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Bloody Mary Magdalene is Elizabeth Fern Jensen's third chapbook, a collection of poems that reveals the poet's visions of Mary Magdalene, along with her experiences during her stay at an inpatient mental hospital. Through the lens of her transgender identity and feminist activism, Jensen explores the complex relationship between the Divine Feminine and the patriarchal structures of the world, and how Mary Magdalene embodies the struggle for liberation and healing.

Rising star and spoken word poet Jae Nichelle debuts her luminous thoughts in God Themselves, a new collection of stirring poetry. Nichelle taps into her experiences of growing up in the South as a queer Black woman to courageously confront the effects of a forced religion and the inherent dangers of living life in a female body. God Themselves is divided into three equally moving sections: Everything, Everywhere, and Love. Nichelle braids her wisdom—as seen in the poem “What to Do When There’s Nothing You Can Do”––and witty generational humor—seen in “Sanctity: An Exposé”—into every poem.

Read by author amanda lovelace herself, you are your own fairy tale: the audiobook collection features the three enchanting poetry books that round out the collection: break your glass slippers, shine your icy crown, and unlock your storybook heart. you are your own fairy tale is accompanied by music and includes a bonus interview between lovelace and her spouse, parker lee.

From Calvin Arsenia, one of Kansas City’s most exciting singers, comes a debut book of poetry and prose: Every Good Boy Does Fine. Named for the classic mnemonic used to teach the lines of the treble clef (EGBDF), his collection speaks to his passion as a musician and also his deep and tumultuous history in the Evangelical community. Arsenia includes elements of queer poetry, writings on racial awakening, Christian de-conversion, and sexual awakenings in a homophobic community with the hopes that listeners will feel ready to start their own journey of self-expression.

During her sophomore year at Middlebury College, Emily meets Max—“you” as she intimately refers to him in the book. Not exactly a tomboy, but not quite a girly girl either, Emily is intent on finding a masculine boyfriend to assuage a deeply rooted fear that she may not be quite feminine enough. Max—a boisterous class clown beloved by his many straight guy friends—has recently come out as gay and is embracing his newly claimed identity. Initially, Max and Emily dislike each other, but end up growing close after a make-out dare on Halloween.

The Magic Border is the debut book from Mercury Prize-winning musician and poet Arlo Parks, combining never-before-seen poetry, song lyrics and beautiful, intimate images from collaborator, photographer Daniyel Lowden. Featuring twenty original poems, alongside an exclusive artist’s statement and the complete lyrics from her sophomore album My Soft Machine, this vital collection explores the queer experience, blackness, grief, trauma and love through the eyes of the remarkable young musician.

"In much of the best contemporary poetry, beauty of thought is at least as important as beauty of language. Carl Phillips, here reading his own Pulitzer Prize-winning collection, has an ample supply of both, but it is the thinking behind each poem that makes it possible for the language to have...

Fall into this collection of poetry and prose inspired by healing and being open to love again, perfect for fans of Rupi Kaur and Courtney Peppernell.

In her second large collection of poetry, Jenna Citrus chronicles her adventures with diet as poison, the new aboration laws, and her search to find a way to express her bisexuality while in a heterosexual relationship.

Debut full-length book of poetry from PEN Emerging Voices Fellow, this interdisciplinary, daring project combines poetry, art exhibition, & educational instillation, akin to Claudia Rankine's "Citizen," to manifest a future and a universe where Black, queer, nonbinary, feminine, and all marginalized people live in peace & joy.

“Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead.

What feminine part of yourself did you have to destroy in order to survive in this world? At what point does femininity become synonymous with apology? Who hurt the people who hurt you? Let's figure it out. Femme in Public (2017) is the debut poetry collection by transfeminine writer Alok Vaid-Menon including work from 2014-2017. It is a meditation on anti-trans harassment, a ceremony for loss and grief, and an imagining of what could be if we weren’t taught to fear the very things that have the potential to set us free.

When we don’t process the pain, where does it go? What is the purpose of being alive when there’s so much suffering? What does it mean to live and die with dignity in a world utterly opposed to it? Your Wound/My Garden is a collection of poetry written during Covid-19 lockdown.

A rich, accomplished, intensely intimate collection with 2 full sections of new poems bookending Blanco’s selections from his 5 previous volumes “An engineer, poet, Cuban American . . . his poetry bridges cultures and languages—a mosaic of our past, our present, and our future—reflecting...

In Trace Evidence, the urgent follow-up to his award-winning debut Into Each Room We Enter without Knowing, Charif Shanahan continues his piercing meditations on the intricacies of mixed-race identity, queer desire, time, mortality, and the legacies of anti-Blackness in the US and abroad. With rich lyricism, power, and tenderness, Trace Evidence centers the racial periphery and excavates the vestiges of our violent colonial past in the most intimate aspects of our lives.

From the brilliantly talented National Poetry Series and James Laughlin Award winner comes a third collection of poems that uses the humble pig as a lens to explore the body, faith, desire, and power. This imaginative and singular poetry collection interrogates the broadest ideas surrounding the...

Marlanda Dekine’s debut collection is a holy, radical unlearning and reclamation of self. What does it mean to be a Gullah-Geechee descendant from a rural place where a third of the nation’s founding wealth was harvested by trafficked West and Central Africans? Dekine’s poems travel across age and time, signaling that both the past and future exist in the present. Through erasure and persona, Dekine reimagines and calls to task the Works Progress Administration narratives, modern-day museums, and intergenerational traumas.

La colección «Poesía portátil» nos brinda en No creo poder tocar el cielo con las manos una traducción inédita de algunos de los escasos textos que se conservan de la poeta griega Safo, figura clave en la tradición poética femenina europea.

These artfully crafted poems capture the thrill of sex and love, sorrow and joy, and all the nuances in between. Written by a Greek American gay poet who is at once businessman, athlete, and avid reader and writer, The Oculus is a journey of the eye. It captures the contradictions of memory, constantly evolving and unresolved, seen through the wisdom of the present.

From Tiktok phenomenon Whitney Hanson, a revised edition of her bestselling Home, now with a new introduction and more than a dozen new poems "the bees aren’t going to go away but they are going to change with you sometimes they will be chaotic sometimes they will rest sometimes they will give...