検索キーワード： ジェンダー研究

« Où passe l'argent des femmes, celui qu'elles ont et celui qu'elles n'auront jamais ? À force d'écrire sur la vie des femmes, leur travail, leurs enfants, leur corps, leur vie affective, leur argent depuis des années, j'ai réalisé tout ce que l'idéal du couple hétéronormé leur coûtait. Et me suis demandé : le couple est-il une arnaque ?

Warum wir selbst über unseren Namen und unser Geschlecht entscheiden können sollten. Vor fünf Jahren hatte Linus Giese sein Coming out als trans Mann. Weil er sich traute, öffentlich darüber zu sprechen, erntete er Hass – und überwältigenden Zuspruch, insbesondere von jungen Menschen. Mit seinem neuen Buch möchte er ihnen etwas zurückgeben und Mut machen für die Zukunft. Trans Menschen erleben Diskriminierung im Alltag und auch strukturell, auf dem Arbeitsmarkt, im Gesundheitswesen, durch das Transsexuellengesetz, das als verfassungswidrig eingestuft wurde.

As we grow and move through the world, it shrinks us and puts us in boxes - tells us who we should be, what we're capable of, and who to love. As a queer child of immigrants, Maria Thattil knows what it is like to struggle with belonging. To have confusing, disparate identities, none of them fitting traditional ideas of worth, power or success. In Unbounded, she shares galvanising stories of what she has lived and learned through experiencing racism, sexism, financial hardship, intergenerational trauma, homophobia and mental health challenges.

Obwohl wir inzwischen im 21. Jahrhundert leben, herrscht noch immer das Patriarchat. Warum zur Hölle ist das so? Und was kann jede*r persönlich dazu beitragen, die häufig unbewussten toxischen Strukturen zu erkennen und aufzulösen? Dieses Hörbuch mit Beiträgen von bekannten Autor*innen bietet Hilfestellung. Sich gegen das Patriarchat zur Wehr zu setzen, ist besonders im Alltag schwierig. Denn vieles ist uns so vertraut, dass wir es gar nicht hinterfragen. Sogar bekennende Feminist*innen tappen immer wieder in die gleichen Fallen.

Perché ci piace guardare una donna crollare? Cosa ci attrae della sua vulnerabilità? È uno spettacolo a cui siamo abituati e da cui con difficoltà distogliamo lo sguardo. Questo saggio potente e appassionato ci apre le porte di una galleria degli orrori in cui celebrità di ogni epoca, da Charlotte Brontë a Miley Cyrus, da Britney Spears a Hillary Clinton, hanno scontato la colpa di non aver rispettato i limiti che la cultura patriarcale aveva imposto alle loro vite.

The term killjoy has been used to dismiss feminism by claiming that it causes misery. But by naming ourselves feminist killjoys, we recover a feminist history, turning it into a source of strength as well as an inspiration. Drawing on her own stories and those of others, especially Black and brown feminists and queer thinkers, Sara Ahmed combines depth of thought with honesty and intimacy. The Feminist Killjoy Handbook unpicks the lies our culture tells us and provides a form of solidarity and companionship that can be returned to over a lifetime.

Two people do the same job and are both firefighters. When one is asked what they do for a living, their response is met with: 'That's amazing, you are so brave!', while the other is asked: 'Isn't that dangerous? Aren't you scared? What about your kids?' Can you guess the difference between the two? These comments are the reality for Dr Sabrina Cohen-Hatton and many other women at work and in life. Gender biases stop women from succeeding - but why are certain qualities associated with success viewed less favourably for women?

Scientific research is on the cusp of being able to grow babies outside human bodies, from machines, for the very first time. Claire Horn takes us on a truly radical and urgent deep dive into the most challenging and pertinent questions of our age. Could artificial wombs allow women to redistribute the work of gestating? How do we protect reproductive and abortion rights? And who exactly gets access to this technology, in our vastly unequal world?

Warum kam man erst im späten 20. Jahrhundert auf die Idee, Räder unter Reisekoffer zu montieren - obwohl es das Rad schon seit fünftausend Jahren gibt? Wären wir womöglich nie auf den Mond gelangt ohne das Wissen amerikanischer Näherinnen? Und wie sähe eigentlich eine Welt aus, in der Frauen genauso viel Gehör finden wie Männer? Die schwedische Bestsellerautorin Katrine Marçal zeigt mit viel Verve, was die Menschheit über die Jahrhunderte verloren (oder erst viel später erfunden) hat, weil eine Hälfte von ihr - die Frauen - nicht mitreden, mitbestimmen, miterfinden durfte.

Foregoing motherhood has traditionally marked a woman as “other.” With no official place setting for her in our society, she has hovered on the sidelines: the quirky girl, the neurotic career obsessive, the “eccentric” aunt. Instead of continuing to paint women without kids as sad, self-obsessed, or somehow dysfunctional, what if we saw them as boldly forging a first-in-a-civilization vision for a fully autonomous womankind? Or as journalist and thought leader Ruby Warrington asks, What if being a woman without kids were in fact its own kind of legacy?

As a result of my podcast and the first book, I often hear people talking about how there are no good men anymore. Femininity too is degrading due to the social Marxism that has invaded our American society. While men are becoming less manly in most measurable ways, women are becoming more traditionally masculine in behavior, and thus, less feminine.

Through candid interviews with Maya Angelou, Toni Cade Bambara, Gwendolyn Brooks, Alexis De Veaux, Nikki Giovanni, Kristin Hunter, Gayl Jones, Audre Lorde, Toni Morrison, Sonia Sanchez, Ntozake Shange, Alice Walker, Margret Walker, and Sherley Anne Williams, the book highlights the practices and critical linkages between the work and lived experiences of Black women writers whose work laid the foundation for many who have come after.

The Shadow King is an inner self that carries the patriarchal traditions, values and rules of the last six millennia—an internalized version of the outer patriarchy. It is the name Sidra Stone has given to the Inner Patriarch.

In The Once and Future Sex, Janega unravels the restricting expectations on medieval women and the ones on women today. She boldly questions why, if our ideas of women have changed drastically over time, we cannot reimagine them now to create a more equitable future.

Analyzing the meanings of masculinity in contemporary culture, this book examines specific cultural male icons like Mohammad Ali, Harvey Keitel, Jean-Claude Van Damme, Dan Quayle, and Newt Gingrich and explodes the male stereotypes such as the cowboy, the father, the homosexual, and the Black terror. Written by cultural studies scholars from departments of film, media studies, English, women's studies, and sociology, the discussions touch on almost every conceivable issue concerning the complex meanings of masculinity and contemporary society.

Una scorribanda nella storia, un tour libertino e spumeggiante che ci mostra come una corrente sotterranea di ribellione abbia sempre attraversato i secoli, concentrandosi proprio nel punto ancora oggi più controverso di tutti: il sesso. Signore della notte, cocottes, lucciole, scarlet ladies, meretrici, filles de joie, cortigiane, escort. Ma anche poetesse, letterate, spadaccine, amanti, filosofe, self-made women.

La historia acostumbra a construirse sobre paradojas. Este libro rescata una de ellas: cómo España consiguió aprobar el derecho al voto femenino en un encendido debate en el Congreso que tuvo lugar entre dos mujeres parlamentarias: Clara Campoamor y Victoria Kent, posicionadas a favor y en contra del sufragio universal.

Escrita al comienzo de la Primera Guerra Mundial, 'Mi historia' llama la atención sobre la causa de Pankhurst mientras defiende su decisión de cesar el activismo hasta el final de la guerra. Notable por sus descripciones del sistema penitenciario británico, 'Mi historia' es un documento invaluable de una vida dedicada a los demás, de un momento histórico en el que un grupo oprimido se levantó para defender la más simple de las demandas: la igualdad.

Growing up in Las Cruces, New Mexico, the lean child of working-class Chicago transplants, Judy Grahn hungered to connect with the larger world, to create a place for herself beyond the deprivations and repressions of small-town 1950s life. Refusing the imperative to silence that was her inheritance as a woman and as a lesbian, Grahn found her way to poetry, to activism, and to the intoxicating beauty and power of openly loving other women.

Women Who Invented the Sixties tells the story of how four women helped define the 1960s and made a lasting impression for decades to follow.