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In the 1980s, as HIV/AIDS ravaged queer communities and communities of color in the United States and beyond, a straight white teenager named Ryan White emerged as the face of the epidemic. Diagnosed with hemophilia at birth, Ryan contracted HIV through contaminated blood products.

The Women of Rendezvous is a dramatic transatlantic story about five women who birthed children by the same prominent Barbados politician and enslaver. Two of the women were his wives, two he enslaved, and one was a servant in his household. All were determined to make their way in a world that vastly and differentially circumscribed their life choices.

Forged in the stress of early motherhood, The Mother Artist explores the fraught yet generative ties between caregiving and creative practice. As a young mother working at a museum, essayist Catherine Ricketts began asking questions about the making of motherhood and the making of art. Now, with incantatory prose and an intuitive gaze, she twines intimate meditations on parenthood with studies of the work and lives of painters, writers, dancers, musicians, and other creatives.

Grounded in research and rich with personal narrative, Hidden Healers is a poignant and riveting look inside women's prisons and jails—and what we can do to help.

On the eve of the American Revolution, the British army considered the case of a chaplain, Robert Newburgh, who had been accused of having sex with a man. Newburgh's enemies cited his flamboyant appearance, defiance of military authority, and seduction of soldiers as proof of his low character. His opponents claimed that these supposed crimes against nature translated to crimes against the king. In Vicious and Immoral, historian John McCurdy tells this compelling story of male intimacy and provides an unparalleled glimpse inside eighteenth-century perceptions of queerness.

Celebrities are photographed nursing in public, yet breastfeeding mothers are asked to cover up in malls and on airplanes. Breastfeeding is a private act, yet everyone has an opinion about it. How did feeding our babies get so complicated? Journalist and infant health advocate Kimberly Seals Allers breaks breastfeeding out of the realm of "personal choice" and shows our broader connection to an industrialized food system that begins at birth, the fallout of feminist ideals, and the federal policies that are far from family friendly.

The winter solstice, the day the "sun stands still," marks the longest night and the shortest day of the year, and it comes either on December 20th or 21st. Celebrations honoring the winter solstice as a moment of transition and renewal date back thousands of years and occur among many peoples on every continent. The Return of the Light makes an ideal companion for everyone who carries on this tradition, no matter what their faith.

While hardly a new phenomenon, masculinity—which includes elements of toughness, independence, and leadership, among others—roared onto the national political stage in America with the 2016 candidacy, election, and presidency of Donald Trump. Research into masculinity dates back over a century, but little attention has been paid to the specific role of masculinity in politics beyond the conventional wisdom that it, rather than femininity, is the dominant force.

This collection of short essays examines the place of women in the history of psychedelics. While some of the subjects are pioneers in their own right, the authors in this collection go beyond merely adding women to the past in psychedelic history, exploring some of the significant ways that women have contributed to psychedelic knowledge.

Veiled Threats challenges the idea that women in violent terrorist groups lack agency. Too often, these women are assumed to be controlled by men: their fathers, their husbands, or some other male relative. Mia Bloom contests this narrow understanding. Although extremist groups often control different aspects of women's lives, including their religious obligations or dress, jihadi women have asserted themselves in myriad ways. Bloom interrogates the prevailing perceptions about women's involvement in violent extremism exclusively as victims: manipulated, drugged, or coerced.

Facing the harrowing task of rebuilding a life in the wake of the Holocaust, many Jewish survivors, community and religious leaders, and Allied soldiers viewed marriage between Jewish women and military personnel as a way to move forward after unspeakable loss. Proponents believed that these unions were more than just a ticket out of war-torn Europe: they would help the Jewish people repopulate after the attempted annihilation of European Jewry. 

Women have played a key role in these protests, refusing to wear a hijab and cutting their hair in public to chants of 'Woman, Life, Freedom'. In Farhad Khosrokhavar's account, these protests represent the first truly feminist movement in Iran, and one of the first in the Muslim world, where women have been in the vanguard. There have been many movements in the Muslim world in which women have taken part, but rarely have women—and especially young women—been the driving force.

Exploring issues from the #MeToo movement, gender bias in division of labor and the workplace, and the underrepresentation of women of color in leadership, to cultural trends including food and travel shows, the intersection of fashion and food, and the evolution of food writing in the last few decades, Women on Food brings together food's most vital female voices.

Hailed by the New Yorker as "a crucial forebear of generations," award–winning director Joyce Chopra came of age in the 1950s, prior to the dawn of feminism, and long before the #MeToo movement. As a young woman, it seemed impossible that she might one day realize her dream of becoming a film director. In this engaging, candid memoir, award–winning director Joyce Chopra describes how she learned to navigate the deeply embedded sexism of the film industry, helping to pave the way for a generation of women filmmakers who would come after her.

Award-winning historian Amrita Chakrabarti Myers has recovered the riveting, troubling, and complicated story of Julia Ann Chinn (ca. 1796–1833), the enslaved wife of Richard Mentor Johnson, owner of Blue Spring Farm, veteran of the War of 1812, and US vice president under Martin Van Buren. Johnson never freed Chinn, but during his frequent absences from his estate, he delegated to her the management of his property, including Choctaw Academy, a boarding school for Indigenous men and boys on the grounds of the estate.

Practicing New Worlds explores how principles of emergence, adaptation, iteration, resilience, transformation, interdependence, decentralization, and fractalization can shape organizing toward a world without the violence of surveillance, police, prisons, jails, or cages of any kind, in which we collectively have everything we need to survive and thrive.

Salon's inaugural sex and love advice columnist and author of the viral LinkedIn sex work post, Arielle Egozi, shares their journey as a queer, neurodivergent child of immigrants who never quite fit into the social roles she was supposed to, instead choosing to embrace their multiple dimensions, and eventually discovering freedom—and true power—by being "bad" in a world that kept trying to force her to be "good."

Katharine Jenkins offers an introduction to feminist philosophy, giving the listener an idea of what it is, why it is important, and how to think about it. She explores key topics such as gender oppression, beauty, objectification, and sexuality. Moreover, she considers questions about the relation between the personal and the political, what it is to be a woman, whether there is a distinctive kind of women's knowledge, and what feminist philosophy can bring to our understanding of such aspects of our world as justice, work, and the environment.

Is It Racist? Is It Sexist? Two questions that seem simple on their face, but which invite a host of tangled responses. Jessi Streib and Betsy Leondar-Wright offer a new way of understanding how inequalities persist by focusing on the individual judgment calls that lead us to decide what's racist, what's sexist, and what's not.

Thelma & Louise, the 1991 film directed by Ridley Scott and starring Susan Sarandon and Geena Davis, has been described as a road movie, a buddy movie, a feminist parable, and only incidentally as a Western. An Oscar winner for first-time screenwriter Callie Khouri, Thelma & Louise catalyzed a national conversation about women, violence, and self-determination in a Hollywood still shrugging off the West of John Wayne and in an America that still viewed women as accessories to the national mythology.