検索キーワード： 死・臨終

Now Departing explores the science, craft, and mindfulness behind Victor M. Sweeney’s very peculiar skill set. Working in the funeral business since he was eighteen years old, Sweeney astutely shares the powerful and moving lessons of how we can exist and be remembered with intention and meaning.

Mariana Enriquez—called by The New York Times a “sorceress of horror”—has been fascinated by the haunting beauty of cemeteries since she was a teenager. She has visited them frequently, a goth flaneur taking notes on her aesthetic obsession as she walks among the headstones, “where dying seems much more interesting than being alive.”

Burnt out and in need of retreat, Jenn Ashworth emerged from lockdown with a compulsive need to walk—and to walk away. Armed with little more than the knowledge imparted by a two-day orienteering course and a set of maps, she embarked on the most epic of English walks: Wainwright's Coast to Coast. Guided not just by Wainwright's writing but also by daily letters from her friend Clive—facing an epic journey of his own—Jenn's pilgrimage soon becomes more than just walking: a chance to reconnect and excavate, to re-engage with the act of caring for others and for oneself.

2013年、87歳で亡くなった父は元医師だが、医療否定主義者だった。不摂生ぶりも医者の不養生の限度を超えていた。若いころ、糖尿病になったが血糖値も測らず甘い物食べ放題の生活を続けながら勝手にインシュリンの量を増やして自然治癒させた。

何歳まで生きれば〝ほどほどに〟生きたことになるのか？　長寿をもてはやし抗加齢に踊る一方で、日本人は平均で男6.1年、女7.6年間の寝たきり生活を送る。多くの人にとって長生きは苦しい。人の寿命は不公平である。

There is untold history of Tudor England - the history of the several million subjects of their famous kings and queens. What did ordinary people do all day, in their homes, their work, their leisure and travel? An Accidental History of Tudor England explores the history of everyday life, and everyday death.

Death is an inevitable part of our lives, yet most societies have struggled to come to terms with it. Today, we continue to grapple with the enduring questions: What is death? Why do we fear it? What happens after death? Is it an end or a doorway to something beyond? In this unique, clear-sighted exploration of death, Sadhguru dwells extensively upon his inner experience as he expounds on the deeper aspects of death that are rarely spoken about.

At age thirty-eight, Jonathan Gluck, a new father with a promising journalism career, was shocked to learn he had multiple myeloma, a rare, incurable blood cancer. He was told he had eighteen months to live. That was more than twenty years ago. Gluck isn’t just something of a medical miracle. He’s also part of a growing population. Thanks to revolutionary medical advances, many cancers and other serious illnesses are no longer death sentences but chronic diseases people can often live with for years.

"Look at the birds". Through the painful days of the pandemic stuck in her home, Courtney Ellis found herself looking down in despair. Soon after, her beloved grandfather died unexpectedly. It was around this same time that Ellis took up watching birds. "Took up" might not be exactly right—as she puts it, "the switch flipped," and she's been borderline obsessed with birds ever since. Looking Up is a meditation on birding as a practice of hope.

What to Expect When You're Dead chronicles the ways ancient peoples answered questions such as: How to achieve a good death and afterlife? What's the best way to dispose of a body? Do the dead face a postmortem judgement—and where do they end up? Do the dead have bodies in the afterlife—and can they eat, drink, and have sex? And what can the living do to stay on good terms with the nonliving?

When Tony Stewart’s wife, Lynn, receives a sudden and devastating diagnosis, they scramble to find effective treatment, navigate life threatening setbacks, learn to live fully in the shadow of death, and share the intimate grace of her departure from this world. Then Tony slowly climbs out of shattering grief and, surprisingly, eases toward new love.

NA SUÉCIA, existe uma antiga tradição chamada döstädning – dö significa "morte", städning, "limpeza". O sentido é bastante literal: limpar, remover, se desfazer ou desapegar de objetos que, mesmo adorados, com a nossa morte vão se transformar em um fardo para amigos e entes queridos. Essa tarefa de eliminar pertences em vida – descrita como revigorante pelos escandinavos e como inusitada por pessoas de outras culturas – pode ser realizada a qualquer momento, em qualquer idade, porém sempre o mais cedo possível, antes que outros tenham que fazer isso por nós.

Der Moment des Loslassens – Was passiert, wenn der Körper stirbt? Der Tod ist ein Moment, der für viele von uns mit Angst, Ungewissheit und Trauer behaftet ist. Vielleicht hast auch Du Dich schon gefragt, was genau in dem Moment geschieht, in dem der Körper stirbt. Was passiert mit der Seele? Wohin geht sie? Ist der Tod wirklich das Ende, oder nur der Übergang in eine andere Daseinsform?

—Stop Overthinking & Master Your Emotions Unbreakable Mindset. Unstoppable You. Do you struggle with stress, overthinking, or emotional weakness? Feel like life’s obstacles are holding you back? It’s time to toughen up your mind like a warrior and master the ancient wisdom of Stoicism—the philosophy used by Navy SEALs, elite athletes, and powerful leaders to build resilience, self-discipline, and unshakable confidence.

Der NEW-YORK-TIMES-BESTSELLER endlich auf Deutsch. Was passiert am Lebensende? Sehen wir unser Leben wie "einen Film" vor unseren Augen ablaufen? Ist da ein Licht, auf das wir zugehen? Ein Tunnel? Hospizpflegerin Hadley Vlahos hat schon viele Menschen auf ihrem letzten Weg begleitet und weiß: Wir sterben so individuell, wie wir gelebt haben. Aber es gibt da dieses Dazwischen, den Raum, in dem sich Leben und Tod berühren. Und was dort passiert, ist so unglaublich, so berührend, so tief bewegend, dass sie sich sicher ist: Der Tod ist nicht das Ende.

Euthanasia is one of the most controversial issues in contemporary medicine, involving profound ethical, medical, and psychological dilemmas. This work explores the practice of euthanasia and assisted suicide, challenging medical traditions by questioning the extent to which we have the right to decide the end of our lives. With technological advancements artificially prolonging life, new questions arise about the meaning of a "dignified death" and how far extreme suffering should be alleviated, even if it means shortening life.

From spooky stories and real-life ghost hunting, to shows about murder and serial killers, we are fascinated by death—and we owe these modern obsessions to the Victorian age. Death and the Victorians explores a period in history when the search for the truth about what lies beyond our mortal realm was matched only by the imagination and invention used to find it. Walk among London’s festering graveyards, where the dead were literally rising from the grave. Visit the Paris Morgue, where thousands flocked to view the spectacle of death every single day.

Libro ineludible en la bibliografía que se ocupa de nuestra relación con la muerte y su papel en la configuración de un entorno cultural y las formas de intercambio que en él se desarrollan, los presentes ensayos de Philippe Ariès, desde su publicación por vez primera en 1975, se han convertido ya en un clásico.

It happened in an instant. Ed was walking through a park with his friend Stuart when there was a bang, a bright light and then nothing. Ed and Stuart had been hit by a bolt of lightning – 300 million volts, enough to power a city for a day, coursed through their bodies, short-circuiting their hearts. Ed was found first, given life-saving CPR to start his heart again, and he survived and had a second chance. He lives life a little differently now, every day knowing the thin margins that separate life and death.

This is the sixth edition of this extraordinarily thoughtful best-selling classic written by women for women addressing what is frequently the most stressful and emotionally challenging experience any married woman is forced to address. It provides both an understanding of what she is experiencing in the present and a road map to go from where she is to ultimately achieving emotional and financial wellbeing.