検索キーワード： 芸術家・建築家・写真家

Diese Autobiographie ist eine Geschichte vielfältiger Dramen, die zu lebendig, unwahrscheinlich und zutiefst persönlich sind, um von einem Romanautor heraufbeschworen zu werden. Vom Waisenhaus zur Front, zu politischem Knast, zu Hightech-Unternehmer und darüber hinaus—Karl Heinz Johannsmeier erzählt eine rasante Geschichte von unglaublicher Spannweite und Flugbahn, ein Zeugnis der Kraft des Optimismus und der Hartnäckigkeit, den Tod zu überlisten, Niederlagen zu überwinden und Triumphe zu konstruieren.

Donna Leon hat viel erlebt, in Amerika, dem Iran, Saudi-Arabien, Italien natürlich oder in der Schweiz. Kaum aber passiert ihr ein Abenteuer, wird auch schon eine spannende Geschichte daraus. Sie erzählt uns von ihrer Jugend auf der Farm und von Sperrstunden-Pyjamapartys im Iran, Geldnot und einem Fiat 600. Davon, wie sie als "Anstandsdame" nach Italien kam, von der Jagd nach dem perfekten Cappuccino und kleinen Wundern in den Bergen.

Though many have never heard her name, Alice Prin—Kiki de Montparnasse—was the icon of 1920s Paris. She captivated as a ground-breaking nightclub performer, wrote a bestselling memoir, sold out exhibitions of her paintings, and shared drinks with the likes of Pablo Picasso, Peggy Guggenheim, Marcel Duchamp and Gertrude Stein. She also shepherded along the career of the then-unknown American photographer: Man Ray.

During his lifetime, Buckminster Fuller was hailed as one of the greatest geniuses of the twentieth century. As the architectural designer and futurist best known for the geodesic dome, he enthralled a vast popular audience, inspired devotion from both the counterculture and the establishment, and was praised as a modern Leonardo da Vinci. To his admirers, he exemplified what one man could accomplish by approaching urgent design problems using a radically unconventional set of strategies, which he based on a mystical conception of the universe’s geometry.

Sarah Polley's work as an actor, screenwriter and director is celebrated for its honesty, complexity and deep humanity. She brings all those qualities, along with her exquisite storytelling chops, to these six essays. Each one captures a piece of Polley's life as she remembers it, while at the same time examining the fallibility of memory, the mutability of reality in the mind, and the possibility of experiencing the past anew, as the person she is now but was not then. As Polley writes, the past and present are in a “reciprocal pressure dance”.

Massimo Troisi rivive in questo libro nel suo fascino esuberante, nella sua erotica bellezza partenopea capace di un'empatia spontanea con chiunque incontrasse. Attore-autore irriverente e scanzonato, la sua simpatia ha accompagnato la ricerca di una personale solitudine, rifugio dalla malattia e dai dolori famigliari che ne hanno segnato la sensibilità.

Juno Roche was born into a working-class family in London in the '60s, who dabbled in minor criminality. For their father, violence and love lived together; for their mother, addiction was the only way to survive. School was a respite, but shortly after beginning their university course, Juno was diagnosed with HIV, then a death sentence. Juno is a survivor; they outlived their diagnosis, got a degree and became an artist. But however hard you try to take the kid out of the family, some scars go too deep.

In January 1939, Pablo Picasso was renowned in Europe but disdained by many in the United States. One year later, Americans across the country were clamoring to see his art. How did the controversial leader of the Paris avant-garde break through to the heart of American culture? The answer begins a generation earlier, when a renegade Irish American lawyer named John Quinn set out to build the greatest collection of Picassos in existence. His dream of a museum to house them died with him, until it was rediscovered by Alfred H. Barr, Jr.

Il primo incontro con Fellini avviene sul set di 8½, dove la madre di Marina, Caterina Boratto, è stata presa per interpretare la Signora Misteriosa, ruolo che segna il suo ritorno alle scene dopo un lungo periodo di assenza. Subito tra la sedicenne Marina e il regista scatta un’affinità. Benché sia per natura diffidente con gli altri, e ancor più verso una personalità istrionica e sfuggente come quella di Fellini, Marina si lascia affascinare dal mondo del cinema e prende a frequentare il Teatro 5 di Cinecittà.

La red infinita retrata, en primera persona, a una mente artística única, atormentada por miedos y obsesiones, pero decidida a alcanzar y mantener su posición al frente de la vanguardia artística mundial. Pintora inconformista, Kusama canaliza sus neurosis obsesivas en un arte que trasciende las barreras culturales.Una vez llegada desde Japón a Nueva York, vive los primeros tiempos en la pobreza, pero pronto se convierte en la reina de la escena artística contracultural, y llega a codearse con artistas como Georgia O'Keeffe o Andy Warhol.

Self-Portrait reveals a life truly lived through art. In this intimate short smemoir, Celia Paul moves effortlessly through time in words and images, folding in her past and present selves. From her move to the Slade School of Fine Art at 16, through a profound and intense affair with the older and better-known artist Lucian Freud, to the practises of her present-day studio, she meticulously assembles the surprising, beautiful, haunting scenes of a life. Paul brings to her prose the same qualities that she brings to her art.

Harvey Kurtzman created Mad, and Mad revolutionized humor in America. Kurtzman was the original editor, artist, and sole writer of Mad, one of the greatest publishing successes of the twentieth century. But how did Kurtzman invent Mad, and why did he leave it shortly after it burst, nova-like, onto the American scene? For this heavily researched biography, Bill Schelly conducted new interviews with Kurtzman’s colleagues, friends, and family, including Hugh Hefner, R. Crumb, Jack Davis, and many others, and examined Kurtzman’s personal archives.

In this insightful and provocative book, comics-industry veteran Danny Fingeroth explores the backgrounds of the most well-known superheroes and their creators—largely young American Jewish men from Eastern European backgrounds. These innovators include Jerry Siegel and Joe Shuster, Will Eisner, and Stan Lee and Jack Kirby. In Disguised as Clark Kent, Fingeroth explores how the creators’ Jewish backgrounds helped make superheroes the most familiar popular-culture icons of all.

Anne-Marie fra Paris er 13 år gammel og træt af at gå i skole. Men da der kommer en ny pige i hendes klasse - en mystisk og dragende flygtning fra det fjerne Østen - begynder et nyt livskapitel. Foranlediget af den nye og fremmelige pige vækkes generte Anne-Maries interesse for drenge og romantik. Og da hun året efter bliver færdig med skolen og kommer i lære som husassistent, opsøger hun enhver mulighed for at udforske den nye interesse.

¿Cómo logró el hijo de unos pobres inmigrantes eslovacos, criado en Pittsburgh, convertirse en el artista más famoso de su generación? ¿De qué manera pasó de ser un niño enfermizo, víctima del acoso de sus compañeros de clase, a erigirse en padre del pop art? ¿Es Warhol un genio del arte contemporáneo?

Hvad vil det sige at være en af verdens største kunstnere? Hvad var det ved Edvard Munch, der skilte sig ud fra andre kunstnere på samme tid, og som gør, at vi stadig ser på hans kunst og taler om den? Karl Ove Knausgård nærmer sig Munchs billeder i et forsøg på at finde ud af, hvad der stod på spil i dem, og på hvilke måder de lever videre. Han opsøger steder, hvor Munch har været, og taler om Munch med kunstnere og kunstkendere. Men først og fremmest skriver han om sit eget forhold til Munch.

Klaus Pagh er kongen af morskabsteater i Danmark. Han har kendt alle, der var noget ved komikken, og som revydirektør var det ham selv, der gjorde mange af dem til stjerner. Han var tæt på Dirch Passer og Jørgen Ryg, og i sine erindringer deler han gavmildt ud af morsomme og tragiske historier, der aldrig før er blevet fortalt. Som ung skuespiller blev Klaus Pagh berømt som "Danmarks James Dean". Hver dag modtog han så mange fanbreve, at hans mormor og morfar blev sat til at besvare dem.

Much attention has been paid to so-called late style—but what about last style? When does last begin? How early is late? When does the end set in? In this endlessly stimulating investigation, Geoff Dyer sets his own encounter with late middle age against the last days and last achievements of writers, painters, athletes and musicians who've mattered to him throughout his life.

William Morris was a giant of the Victorian age, and his beautiful creations and provocative philosophies are still with us today: but his wife, Jane, is too often relegated to a footnote. In truth, Jane and William's personal and creative partnership was the central collaboration of both their lives. The homes they made together were works of art in themselves, and the great labour of their lives was life itself: through their houses and the objects they filled them with, they explored how we all might live a life more focused on beauty and fulfilment.

Den danske skagensmaler Anna Ancher deler ud af sine barndomsminder fra Skagen. I modsætning til resten af første generation af skagensmalere var Anna Ancher født og opvokset i Skagen, og hendes fortælling byder blandt andet på historien om, da selveste H.C. Andersen kom på uanmeldt besøg i hendes barndomshjem.