検索キーワード： ジェンダー研究

Introducing us to eleven ordinary women who came to commit extreme acts, Anna Motz sheds light on women's capacity for violence. She takes the listener on a journey into psychotherapy, uncovering their motives and the fault lines in their psyche that led to their crimes. We meet Mary, who turned to arson after her son was taken into care, Maja, whose fantasy life led to her stalking an ex-boyfriend, and Dolores, whose terrible crime is unimaginable to most people.

In the last few years, as identity politics has taken hold, middle-aged women have found themselves talked and written about as morally inferior beings, the face of bigotry, entitlement and selfishness, to be ignored, pitied or abused. Hags asks the question why these women are treated with such active disdain. Each chapter takes a different theme - care work, beauty, violence, political organization, sex - and explores it in relation to middle-aged women's beliefs, bodies and choices.

In 2012, two weeks before her thirty-second birthday, Jo Cheetham attended her first ever protest and it changed her life for ever. She didn’t consider herself especially political or assertive. She often apologized to people who barged into her on the street and was too polite to tell the man at the pub that he’d been calling her the wrong name for two years. Her days were ‘filled with routine, boredom and the occasional panic attack’. But soon after that first protest she joined the No More Page 3 campaign team.

October 18, 2019. Cristina Rivera Garza travels from her home in Texas to Mexico City, in search of an old, unresolved criminal file. “My name is Cristina Rivera Garza,” she writes in her request to the attorney general, “and I am writing to you as a relative of Liliana Rivera Garza, who was murdered on July 16, 1990.” It’s been twenty-nine years. Twenty-nine years, three months, and two days since Liliana was murdered by an abusive ex-boyfriend.

The Middle Ages are seen as a bloodthirsty time of Vikings, saints and kings; a patriarchal society that oppressed and excluded women. But when we dig a little deeper into the truth, we can see that the “Dark” Ages were anything but.

“This is one of those stories that begins with a female body. Hers was crumpled, roadside, in the ash-colored slush between asphalt and snowbank.” So begins Erica Berry’s kaleidoscopic exploration of wolves, both real and symbolic. At the center of this lyrical inquiry is the legendary OR-7, who roams away from his familial pack in northeastern Oregon. While charting OR-7’s record-breaking journey out of the Wallowa Mountains, Erica simultaneously details her own coming-of-age as she moves away from home and wrestles with inherited beliefs about fear, danger, femininity, and the body.

Tsitsi Dangarembga zählt zu den wichtigsten Stimmen des afrikanischen Kontinents. Ihr Werk ist unbequem, erhellend und hochpolitisch - kein Wunder, hat sie selbst doch von klein auf erfahren, wie weit die Schatten des Kolonialzeitalters noch heute reichen. Die internationale Bestsellerautorin, Filmemacherin, Friedenspreisträgerin und Aktivistin widmet ihr Sachbuchdebüt dem Kampf für soziale Gerechtigkeit.

This collection of short stories provides a glimpse into the lives of girls from all corners of the globe who were inspired by their experiences to bring about change in their communities. Each author has a different story of what it means to grow up as a girl in her own country.

Amy knew the climb was harder and longer for women. Tough, determined, and focused on her career, she persevered. Yet she didn't anticipate how gender barriers in male dominated systems could wear women down—even her. Amy was among women making bold career changes in 2021. Infinitely More is her journey to understand why. Amy’s story is an intriguing, thought-provoking, and heart-opening discovery of how a warrior career mom was lured into believing she could win over the system and beat the odds.

De las muchas criaturas fabulosas que han poblado la literatura y el cine, la mujer fatal es una de las más recurrentes y proteicas de los dos últimos siglos, si bien forma parte de una antigua estirpe que se remonta hasta la inconstante Helena clásica que motivó la guerra de Troya o la temeraria Eva bíblica que condenó a la humanidad entera.

Cresciuta da una madre divorziata che lavora in una casa editrice, V. colma con la lettura il vuoto lasciato dalla figura assente del padre. A tredici anni, durante una cena, incontra G., un celebre scrittore cinquantenne che, sin dal primo sguardo, la colpisce per il suo carisma e le attenzioni che le rivolge. Rassicurata dai suoi modi gentili e galanti e dallo sguardo clemente della madre, lei si offre a lui, corpo e anima.

Obwohl wir inzwischen im 21. Jahrhundert leben, herrscht noch immer das Patriarchat. Warum zur Hölle ist das so? Und was kann jede*r persönlich dazu beitragen, die häufig unbewussten toxischen Strukturen zu erkennen und aufzulösen? Dieses Hörbuch mit Beiträgen von bekannten Autor*innen bietet Hilfestellung. Sich gegen das Patriarchat zur Wehr zu setzen, ist besonders im Alltag schwierig. Denn vieles ist uns so vertraut, dass wir es gar nicht hinterfragen. Sogar bekennende Feminist*innen tappen immer wieder in die gleichen Fallen.

Warum kam man erst im späten 20. Jahrhundert auf die Idee, Räder unter Reisekoffer zu montieren - obwohl es das Rad schon seit fünftausend Jahren gibt? Wären wir womöglich nie auf den Mond gelangt ohne das Wissen amerikanischer Näherinnen? Und wie sähe eigentlich eine Welt aus, in der Frauen genauso viel Gehör finden wie Männer? Die schwedische Bestsellerautorin Katrine Marçal zeigt mit viel Verve, was die Menschheit über die Jahrhunderte verloren (oder erst viel später erfunden) hat, weil eine Hälfte von ihr - die Frauen - nicht mitreden, mitbestimmen, miterfinden durfte.

As a result of my podcast and the first book, I often hear people talking about how there are no good men anymore. Femininity too is degrading due to the social Marxism that has invaded our American society. While men are becoming less manly in most measurable ways, women are becoming more traditionally masculine in behavior, and thus, less feminine.

Through candid interviews with Maya Angelou, Toni Cade Bambara, Gwendolyn Brooks, Alexis De Veaux, Nikki Giovanni, Kristin Hunter, Gayl Jones, Audre Lorde, Toni Morrison, Sonia Sanchez, Ntozake Shange, Alice Walker, Margret Walker, and Sherley Anne Williams, the book highlights the practices and critical linkages between the work and lived experiences of Black women writers whose work laid the foundation for many who have come after.

The Shadow King is an inner self that carries the patriarchal traditions, values and rules of the last six millennia—an internalized version of the outer patriarchy. It is the name Sidra Stone has given to the Inner Patriarch.

In The Once and Future Sex, Janega unravels the restricting expectations on medieval women and the ones on women today. She boldly questions why, if our ideas of women have changed drastically over time, we cannot reimagine them now to create a more equitable future.

Analyzing the meanings of masculinity in contemporary culture, this book examines specific cultural male icons like Mohammad Ali, Harvey Keitel, Jean-Claude Van Damme, Dan Quayle, and Newt Gingrich and explodes the male stereotypes such as the cowboy, the father, the homosexual, and the Black terror. Written by cultural studies scholars from departments of film, media studies, English, women's studies, and sociology, the discussions touch on almost every conceivable issue concerning the complex meanings of masculinity and contemporary society.

Una scorribanda nella storia, un tour libertino e spumeggiante che ci mostra come una corrente sotterranea di ribellione abbia sempre attraversato i secoli, concentrandosi proprio nel punto ancora oggi più controverso di tutti: il sesso. Signore della notte, cocottes, lucciole, scarlet ladies, meretrici, filles de joie, cortigiane, escort. Ma anche poetesse, letterate, spadaccine, amanti, filosofe, self-made women.

La historia acostumbra a construirse sobre paradojas. Este libro rescata una de ellas: cómo España consiguió aprobar el derecho al voto femenino en un encendido debate en el Congreso que tuvo lugar entre dos mujeres parlamentarias: Clara Campoamor y Victoria Kent, posicionadas a favor y en contra del sufragio universal.