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In 1956 Duke Ellington was featured on the cover of Time magazine after a bravura performance at the Newport Jazz Festival that summer. This remains one of his most iconic achievements and a landmark for jazz music as a whole; only four jazz musicians were ever displayed on the cover of Time. At the same time, however, this recognition stands as one of the prevailing ironies of Ellington's career, as he was deep into the latter stages of his performing life by this point.

By the mid-20th century, a musical revolution was stirring, and a generation that had not fought in the wars was ready to put the sorrows of the previous 50 years away. Requiring a commentary on modern life all its own, the first post-war generation went for self-expressed rock and roll, with Elvis Presley leading the movement. Jazz, incubated within America, grew into an increasingly sophisticated harmonic and rhythmic language, even though older generations were not able or willing to so easily follow.

Patty, LaVerne, and Maxene Andrews created their “unique sound” in part through the development of a “very bright harmonic sense,” first achieved by the older sister, LaVerne. The trio mastered a virtuosic use of close, intricate harmonies, coupled with a precise and a seemingly telepathic rhythmic sense that could be honed for performance in a short period of rehearsal time. These qualities were enveloped in a timbral sheen reminiscent of multiple trumpets.

Despite a general dearth of African American names rising to musical prominence during the years of Reconstruction, Black talent existed in good measure for both popular and classical genres. And among the most notable musicians celebrated in the present day is composer Scott Joplin, who in his day earned the moniker “King of Ragtime”.

When the phrase “the King” is used in the context of American music, most people think of Elvis Presley, but Presley was just a baby when the title was first conferred upon Benny Goodman as the King of Swing in 1935. The Swing Era was a magical period in American history between the hedonism of the Roaring Twenties and the rebelliousness sparked by rock music beginning in the 1950s. Swing music was rooted in ragtime, blues, and jazz music that had long been popular in African American enclaves in Chicago, St. Louis, Kansas City, and New Orleans.

Sprightly swing music spills across the dimly lit club. The grayish curtains of cigarette smoke part every once in a while to reveal a sparkling stage and tables upon tables of patrons, some incurably inebriated and others high on the fast-paced nightlife. Fabulous flappers in shimmery cocktail dresses and stylish feather headbands throw their hands up and stomp their feet to the addictive beat on the dance floor. Smartly dressed men, their hair neatly parted and slicked back, toss fistfuls of dice onto the plush green baize of the craps tables.

In the mid-1960s, an era on the cusp of change from the musical and social norms of the previous decade, the emergence of Jim Morrison, the charismatic poet/musician of The Doors, helped to transform the subgenre of rock n' roll as a stylistic flavor to the full-fledged institution of rock music. Morrison accomplished this transformation by avoiding membership in any of the known categories of modern rock music during the age of protest, but at the same time, he became the general symbol of anti-authoritarianism for his generation and the next.

The life and career of Janis Joplin marks such a stark departure from the blues, rock, and soul traditions as American society has come to know them that her brief and tempestuous career defies artistic analysis, if only because there is so little precedent aside from the great African-American blues and jazz singers that influenced her.

Among the many stars gathered by Berry Gordy's Motown Records during the latter half of the 20th century, one of the most famous and successful was Marvin Gaye, even though the rigidity of the studio's operating procedures constantly collided with his capacity for stubbornness and insistence that he be given the independence to pursue his own artistic vision.

Since the Battle of Little Bighorn, George Armstrong Custer (1839-1876) has possessed one of the most unique places in American history. Although he was a capable cavalry officer who served honorably during the Civil War, he remains one of the most instantly identifiable and famous military men in American history due to the fact he was killed during one of the country's most ignominious defeats, the Battle of Little Bighorn.

This audiobook analyzes the themes and progression of the composers' most famous works, comparing and contrasting them to each other and other composers' great works.

In the majority of cases, a pop or rock fan who is asked about a particular celebrity will answer in unambiguous terms.

America has always celebrated its star entertainers, but Frank Sinatra remains a unique American legend. A pop culture fixture for over half a century, Sinatra's music is still cherished, and his persona remains its own archetype of the quintessential American star. Sinatra transcended genres to the extent that his music stands alone as its own kind of American music, with songs like "New York, New York," "Chicago," and "Come Fly With Me" instantly recognizable among all Americans.

Sir Paul may have never topped the highs established by the Beatles, but he has gone on to have the longest and most productive solo career of the four. While that was helped in part by the tragic murder of Lennon in 1980, McCartney has nonetheless remained at the forefront of pop culture since 1970, and the Guinness Book of World Records has recognized him as the most successful recording artist of all time. Indeed, McCartney wrote or co-wrote over 30 #1 hits and has sold over 100 million albums and 100 million singles in his music career.

A certain inevitability characterizes the rise to fame of Aretha Franklin. Indeed, while it is true that neither of her parents were pop singers, they were each talented vocalists - Aretha's father, C.L., was a particularly famous preacher, with a voice so melodic that his sermons effectively doubled as musical performances. Moreover, in an age in which economic opportunities were particularly limited for African-Americans, Aretha was fortunate enough to grow up in a household of relative comfort.

Beatlemania had struck North America, creating a musical and pop culture phenomenon unlike anything the world had ever seen. At the center of it all was John Lennon and Paul McCartney, the principal songwriting duo who were instrumental in creating the soundtrack of the 1960s, while producing some of the world's most timeless classics. Together with George Harrison and Ringo Starr, Lennon and McCartney propelled The Beatles to unprecedented heights, experimenting with their sound in ways that revolutionized rock and inspired bands across various musical genres.

Among the most innovative and independent artists to come out of Motown in the latter half of the 20th century, along with colleagues Marvin Gaye, Isaac Hayes, and Michael Jackson, Stevie Wonder was said by many to possess three distinct obstacles to fulfillment in the music industry. First, he was poor, and worse, he was black and blind. Wonder, however, refused to shrink from or acknowledge any of these realities as barriers.

Almost from the second they played the first note, the Beatles would be hit with the resounding screams, which made it impossible for them to even hear themselves sing. When they made their American debut on The Ed Sullivan Show in early 1964, they were greeted by young fans who whipped themselves up into such a frenzy that some of them fainted. Beatlemania had struck North America, creating a musical and pop culture phenomenon unlike anything the world had ever seen.

The origins of rock music claim several founding fathers, with each perspective holding merit and directly contributing to the golden age to follow in rock music. Perhaps the first and ultimately the most successful of this category - those artistic explorers who most effectively blurred racial and political lines through their music - was Chuck Berry.

Among the most recognizable and iconic vocal artists known to American society from the mid-20th to the 21st century, baritone Nat King Cole is indelible in the nation's consciousness for such hits as "Mona Lisa" and "Ramblin' Rose" as well as for his rendition of Mel Tormé's famous "Christmas Song", with the opening line known to millions of American households: "Chestnuts roasting on an open fire."