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In As I Ascend, Sina not only gives listeners an intimate, unfiltered look into her own experiences with romantic love and heartbreak; she also explores self-love and love for her culture – Black culture. She examines the lunacy of what it means to be Black in America in the poem "The Evolution of Woke" while also celebrating the unmatched characteristics of her people in poems such as "Sunflowers" and "Superheroes".

Indecency is boldly and carefully executed and perfectly ragged. In these poems, Justin Phillip Reed experiments with language to explore inequity and injustice and to critique and lament the culture of white supremacy and the dominant social order. Political and personal, tender, daring, and insightful - the author unpacks his intimacies, weaponizing poetry to take on masculinity, sexuality, exploitation, and the prison industrial complex and unmask all the failures of the structures into which society sorts us.

Jonah Mixon-Webster works at the intersections of space and the body, race and region, sexuality and class. Stereo(TYPE), his debut collection of poetry, is a reckoning and a force, a revision of our most sacred mythologies, and a work of documentary reporting from Mixon-Webster’s hometown of Flint, Michigan, where clean tap water remains an uncertainty and the aftermath of racist policies persist.

Postcolonial Love Poem is a thunderous river of a book. It demands that every body carried within - bodies of language, land, suffering brothers, enemies and lovers - be touched and held. Where the bodies of indigenous, Latinx, Black and Brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dune fields and forests where pleasure and love are both grief and joy, violence and sensuality.

Mr. Hunter has a passion for expressing his voice through the writing of children’s books and poetry. This book is a compilation of about three dozen poems written during his younger years accompanied by narrative reflections on the inspiration for much of the poetry as he navigated early life through loss, love, abuse, and work as a bisexual and gay identified person.

Demcak continues to blossom as a poet of note with Zero Summer, his newest collection of pieces of imagination married to craftsmanship. These poems define lust, desire, onanism, finding and feeling and losing love affairs, childhood longings, and memories - the sum of a sensual being. Demcak's range is from the lyrical ("Vincent V. in 1993") to the raw ("Venus in Furs").

From spoken word poet Jasmine Mans comes an unforgettable poetry collection about race, feminism, and queer identity. With echoes of Gwendolyn Brooks and Sonia Sanchez, Mans writes to call herself - and us - home. Each poem explores what it means to be a daughter of Newark, and America - and the painful, joyous path to adulthood as a young, queer Black woman. Black Girl, Call Home is a love letter to the wandering Black girl and a vital companion to any woman on a journey to find truth, belonging, and healing.

Dazzle your mind with this one of a kind force of the brain's handiwork.

Inside the phobic and the crushing we trudge through the wreckage, the slippage, and the comic, in our search for joy. The beauty in these poems is an amalgam, like a gathering storm, of the meteorological and political, the mundane and the distressing.

Aside from a delicious fruit best enjoyed with chocolate, Black Cherry is a collaborative effort by 18 Black queer authors and poets sharing a singular vision. With stories and poems ranging from saccharine to downright sultry, Black Cherry is full of sensual delights. Black Cherry celebrates the unique, powerful, intimate connection between Black women. L.M. Bennett delivers her delightfully snarky short “Regards, My Dear", Dujuana Sharese drops truth bombs in the stunningly introspective “Self Deflection", and much, much more.

Following in the footsteps of such category killers as Milk and Honey and Whiskey Words & a Shovel I, Fariha Róisín's poetry book is a collection of her thoughts as a young, queer, Muslim femme navigating the difficulties of her intersectionality. Simultaneously, this compilation unpacks the contentious relationship that exists between Róisín and her mother, her platonic and romantic heartbreaks, and the cognitive dissonance felt as a result of being so divided among her broad spectrum of identities.

This collection of poems is about the people I adore, the house that Mel and I lived in and the love that we shared, and the land that I breathe.

In this debut poetry collection, Halsey bares her soul. Bringing the same artistry found in her lyrics, Halsey’s poems delve into the highs and lows of doomed relationships, family ties, sexuality and mental illness. More hand grenades than confessions, these autobiographical poems explore and dismantle conventional notions of what it means to be a feminist in search of power.

Ink and Magic is a poetic picture of life and inspirations drawn from anxiety, relationships, writing, and motivation. Words that are made to evoke emotions and encourage and support others the way I have been. After each poem I try to explain where my head and motivation was at when I worked to create it. Contains profanity, descriptions of panic, allusions to sex, and maybe hope.

What does it mean to claim your space in a world that’s ending? Sarah M. Sala’s Devil’s Lake breaks open the American moment of unchecked gun violence, climate changes, and the growing rift between "us" and "them" with formal daring. Like a prism, this startling debut fractures into shades of possibility and memory, queering science, nature, and form to lay bare the colors of joy despite a world that seems intent on its destruction.

Something Else in My Veins is a poetic deep dive into the world of paranoia and delusion which hard drug users oftentimes find themselves in. Bagwell captures the experiences of meth addicts and exposes his raw and expressionistic emotions. As a former user and dealer himself, he is unashamed to bring not only his knowledge and perspective on such things to light, but also the emotional devastation that comes from losing one's sense of self-identity along with access to the drug itself.

Black Girl Magic continues and deepens the work of the first BreakBeat Poets anthology by focusing on some of the most exciting Black women writing today. This anthology breaks up the myth of hip-hop as a boys’ club and asserts the truth that the cypher is a feminine form.

Nature Poem follows Teebs - a young, queer, American Indian (or NDN) poet - who can't bring himself to write a nature poem. For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He'd slap a tree across the face. He'd rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he'd rather write odes to Aretha Franklin and Hole.

Subverting celebrated classics of poetry and mythology and examining horrors from contemporary film and cultural fact, National Book Award-winner Justin Phillip Reed engages darkness as an aesthetic to conjure the revenant animus that lurks beneath the exploited civilities of marginalized people. In these poems, Reed finds agency in the other-than-human identities assigned to those assaulted by savageries of the state. In doing so, he summons a retaliatory, counterviolent black spirit to revolt and to inhabit the revolting.

In her stunning debut, written in protest to an absence of representation, Marsh recalls her early life and the attendant torments of a butch Black woman coming of age in America. In lush, powerful, and vulnerable verses, dayliGht unpacks traumas to unearth truths, revealing a deep well of resilience, a cutting sense of irony, and an astonishing fresh talent.