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In its exploration of nature and love, Words to Breathe By evokes intense and multidimensional impressions. Hansen’s passion for nature is manifest in the eloquence and stunning imagery of his work. The lyricism and poignancy of his love poems to his wife, Kristen, reveal rare ardor and depth. This healing collection elicits great appreciation of the wonder of nature and the transcendent power of love.

When the Muse Descends, We Must Stoop Lower Too is a poetry chapbook that contains 43 poems about the mysteries of art, inspiration, creativity, love, and heartache.

Am I evil striving for anglicism? I am a mind destined for imperfection. Trying to see my faults by discretely disrobing this disturbing delusion, yet delinquently dancing, parading excuses from my confusions. This mask is stifling, but there is no fighting it.

It’s that time of year again . . . With his signature wit, Brian Bilston returns with And So This is Christmas, fifty-one poems in celebration of the festive season: from bizarre family traditions to the office Christmas party; from voting day for turkeys to the impossible art of gift-giving...

A powerful and poignant translation of Vergil’s epic poem, newly equipped with introduction and notes.

With breathtaking lyricism and a vulnerability that pierces the heart, April Gibson journeys through the emotional abysses, the daily pleasures, the frustrations, and the joys of being a Black woman living with chronic illness. Gibson offers a unique perspective on “the body,” viewing disability and healthcare through both feminist and socio-economic lenses filtered by race and faith. Through gorgeous sensory language that migrates memories, from carefree innocence to the ravages formed in its absence, Gibson bears witness to grief, courage, and resistance to redefine herself on her own terms.

Maximilian I. (1459-1519) ist „Held Theuerdank“. Die Geschichte - in frühneuhochdeutscher Sprache - handelt von einer stark allegorisierten Form menschlichen Verhaltens. Theuerdank wird von „drei Erzlastern“ in allerlei Gefahren und Hinterhalte gelockt. Die Hauptmänner „Fürwittig (Übermut), Unfallo (Vermessenheit) und Neidelhart (Neid)“, schützen die „drei Pässe“, durch die Theuerdank reisen muss, um zu Königin Ehrenreich zu gelangen.

Since its debut in 1998, In Our Time has amassed a dedicated following of more than 2 million listeners. Hosted by Melvyn Bragg, with a panel of guest experts, each show features a plethora of fascinating facts and inspirational discourse on topics ranging from democracy to dark matter. This specially curated collection celebrates the rich diversity of poetry in English, focusing on 25 major works and writers from the mediaeval era to the 20th Century.

In Root Fractures, Diana Khoi Nguyen excavates the moments of rupture in a family: a mother who was forced underground after the Fall of Saigon, a father who engineered a new life in California as an immigrant, a brother who cut himself out of every family picture before cutting himself out of their lives entirely. And as new generations of the family come of age, opportunities to begin anew blend with visitations from the past.

A diaspora of memories runs through this poetry collection—a multiplicity of voices, bodies, and houses hold archival material for one another, tracing paths between Brooklyn, Beirut, and Jerusalem. Boundaries and borders blur between space and time and poetic form—small banal moments of daily life live within geopolitical brutalities and, vice versa, the desire for stability lives in familiarity with displacement.

The Five Quintets is both poetry and cultural history. It offers a sustained reflection on modernity—people and movements—in poetic meter. Just as Dante, in his Divine Comedy, summed up the Middle Ages on the cusp of modernity, The Five Quintets takes stock of a late modern world on the cusp of the first-ever global century. Celebrated Irish poet Micheal O’Siadhail structures his Quintets to echo the Comedy. Where Dante had a tripartite structure, O’Siadhail has a five-part structure, with each quintet devoted to a discipline—the arts; economics; politics; science; and philosophy and theology.

This image-driven, sound-driven collection carries us to the working-class Portland neighborhood of Lents, where Dickman was raised by a single mother. Here, as a skateboarding boy practices his kickflip on the street, enlightenment simmers under the surface of both the natural world and the human constructions that threaten it.

For the past decade, Lemn Sissay has composed a short poem as dawn breaks each morning. Life-affirming, witty and full of wonder, these poems chronicle his own battle with the dark and are fuelled by resilience and defiant joy. Let the Light Pour In is a collection of the best of these poems, and a book celebrating this morning practice.

In these rapidly changing times, it is more important than ever to know ourselves well and fully, even and especially in the face of turmoil. The Way Forward encourages listeners to connect more deeply to their intuition, using it to remain focused and grounded amidst a world in constant flux. In his latest collection of poetry and short prose, Yung Pueblo offers clear strategies for managing the unknown, inhabiting your personal power, and bringing your truest, healthiest self to relationships.

This volume brings together for the first time all of the poems that appeared in Anthony Hecht’s seven trade collections, from A Summoning of Stones of 1954 through to The Darkness and the Light of 2001; it adds the remarkable work contained in his posthumously issued Interior Skies: Late Poems from Liguria of 2011; and it rounds this out with the best of the many poems which were left uncollected at the time of his death in 2004, the earliest dating from 1950 and the latest from 2001.

In this exquisite poetry collection, Whitney Hanson chronicles the loss of a loved one, tracing the progression of grief and healing through the lens of music. We each begin with a simple note, but as life progresses, we’re led to the next note, and the next—all of which combine to form the melody of a song and a life. As life becomes more complicated and complex, we find that loss, grief, and heartache can muffle our music, making the world go silent.

The Asking takes its title from the closing line of one of its newly appearing poems: “don’t despair of this falling world, not yet didn’t it give you the asking.” In its substantial opening section of new work, Jane Hirshfield continues her signature affirmation of the central contradictions, uncertainties, and harvests of astonishment that shape our human lives. A forefront spokesperson for the biosphere and the alliance of science and imagination, Hirshfield offers, as indispensable compass, the choice to embrace what comes. I

This imaginative and singular poetry collection interrogates the broadest ideas surrounding the humble pig—farm animal, men/masculinity, police and state violence, desire, queerness, global food systems, religion/Judaism and law—to reimagine various chaotic histories of the body, faith, ecology, desire, hygiene, and power. Sam Sax draws on autobiography and history to create poems that explore topics ranging from drag queens and Miss Piggy to pig farming and hog lagoons.

From the editor of the bestselling poetry anthologies How to Love the World and The Path to Kindness, a collection of accessible, uplifting poetry celebrating the small wonders and peaceful moments of everyday life. As James Crews writes in the introduction: "Wonder opens our senses and helps...

Celebrating James Tate’s work as it transcends convention, time, and everything that tells us, “No, you can’t do that,” Hell, I Love Everybody gives us the poet at his best, his most intimate, hopeful, inventive, and brilliant. John Ashbery called Tate the “poet of possibilities,” and this collection records forays into possibilities for American poetry’s future. With a foreword by Terrance Hayes, it is sure to give listeners new and old a lasting collection of favorites.