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"Wer Hamlet spielen will", sagte der Regisseur Peter Zadek, "ist schon mal falsch besetzt", - und besetzte ganz gegen den Strich Angela Winkler mit dieser Rolle, die diese, ganz im Sinne des Regisseurs, gar nicht spielen wollte. Das war im Jahr 1999. Der Autor und Schauspieler Klaus Pohl, in dieser "Hamlet"-Inszenierung als Horatio auf der Bühne, erzählt spannend, komisch und erschütternd mitten aus dem Zadek’schen Proben-Wahnsinn - von Schauspielerinnen und Schauspielern, die in Liebe und Hass ihren Rollen verfallen und von einem überragenden Regisseur, der sich in den Strippen verheddert, an welchen er seine Akteure und Akteurinnen agieren lässt.

NEW YORK TIMES BESTSELLER The definitive biography of a vulnerable and talented actress, now with explosive new chapters and insider details of her tragic death, the cover-ups, and the reopened investigation. An ID Book Club Selection “Impressive, disturbing, and revelatory...

Desde los albores de la humanidad, las mujeres hemos estado siempre vinculadas al pecado. Mujeres pecadoras, lascivas, fornicadoras, ¿por qué no virtuosas, inteligentes, ambiciosas? ¿Utilizar nuestras virtudes en un mundo dominado culturalmente por hombres es pecado? ¿Puede la historia o la opinión pública condenarnos por buscar las vías para ser libres?, ¿para pensar por nosotras mismas, para dejar de ser objetos de posesión, de belleza, de maternidad y decidir cómo queréis que sea nuestra vida? Por ellas, por nosotras, para nosotras es este libro.

Bette Davis didn’t fit the usual Hollywood image of beauty, but by sheer force of will she became one of the most famous and prominent actresses of the twentieth century. Her entire life was focused on her six-decades-long career. This invariably led to the loss of three husbands and estrangement from her oldest daughter. Still, Bette Davis lived with few regrets. Her most famous movies, Jezebel, All About Eve, and What Ever Happened to Baby Jane? are still considered classics, discovered by a generation that wasn’t even born when the movies were made.

In Polish: A rascal with teenage beauty and the voice of Jan Himilsbach. She didn't really have to act. She appeared in the Polish cinema out of nowhere and became an instant phenomenon. At times, as told by her relatives in the book, she hurried as if she knew that everything wouldn't last very long, that she had to quickly start a relationship, start a family, and have kids in order to have time to enjoy all of that. It's the first biography of Anna Przybylska authorised by her family.

Die Schauspielerin Christina Hecke beeindruckt durch ihre feinfühlige, zugewandte und zugleich intensive Art, die sie auch mittels der "Hecke-Methode: Truth in Acting" unterrichtet. Hintergrund dieser Haltung ist die Überzeugung: Wir Menschen wissen von klein auf, dass wir miteinander und mit allem Leben verbunden sind - eine Intuition, die uns oft genug verloren geht, die aber unabdingbare Voraussetzung dafür ist, einander wirklich begegnen zu können.

Homme de théâtre et figure familière du petit écran, Patrice Coquereau a souffert pendant de longues années de troubles anxieux, qui touchent environ 12% des Canadiens. Aujourd'hui serein, il dresse le bilan du chemin parcouru et, de crises de panique en fous rires, fait voler en éclats les tabous liés à la santé mentale.

Phantom Lady chronicles the untold story of Hollywood’s most powerful female writer-producer of the 1940s. In 1933 Joan Harrison was a 26-year-old former salesgirl with a dream of escaping her stodgy London suburb and the dreadful prospect of settling down with one of the local boys. A few short years later, she was Alfred Hitchcock’s confidante and the Oscar-nominated screenwriter of his first American film, Rebecca. Harrison had quickly grown from being the worst secretary Hitchcock ever had to one of his closest collaborators.

Discover the man behind the myth in Sandy Grabman’s richly researched book. Pat’s career sounds like a true Hollywood success story from his humble beginnings to living the dream of making people laugh, winning the The Pacific Pioneers Broadcaster’s Award, and winning an Emmy. His was one of the most recognizable voices in movies and on television. For the first time, his story is recalled by friends, family members, co-stars, and co-workers at Gene Autry Enterprises. Also interspersed throughout the book are many of Pat’s original, unforgettable one-liners.

This program is read by the author. The definitive biography of the beloved—often controversial—co-creator of many legendary superheroes, A Marvelous Life: The Amazing Story of Stan Lee presents the origin of “Stan the Man,” who spun a storytelling web of comic book heroic adventures...

In the 1920s, the burgeoning movie industry was starting to come into its own, and virtually no actor was as famous - or infamous - as John Barrymore. Like many other film stars his age, Barrymore’s career had started in other forms of entertainment, in his case theater. By the time movies were becoming popular, Barrymore was one of the world’s foremost Shakespearean actors.

In their star-studded memoir, Hollywood Lights, Nashville Nights, coauthors Victoria Hallman and Diana Goodman are the first of the iconic Hee Haw Honeys to write about their lives as the glamour gals of TV's longest-running syndicated variety show.

When Star Wars burst on to the big screen in 1977, an unfailingly polite golden droid called C-3PO captured imaginations around the globe. But C-3PO wasn’t an amazing display of animatronics with a unique and unforgettable voice-over. Inside the metal costume was an actor named Anthony Daniels. In this deeply personal memoir, Anthony Daniels recounts his experiences of the epic cinematic adventure that has influenced pop culture for more than 40 years.

David Morrell is best known for his acclaimed thrillers, including The Brotherhood of the Rose, Creepers, Murder as a Fine Art, and his debut novel, First Blood, in which Rambo first appeared. But Morrell is also a master of nonfiction. Twenty of his essays about iconic writers, actors, and singers are collected in Stars in My Eyes: My Love Affair with Books, Movies, and Music.

She grew up in front of the world on the beloved sitcom Full House, but then actress Andrea Barber abruptly left Hollywood. Why did she leave and what did she do for 20 years out of the spotlight before returning to television? This is her funny and inspiring memoir of fame, heartache, resilience - and the reboot of a lifetime....

"Narrator Saskia Maarleveld's enthusiasm makes Weller's exhaustive research as engaging as fiction." — AudioFile Magazine A remarkably candid biography of the remarkably candid—and brilliant—Carrie Fisher In her 2008 bestseller, Girls Like Us, Sheila Weller—with heart and a profound...

Las historias de estas cuatro grandes estrellas de cine nos trasladan a la época dorada de Hollywood. Tenían el mundo a sus pies, contaban con una legión de admiradores y protagonizaron sonados romances con los galanes más atractivos. Verdaderas diosas a los ojos del público, fueron las más deseadas y fotografiadas del mundo. La temperamental e indomable Ava Gardner, la deslumbrante sex symbol Rita Hayworth, la elegante y sensual Grace Kelly o la gran diva de los ojos violeta Elizabeth Taylor hicieron soñar a millones de espectadores.

"Che Diva sei? È la domanda per 'indossare' la propria maschera, e in ogni sembianza, sotto ogni copertura, ridisegnare i generi o fluttuarvi delicatamente da un lato all'altro. Dive e Divine insegnano a smantellare i 'tipi' di donne (e di uomini), divise in categorie, classificate a seconda del fascino e della bellezza, ma come scrive Francis Scott Fitzgerald: 'Lui voleva fare di me una Dea, invece io voglio essere Mickey Mouse'."

A Long Time Ago in a Cutting Room Far, Far Away is a behind-the-scenes look at some of the most influential films of the last 50 years by Paul Hirsch, a film editor who worked on more than 40 features. Starting with his work on Carrie, Hirsch gives insight into the production process, touching upon casting, directing, cutting, and scoring. It’s a riveting look at the decisions that went into creating memorable and iconic scenes and offers fascinating portraits of filmmakers, stars, and composers.

Yvonne De Carlo, Michael B. Druxman’s one-woman play, is set in 1974 when the actress is at an emotional crossroads. As she contemplates divorcing her husband of 18 years, she remembers the events that have brought her to this point in her life, beginning with a fatherless childhood in Vancouver, BC, and a destitute mother intent on making her daughter a ballet star. She further reminisces about the many men who have passed through her life, including romances with the likes of Howard Hughes and Aly Khan.