検索キーワード： ジャーナリスト・編集者・出版者

Written in Tyrrell's trademark satirical style, How Do We Get Out of Here? is an invaluable and intimate recount of the political and cultural battles that shaped our contemporary politics.

As a journalist in London, William discovered the Eurovision Song Contest—an annual competition known for its extravagant performers and cutthroat politics. Initially just a fan, he started blogging about the contest, ultimately becoming the most sought-after expert on the subject. William was soon jetting across the continent to meet divas, drag queens, and aspiring singers, who welcomed him to their beautiful, if dysfunctional, family of choice.

From 1974 to 2012, during his years as publisher and editor-in-chief of the New Republic, Martin Peretz was a familiar presence on the political scene. In its time under his leadership, the magazine was always fresh, erudite, contrarian, and brave. Anyone interested in finding out the most distinctive expert takes on the issues that mattered—whether they be domestic or international, cultural or political—knew that the New Republic was required reading.

Oltre cento interviste distribuite nell'arco di quattro decenni: il più imponente corpus disponibile di autocommenti calviniani. L'effetto è quello di un grande cantiere autobiografico: un'autobiografia in progress, mobile e sfaccettata, costruita per successive espansioni. Un'autopresentazione simile a un prisma rotante che prende forma davanti ai nostri occhi, senza mai consentire una visione completa e stabilizzata. Proprio così, forse, Calvino avrebbe desiderato apparire: coerente ma non inerte, dinamico senza essere dispersivo, e intento a un'assidua costruzione di sé.

Anni fa, sulle rive del lago Bajkal, in Siberia, una donna mi lesse la mano. E un paio di anni dopo un bramino della città sacra di Vrindavan, in India, guardò nel mio futuro. Entrambi mi raccontarono delle stesse gioie che mi avrebbe riservato la vita. E della morte. Prematura e violenta. Che dovrebbe cogliermi tra poco.Alcune tra le cose predette si sono avverate. Altre non saprei. Le parole si sono perse nel tempo insieme alle cose a cui non do importanza. Ma con l’avvicinarsi di quell’appuntamento mi sono ritrovato a concentrarmi su un errore della divinazione.

For more than thirty years, Andy Rooney had the last word on the most-watched television program in history. "A Few Minutes with Andy Rooney"—a segment on 60 Minutes—aired from 1978 to 2011. A man of wit, gruffness, and common sense, Rooney spoke candidly about what drove him—and us—crazy, what brought us joy, and what made us human. Hear the man himself as he reads some of his finest newspaper essays, offering his observations on a variety of topics, including politics and politicians, the economy, doctors, sex, clothes, football, toilet paper, ice cream, and cough drops.

When Ted Turner started out in business, he owned a small billboard company in rural Georgia. Over the decades, he built a multi-billion empire that included CNN, Turner Classic Movies (TCM), MGM studios, and the Atlanta Braves. Risk-taking, careful planning, and steely determination are the hallmarks of this brash, outspoken, and wildly successful media mogul. On the other side of the world, his counterpart—Australian-born Rupert Murdoch—began with one small newspaper and parlayed it into more than 100 newspapers and magazines around the globe.

Ryszard Kapuściński’s life, work, reception, and legacy, through his literary reportage. An award-winning writer and a candidate for the Nobel Prize for Literature, Ryszard Kapuściński (1932-2007) was a celebrated Polish journalist and author. Praised for the lengths to which he would go to get a story, Kapuściński gained an extraordinary knowledge of the major global events of the second half of the twentieth century and shared it with his diverse audience.

Urchin at War is the first volume in the 1517 Publishing's Urchin Series about the extraordinary life story of a kid and high school dropout who became a sought-after newsman, who covered the Kennedy assassination and the Vietnam War, and ended up being a Lutheran lay theologian.

Vinícius Dônola é a cara e a voz que o grande público conhece por suas reportagens de televisão, transmitidas pelas principais emissoras do país. Histórias das histórias que contei narra os bastidores de uma breve seleção das mais de mil matérias que o jornalista apresentou ao longo de sua carreira. No livro, Dônola relembra casos marcantes, como a premiada denúncia sobre a execução de um fugitivo pela polícia, à luz do dia, em frente a um movimentado shopping do Rio de Janeiro na década de 1990.

Vent’anni fa ci lasciava Indro Montanelli, il giornalista che ha attraversato tutto il Novecento e lo ha raccontato a lungo con la sua verve e il suo piglio controcorrente. Nato a Fucecchio nel 1909, cominciò la sua carriera «dentro alla cronaca» nella guerra d’Abissinia. Da allora, tutti i grandi eventi storici lo videro in prima linea: era nella Spagna della guerra civile, in Polonia quando i panzer tedeschi scatenarono il secondo conflitto mondiale, nei Paesi baltici e nella Finlandia calpestati dai carri armati sovietici.

This meticulously researched and thought-provoking book dives deep into the fascinating world of Carlson's ascent to prominence, providing a comprehensive analysis of his career trajectory and the circumstances surrounding his departure from Fox News.

A memoir of danger, oppression, and international politics by a survivor of the Eritrean dictatorship. A view into a secretive country and the uneasy alliances of Africa, and a story of family resilience.

Slava Pastuk made a decision that changed his life when he became involved in a global drug-smuggling conspiracy to import cocaine into Australia. Bad Trips is a story of crime, sex, drugs, and rap music, with a backdrop of one of the world’s hippest and most influential websites, VICE.

Les morts sont des invisibles, ils ne sont pas des absents. Dehors, il fait 5 °C, le temps est gris et venteux. Dans un instant, le prêtre va célébrer la messe d'enterrement de maman. Une coccinelle se pose sur ma main. D'où vient-elle, en ce mois de janvier ? Quelques semaines plus tard, une deuxième coccinelle surgira, et d'autres encore... J'aimerais imaginer que c'est maman qui se manifeste, et, pourtant, le doute m'assaille. La prudence voudrait que je n'y croie pas, mais, au fil du temps, de nouveaux signes – un papillon, une biche, une bague... – m'entraînent dans un monde parallèle.

Former big-city crime reporter Tamara Cherry calls on her award-winning skills as a journalist to examine the impact of the media on trauma survivors and the impact of trauma on members of the media. As Tamara documents the experiences of those who were forced to suffer on the public stage, she is confronted by everything she got wrong on the crime beat. Covering murders and traffic fatalities to sexual violence and mass violence, Cherry exposes a system set up to fail trauma survivors and journalists.

In the 1940s, she was a New York Times best-selling author—of Mormon novels. In the 1950s, she won a Newbery Medal, the highest honor in children’s literature. But today, hardly anyone knows her name.

Nearly a century after his wrenching death, the Portuguese poet Fernando Pessoa (1888-1935) remains one of our most enigmatic writers. Believing he could do "more in dreams than Napoleon," yet haunted by the specter of hereditary madness, Pessoa invented dozens of alter egos, or "heteronyms," under whose names he wrote in Portuguese, English, and French. Unsurprisingly, this "most multifarious of writers" (Guardian) has long eluded a definitive biographer—but in renowned translator and Pessoa scholar Richard Zenith, he has met his match.

El 25 de noviembre de 1987, Adriana Eslava sufrió un atentado que le cambiaría la vida. Recibió un disparo a menos de un metro de distancia, que le destruyó la órbita y el ojo derecho, y la obligó a llevar un parche desde ese momento. Sin embargo, en lugar de derrumbarse, encontró la fuerza y el valor necesarios para salir adelante e inspirar a todas las personas que la rodean.

In 11 propulsive and deeply felt chapters, Chai recounts her investigations into SARS quarantine wards, a childhood suicide epidemic, the human cost of industrial pollution, and organized crime, while looking back at her growth as a journalist. Chai Jing shares the philosophical and emotional complexity of the ethical challenges that are always present in such revealing reporting, while she also finds hope and purpose, time and again, in the vital and intimate stories of her interviewees.