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From the bestselling author of the princess saves herself in this one comes an accessible guide to welcoming magic into your life, perfect for beginner witches and the magic-curious alike. As witchcraft grows ever more popular, there are countless introductions and paths into magical practice to...

Mary Magdalene's Resplendence is a collection of feminist and transgender positive poetry and a celebration of the divine feminine.

What happens when everything falls away, when those you call on in times of need are themselves calling out for rescue? In his highly anticipated second collection, Chen Chen continues his investigation of family, both blood and chosen, examining what one inherits and what one invents, as a queer Asian American living through an era of Trump, mass shootings, and the COVID-19 pandemic.

Mary Magdalene POP Icon is the second poetry chapbook from Elizabeth Fern Jensen, a feminist transgender poet who explores the life and legacy of Saint Mary Magdalene. This book is a continuation of Jensen’s celebration of Mary Magdalene as a powerful feminist icon and seeks to uncover the truth about her life and contributions to society.

Gathering inspiration from a life of travel, hope, long-distance relationships, healing, and adventure, Frayne invites listeners into her world. The Gravity Inside Us is an ode to whatever it is we carry that pulls us in and out of place, and speaks so insistently of fate. Through writing about her own experiences, this book is a reach into that space.

Bloody Mary Magdalene is Elizabeth Fern Jensen's third chapbook, a collection of poems that reveals the poet's visions of Mary Magdalene, along with her experiences during her stay at an inpatient mental hospital. Through the lens of her transgender identity and feminist activism, Jensen explores the complex relationship between the Divine Feminine and the patriarchal structures of the world, and how Mary Magdalene embodies the struggle for liberation and healing.

Rising star and spoken word poet Jae Nichelle debuts her luminous thoughts in God Themselves, a new collection of stirring poetry. Nichelle taps into her experiences of growing up in the South as a queer Black woman to courageously confront the effects of a forced religion and the inherent dangers of living life in a female body. God Themselves is divided into three equally moving sections: Everything, Everywhere, and Love. Nichelle braids her wisdom—as seen in the poem “What to Do When There’s Nothing You Can Do”––and witty generational humor—seen in “Sanctity: An Exposé”—into every poem.

Read by author amanda lovelace herself, you are your own fairy tale: the audiobook collection features the three enchanting poetry books that round out the collection: break your glass slippers, shine your icy crown, and unlock your storybook heart. you are your own fairy tale is accompanied by music and includes a bonus interview between lovelace and her spouse, parker lee.

From Calvin Arsenia, one of Kansas City’s most exciting singers, comes a debut book of poetry and prose: Every Good Boy Does Fine. Named for the classic mnemonic used to teach the lines of the treble clef (EGBDF), his collection speaks to his passion as a musician and also his deep and tumultuous history in the Evangelical community. Arsenia includes elements of queer poetry, writings on racial awakening, Christian de-conversion, and sexual awakenings in a homophobic community with the hopes that listeners will feel ready to start their own journey of self-expression.

During her sophomore year at Middlebury College, Emily meets Max—“you” as she intimately refers to him in the book. Not exactly a tomboy, but not quite a girly girl either, Emily is intent on finding a masculine boyfriend to assuage a deeply rooted fear that she may not be quite feminine enough. Max—a boisterous class clown beloved by his many straight guy friends—has recently come out as gay and is embracing his newly claimed identity. Initially, Max and Emily dislike each other, but end up growing close after a make-out dare on Halloween.

Carl Phillips has aptly described his work as an “ongoing quest”; Then the War is the next step in that meaningful process of self-discovery for both the poet and his listener. The new poems, written in a time of rising racial conflict in the United States, with its attendant violence and uncertainty, find Phillips entering deeper into the landscape he has made his own: a forest of intimacy, queerness, and moral inquiry, where the farther we go, the more difficult it is to remember why or where we started.

Fall into this collection of poetry and prose inspired by healing and being open to love again, perfect for fans of Rupi Kaur and Courtney Peppernell.

In her second large collection of poetry, Jenna Citrus chronicles her adventures with diet as poison, the new aboration laws, and her search to find a way to express her bisexuality while in a heterosexual relationship.

Debut full-length book of poetry from PEN Emerging Voices Fellow, this interdisciplinary, daring project combines poetry, art exhibition, & educational instillation, akin to Claudia Rankine's "Citizen," to manifest a future and a universe where Black, queer, nonbinary, feminine, and all marginalized people live in peace & joy.

“Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead.

A rich, accomplished, intensely intimate collection with 2 full sections of new poems bookending Blanco’s selections from his 5 previous volumes “An engineer, poet, Cuban American . . . his poetry bridges cultures and languages—a mosaic of our past, our present, and our future—reflecting...

In Trace Evidence, the urgent follow-up to his award-winning debut Into Each Room We Enter without Knowing, Charif Shanahan continues his piercing meditations on the intricacies of mixed-race identity, queer desire, time, mortality, and the legacies of anti-Blackness in the US and abroad. With rich lyricism, power, and tenderness, Trace Evidence centers the racial periphery and excavates the vestiges of our violent colonial past in the most intimate aspects of our lives.

From the brilliantly talented National Poetry Series and James Laughlin Award winner comes a third collection of poems that uses the humble pig as a lens to explore the body, faith, desire, and power. This imaginative and singular poetry collection interrogates the broadest ideas surrounding the...

Marlanda Dekine’s debut collection is a holy, radical unlearning and reclamation of self. What does it mean to be a Gullah-Geechee descendant from a rural place where a third of the nation’s founding wealth was harvested by trafficked West and Central Africans? Dekine’s poems travel across age and time, signaling that both the past and future exist in the present. Through erasure and persona, Dekine reimagines and calls to task the Works Progress Administration narratives, modern-day museums, and intergenerational traumas.

La colección «Poesía portátil» nos brinda en No creo poder tocar el cielo con las manos una traducción inédita de algunos de los escasos textos que se conservan de la poeta griega Safo, figura clave en la tradición poética femenina europea.