond Luczak can certainly attest to its mythical powers. In Chlorophyll, he reimagines Lake Superior and its environs as well as his houseplants as a variety of imaginary and historical characters.

A Misguided Thought is a collection of poetry that shows the overall life experiences of a 21-year-old—from living a sheltered life writing about his hopes and dreams to struggling with mental disorders, heartache, and trying to find his way back to the light through faith itself. The words within these pages intend to bring solace and clarity in times of conviction, and Jaelyn has come to be one of this generation’s greatest poets.

Then came a time to build my shattered life. I had my legal work, of course, but that was not enough. I rafted for a week down Colorado River rapids. The scenes and feelings evoked there gave birth to river poems presented here. At that time, too, I wanted back the home life I’d abandoned recklessly. The love poems written at that time reflect the hopes and fears and turmoil driving me. I, also in those years, wrote legal articles that most properly have since been long forgotten and ignored.

Who's Going to Love the Dying Girl? by Bree Rolfe is a revolutionary debut poetry collection touching on society, loss, illness, and learning to grasp with things that cannot be changed. Rolfe executes verse with precision and fierceness.

We're set loose, untended, like beings from a menagerie of sorts, one day cooped up, the next fending for ourselves out in the oddness of the world doing for ourselves. This is the motif pursued in Gateless Menagerie. We intersect with the wild as well when out roaming, reacquainting with the animal kingdom and it with us. We are one in the same: gateless and viewed. How do the animals see us? How do we appear to them? Are we in harmony or only tolerating one another?

The Animal Within is filled with poems that want to swim together, focusing on animal and human nature. Dive in and listeners find a world where horses speak their minds, crawdaddies sing, and mermaids find love. Wolves howl "ahwoo at the full strawberry harvest moon in June", and birds do more than flap their wings, but rather create a voice for the oppressed. Humans step in, personas based off the author, and consider loss, depression, and love- inner-self mixed with creature habits—scratching down a lover's back or crying in a zoo.

El libro del Génesis habla de una escalera "apoyada en la tierra" cuyo "extremo toca el cielo" y de la cual suben y descienden los ángeles. Este subir de la tierra y bajar del cielo se le presenta al autor, tras la muerte repentina de su hijo, como una vía doble y simultánea para poder aliviar su dolor y acceder a la sabiduría. Paralelamente esta imagen le sugiere diferentes formas de pensar, una clara y sencilla, que poco a poco se va haciendo poesía, y otra, emocional, compleja e incierta, que se va convirtiendo en filosofía.

"Perras de caza" condensa una escritura tan aguerrida como poética, que envuelve un grito apasionado y feroz en pos de la liberación de las mujeres: versos que no dejan de cautivarnos. En sus poemas, Irene X rompe abruptamente con el silencio que envuelve un mundo artístico gobernado por hombres.

The John Milton Poetry Collection includes four of his most beloved works, sharing Milton's pioneering writing on everything from politics to religion. As you listen, be transported to the 17th century when political and religious tensions were high and war was imminent. Listen as Milton's works reveal his opinions on biblical themes, political division, and personal freedoms.

Chasing the Past and Other Poems is a collection of poems that reveals the unexpected within a frame from the early 1900s to the present. From Youngstown, California, Wisconsin, and Idaho, the poetry gives the listener glimpses of the past—immigration, growing up, city life, rural life, travel, war, and growing old.

Poetry is about empathy, imagination, observation, and about internal and external truths. These works focus on a person's relationship with nature, others, and self, through depicting hope, love, memory, shame, immortality, acceptance, faith, happiness, confidence, passion, recognition, diversity, perseverance, forgiveness, vulnerability, and loneliness. Nevertheless, this poetry collection is like an assortment of gothic romances, because, despite a melodramatic imagination, love somehow finds a way to dominate and triumph all else.

In her devastatingly powerful debut collection, Cecilia Knapp examines the experience of motherlessness and its lasting impact, as well as the lessons passed between generations of women. These poems explore women's complicated relationship with their bodies, with sex, and with shame as she traverses the violence of romantic love, but also employs humour and mischief, a wry reclaiming of power.

Donde el lenguaje no designa una realidad colonizada por la mente, donde se esfuman los sentimientos animales, dode los adornos son barridos por una corriente implacable, donde la única tabla de salvación es la conciencia pura, han naufragado el nombre, la edad, la identidad sexual, las alcachofas de dogmas y los espejos almibarados. En el espíritu, el cielo pierde su azul y la noche su negrura. Los huesos y la carne del poeta devorada por el alma se pudren en el catafalco de sus versos.