検索キーワード： キリスト教の文学・美術

At the heart of Tolkienian fantasy is "recovery," a "cleaning of the windows" of our perception that we may learn to see the world again in all its strange beauty. And, for Tolkien, to recover the world anew is to recover a sense of the world as a meaningful act of creation by a living and loving Creator. How does Tolkien accomplish this? Through "sub-creation" or mythopoeia, the "fashioning of myth." For it is in creating an imaginary world ourselves through poetry, fairy-story, and myth that we come to "see" our "primary world" as itself an act of creation.

In How Catholics Encounter the Bible, award-winning biblical scholar and historian Michael Peppard explores the paradoxical role of the Bible for Catholics—a book central to their tradition, but not usually in the form of a book. Biblical ideas and beliefs are more often mediated through diverse modes of storytelling, artistic imagination, and ritual.

The Old Testament is not merely a collection of ancient writings; it is the heartbeat of history, the foundation of faith, and the unshakable framework upon which the world’s moral, spiritual, and cultural fabric has been woven. It is a saga of triumphs and tragedies, a testament to divine promises and human frailty. In its pages, we encounter the raw power of creation, the depths of human rebellion, and the unyielding grace of a God who remains faithful despite our failings.

The Holy Spirit, the third person of the Trinity in Christian theology, is fully divine and shares the same essence as God the Father and God the Son (Jesus Christ).

In a captivating realm where cinematic narratives enchant countless viewers, how can one harmonize their faith with the craft of filmmaking? The Wages of Cinema encourages a deep dive into this relationship, drawing upon the significant reflections of Dorothy L. Sayers defending the authenticity of art and truth's manifestation.

Many listeners have heard C. S. Lewis's logical arguments for the Christian faith. Yet throughout his wide-ranging study and writing, Lewis often began with experience, intuition, and religious feeling rather than dogmatic assertions. The most profound questions of Lewis's own life, argues theologian and literary critic Jeffrey Barbeau, can be seen in his quest to understand the relationship between personal experience and the truth about the world around him.

Many of us have been taught to read Scripture as a collection of information that needs to be categorized, systematized, and analyzed verse by verse, concept by concept. But the Bible isn't a jigsaw puzzle, and it wasn't written in just Hebrew, Aramaic, and Greek. It was also written in the language of story. And as with every good story, we get to meet colorful characters, unravel mysteries, and see the world from a different point of view. It all makes more sense when understood from the perspective of storytelling.

To most, the term “Christian horror” probably seems like an oxymoron. Nevertheless, there are very good arguments to be made that “horror” is an eminently biblical genre and that Christian artists should be at the forefront of reclaiming it. In this work, novelist and freelance writer Mike Duran explores the Judeo-Christian roots of contemporary horror, the religious themes that frame much of the horror art, and how evangelical culture has come to distance itself from such a potentially rich and powerful medium.

R. Allen Stigger is a native Chicagoan who currently resides in the western suburbs and is father to three amazing daughters. He is an army veteran who enjoys writing about the human experience and his personal life childhood experiences.

Throughout history, Christians have pictured the relationships between Father, Son, and Holy Spirit through analogies. Such illustrations—some from the West but also from Latin America, Asia, Africa, and other places—come laden with theological ramifications that the church has rejected (heresies) or embraced (doctrines). In Three in One, William David Spencer shares a lifetime of insights from teaching within the global church, bringing fresh images and analogies of the Trinity to deepen our theological vocabulary.

In Preface to Paradise Lost, the Christian apologist and revered scholar and professor of literature closely examines the style, content, structure, and themes of Milton’s masterpiece, a retelling of the biblical story of the Fall of Humankind, Satan’s temptation, and the expulsion of Adam and Eve from the Garden of Eden. Considering the story within the context of the Western literary tradition, Lewis offers invaluable insights into Paradise Lost and the nature of literature itself, unveiling the poem’s beauty and its wisdom.

In the chaos of daily life, many Christians long for the time and mental clarity to reflect on scripture, to worship, and to pray. The Tarot can become an unexpected tool in this journey, inviting us to pause, contemplate, and find insight and wisdom in our walk. In The Contemplative Tarot, author Brittany Muller draws deeply on Christian tradition and theology to create a tarot practice built on spiritual reflection, prayer, and worship.

Did you know Vincent van Gogh only sold one painting during his lifetime, and that during the last three months of his life, he completed an average of one painting every day? Did you know that Michelangelo's David is covered in a dusting of human skin? Rembrandt Is in the Wind: Audio Lectures is an invitation to discover some of the world's most celebrated artists and works, while presenting the Gospel of Christ in a way that speaks to the struggles and longings common to the human experience.

What does the cross of Christ have to do with the thunderbird? How might the life and work of Christian writer G. K. Chesterton shed light on our understanding of North American Indigenous art and history? This unexpected connection forms the basis of these discerning reflections by art historian Matthew Milliner. In this fifth volume in the Hansen Lectureship Series, Milliner appeals to Chesterton's life and work in order to understand and appreciate both Indigenous art and the complex, often tragic history of First Nations peoples, especially in the American Midwest.

Apocalypse of Mark is a Christian book written in the ancient style of apocalyptic literature and designed to be listened to like a short narrative book one would find in the Bible like Job, Ruth, or Esther. Narrator John Mark presents a linear retelling of the Biblical meta-narrative, heavily quoting from and alluding to the Biblical text. Beginning prior to creation and ending in the "new heavens and Earth" incorporating enigmatic Biblical passages, it demonstrates how they are indispensable to the overall redemption story.

Be inspired by the whimsical world of VeggieTales like never before with Me, Myself, and Bob by Phil Vischer. This memoir is not just a tale; it’s a heartfelt adventure that unfolds the incredible journey of dreaming big, facing monumental challenges, and ultimately finding true success. Phil Vischer, the mastermind behind those beloved animated vegetables as well as creator of The Holy Post, What's in the Bible, and The Mr. Phil Show, candidly shares his story of spectacular success, breathtaking failure, and the whispered answers from God that came after shouted questions.

There has been a void where this audiobook should have been. Plenty has been written on the mechanics of writing effective fiction, but story is more than its structure. Christian writers need not appeal to culture. Rather, they can guide listeners through stories that encourage them to become the heroes and heroines that we need. People need to be inspired, convicted, and encouraged, and The Soul of Story does that fearlessly.

In Storycraft, renowned author Walter Wangerin, Jr. explores the power of narrative and storytelling to impact message, messenger, and hearer. Through preaching and teaching, the gospel comes alive—is incarnated—in the words, actions, and stories we tell. Well-crafted stories shape the relationship between tellers and listeners, between preachers and people. And in the telling, trust is established, faith is formed, and lives change. Together, Wangerin's reflections create a theology of story that shows how the Word of God takes on flesh in practiced speech.

Marshall McLuhan was the greatest prophet of the digital age. In the 1960s, McLuhan, a Canadian literary theorist, turned his attention toward the budding and befuddling electronic age. Like most prophets, McLuhan became one through a fascination with God. Prophets divine their wisdom from a source, and Digital Communion shows that McLuhan's was his own Catholic faith. In other words, the greatest prophet of the digital age was an ardent Christian. A reconsideration of his vision can change the way we view the online world.

Learning from Black voices means listening to more than snippets. It means attending to Black stories. Reading Black Books helps Christians hear and learn from enduring Black voices and stories as captured in classic African American literature.