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It’s the 1970s, and from hippie London to Warhol’s Factory in New York, reluctant aristocrat Loulou de la Falaise is desperately seeking adventure. Having escaped an early, unhappy marriage, she arrives on a whim in Paris—the champagne-soaked heart of the fashion world, where the rigid old world of haute couture and the fast-paced new world of ready-to-wear are vying for supremacy. Glamour, sex, and cocaine nights fuel the Paris fashion scene. Its crown prince is the soulful and intensely gifted Yves Saint Laurent.

When Papi Ramon, the patriarch of the wealthy Abreu family dies, he gives the family one last message in the will: “One of you is el bacà, the demon that I made a deal with. Get rid of them or you will be damned.” Xiomara, the uncontested favorite of Papi Ramon (and therefore the least liked in the family), watches as everyone dismisses this as the joke of a senile old man and demands the lawyer obtain the previous will Papi wrote.

Joan Liang's life is a series of surprising developments: she never thought she would leave Taiwan (and for all places, California), nor did she expect her first marriage to implode - especially as quickly and spectacularly as it did. She definitely did not expect to fall in love with an older, wealthy American and become his fourth wife and mother to his youngest children. Through all this she asks herself the question familiar to so many of us: what are we living for? And are we ever truly satisfied?

Darcy’s life turned out better than she could have ever imagined. She is a librarian at the local branch, while her wife Joy runs a book binding service. Between the two of them, there is no more room on their shelves with their ample book collections, various knickknacks and bobbles, and dried bouquets. Rounding out their ideal life is two cats and a sun-soaked house by the lake. But when Darcy receives the news that her ex-boyfriend, Ben, has passed away, she spirals into a pit of guilt and regret, resulting in a mental breakdown and medical leave from the library.

Published in 1928, Orlando is a fictional biography that spans several centuries and follows the protagonist, Orlando, an Elizabethan nobleman who undergoes a mysterious gender transformation. The novel explores themes of gender identity, fluidity and the constraints imposed by societal norms. It challenges traditional notions of gender roles and raises questions about the nature of identity and the passage of time.

Just outside a hotel in Bordeaux, Philippe chances upon a young man who bears a striking resemblance to his first love. What follows is a look back at the relationship he’s never forgotten, a hidden affair with a gorgeous boy named Thomas during their last year of high school. Without ever acknowledging they know each other in the halls, they steal time to meet in secret, carrying on a passionate, world-altering affair.

The Vignes twin sisters will always be identical. But after growing up together in a small, Southern black community and running away at age 16, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years later, one sister lives with her black daughter in the same Southern town she once tried to escape. The other secretly passes for white and her white husband knows nothing of her past.

Patrick, or Gay Uncle Patrick (GUP, for short), has always loved his niece, Maisie, and nephew, Grant. That is, he loves spending time with them when they come out to Palm Springs for weeklong visits, or when he heads home to Connecticut for the holidays. But in terms of caretaking and relating to two children, no matter how adorable, Patrick is, honestly, overwhelmed. So when tragedy strikes and Maisie and Grant lose their mother and Patrick's brother has a health crisis of his own, Patrick finds himself suddenly taking on the role of primary guardian.

After his husband dies, Simeon Link finds himself overcome by grief and seeking comfort in an unusual support group called The Wretches, who offer an addictive and dangerous source of relief. They introduce Simeon to a curious figure known as Porcelain Khaw—a man with the ability to let those who are grieving have one last intimate moment with their beloved...for a price.

Lucy Carmichael is jilted at the altar. But no matter. Her loving and kind family never liked her explorer fiancé anyway. Instead of moping or falling into her supportive family’s arms, however, Lucy abandons their suburban home. Heading for the country, she takes up a teaching position in the industrial town of Ravonsbridge. There, she finds solace in her work, in her new (rather gossipy) colleagues – and rediscovers her sensible young self. But if Lucy has, despite everything, kept her head – where lies her heart?

For as long as Lucy can remember, she's been caught between loyalty to her rootless, idealistic mother and devotion to her fierce and exacting sister, Bea. From her unsettled childhood to her turbulent teenage years, she's been forced to make a choice. But as the sisters come of age and embark on their own experiments – in love, drugs, work, motherhood – they find their lives, and their relationships, increasingly in turmoil. Can the love they have for each other transcend the damage of the past? Or is the past too dangerous to examine?

The Carrington family is blessed by good looks, brains and talent - and far more than its fair share of money. But the family is also cursed - pursued by drama, addiction and bad fortune. These things poison their world, each generation handing down its problems to the next. Can the cycle ever be stopped? In A Legacy of Secrets, we meet the beautiful but wounded Flick Templeton, and her daughter Etta. Flick's quest is to find an identity apart from her mother, and to find the man who can love her for herself, not her money or name.

In einem Vergnügungspark zu arbeiten war für Jessica immer ein Traum, doch nach über zehn Jahren zwischen Achterbahnen und Fast-Food-Restaurants ist sie es leid, im Rabenkostüm zu tanzen und den Gästen mit aufgesetztem Lächeln eine heile Welt vorzugaukeln. Wie die anderen Angestellten hasst sie ihre Arbeit, den Park und den Besitzer – so sehr, dass sie beschließen, den schönsten Ort der Welt in Schutt und Asche zu legen.

Trying to avoid the loneliness that's come in the wake of his mother's recent passing, Phil has invited a bunch of old friends to stay with him on the coast. Tomorrow, Bella and Tim will arrive with their two kids, one on the brink of puberty; and the next day, Jo and Lucas will come too, with their little one. Then there's Annie, who will be by herself. Maybe this is a mistake. Maybe it's just what they all need.

'It's like ice cream, Mr Flynn,' Bertie continued. 'When you have ice cream, you need to eat it straight away, otherwise it melts. If there are people who haven't got any, you should share it, if you can.' When despair for the world grows, Bertie's theory of ice cream reminds us that it's the simple pleasures in life that we should hold onto.

Alinta is determined to make sure she never becomes a victim again, but what can she do when Mel’s previous love shows up at the outback station they are building together? The white woman, with her proper English ways, is like no one she has ever seen before. How can she compete with someone who once held her own love’s heart?

When Judith Rice ran away from the house she grew up in, she thought she severed her abusive mother’s hold on her. Seventeen years later, she’s made a home for herself in a cottage secluded deep in the forests of northern Georgia. Jude believes she’s settled into a quiet life. But when an enigmatic woman shows up on her doorstep, Jude’s tentative peace is threatened by the stranger’s presence.

Max Walker is a golden boy. Attractive, intelligent, and athletic, he's the perfect son. Max's mother, a highly successful criminal lawyer, is determined to maintain the facade of effortless excellence she has constructed through the years. Now that the boys are getting older, now that she won't have as much control, she worries that the facade might soon begin to crumble. Adding to the tension, her husband, Steve, has chosen this moment to stand for election to Parliament. The Walkers are hiding something, you see. Max is special. Max is different. Max is intersex.

Two years ago, a human pilot was taken captive by the Alder—a ruthless and savage alien race. Now, it's my team's mission to rescue him. But when I'm saved by one of those "savages" and stranded with him in the jungle, everything I thought I knew starts to unravel. My team is my family, the only home I've ever known. Failing them isn't an option. But how can I resist Kitari, this mysterious and alluring alien who claims that I'm an "omega" and offers me something I've never had—a place to truly belong?

Archeologist Kelly Pierce lives for adventure, weaving a tapestry of exploration, seeking out artifacts that whisper stories of the past. Always ready for the next expedition, she never thought Oklahoma would be on her map. Shawn Scott thrives in predictability. As director of Descriptive Statistics, numbers are her world, but people? They're a puzzle. So, collaborating with a British archaeologist is an incongruous with her routine as a desert oasis in the Arctic.