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As the epidemic of male violence towards women and young girls reaches terrifying new heights through new and expanding technologies, women's rights campaigner Jess Davies will help listeners to question society's understanding - or lack of - when it comes to consent. With a toolkit to understand and tackle online misogyny, No One Wants to See Your D*ck will arm a new wave of internet sleuths to take down the manosphere, one unsolicited pic at a time.

Throughout history, women's pain and health issues have often been dismissed and viewed simply as an innate part of being female. Whether blamed on a wandering womb, witchcraft or still, to this day, being 'all in our heads' – women's health has been consistently misunderstood. As a result women have, and still are, missing out on receiving the healthcare they deserve. In ‘It’s Probably Nothing’, Naga Munchetty explores the difficulties of being heard, diagnosed and treated.

In a world where traditional masculinity demands emotional restraint, this book reimagines what it means to be a man. It challenges men to go beyond societal expectations and explore the depth of their emotional strength. Through personal experience and vulnerability, it opens the door to a new way of living—one that embraces emotional honesty, resilience, and connection.

Women's accomplishments across history are showcased as aberrations or surprising facts. Little thought is often given to the reasons why most of our lauded scientists, reporters, sports stars, politicians, and businesspeople all seem to be men. Uncredited proves that not only have there been hundreds of ground-breaking women in all professions, but that their accomplishments have been overlooked, denigrated, or downright repressed by their male colleagues or historians.

When Wilco's 2007 album Sky Blue Sky was infamously criticized as "dad rock," Niko Stratis was a twenty-five-year-old closeted trans woman working in her dad's glass shop in the Yukon Territory. As she sought escape from her hypermasculine environment, Stratis found an unlikely lifeline amid dad rock's emotionally open and honest music. Listening to dad rock, Stratis could access worlds beyond her own and imagine a path forward.

As debates surrounding paid leave, universal daycare, and national healthcare rage on, Four Mothers is an intimate portrait of what those policies mean in the everyday lives of four women—and a compelling argument for the necessity and urgency of supporting parents.

A Physical Education asks why so many of us spend our lives trying to “get healthy” by actively making our bodies weaker. Casey Johnston is a voice for those of us who feel underdeveloped and unfulfilled in our bodies, for all of us looking to come home to ourselves.

Ruthie Ackerman had long believed that the decision to not have children was a radical act. She’d grown up being told that she came from a long line of women who had abandoned their kids and feared she would pass on her half-brother’s rare genetic disorder. So when she marries a man who doesn’t want children, she hopes she can be happy without any. But a voice in her head keeps returning to the question: What if mothering can be a radical act too?

Our culture today is inundated with narratives about the strength of female friendship, whether through images of girl power, BFFs, or work wives. Yet cultural historian Tiffany Watt Smith has always found her own life much messier. She has had dramatic friend breakups, friendships that felt like too much or not enough, friendships that drifted into silence, and friendships built on convenience rather than a meeting of minds. And there are older cultural scripts to contend with: the competitive rival, the jealous backstabber, the underminer, the fair-weather friend.

Durante años, Cazzu se enfrentó a una pregunta: “¿Cómo se siente tener éxito en un género musical tan machista?”. Y como le ocurre a casi cualquier mujer virtuosa y con notoriedad, le pidieron que diera explicaciones. Pero ¿por qué se lo preguntaban más a ella que a los hombres? Y, sobre todo, ¿es realmente machista el reggaetón? Este libro nació como respuesta y como exploración a esa dualidad que anida en el género: letras que sexualizan a las mujeres, pero también mujeres que expresan su deseo, saben lo que quieren, cómo y cuándo.

Después de su libro No son micro. Machismos cotidianos, Eréndira Derbez y Claudia de la Garza regresan con Mapas corporales, en el que proponen una aproximación a distintas partes del cuerpo en diversas culturas y épocas para poner en entredicho esas normas sociales que nos han construido durante años para, precisamente, desmantelarlas y poder resignificar cada una de estas inscripciones.

In this blazing, razor-sharp takedown of popular culture in the twenty-first century, Girl on Girl turns 90s and 00s nostalgia on its head, and shows how the media of that era repackaged the feminist movement as a containable, commodifiable (and hugely successful) product: 'Girl Power'. From the Spice Girls to the Kardashians, to #GirlBoss and OnlyFans, Pulitzer Prize-finalist Sophie Gilbert illustrates how the cultural forces of the last few decades have systematically shaped - and warped - women's relationships with themselves and other women.

We’re told women are good at listening, but we rarely examine what they’re listening to, what their worlds sound like, or how it feels to be expected to listen in a world of noise made by men. Like so many of us, Alice Vincent had become overwhelmed by the sensory overload punctuating our every moment. And then, a baby’s heartbeat arrived. A rapid, pulsing whoosh of white noise. An undeniable rhythm. Once again, Alice’s life became cacophonous – both with a new child, but also with the societal pressures that motherhood holds.

Barrister Charlotte Proudman has represented countless women in cases spanning rape, domestic abuse, child abduction, forced marriage and female genital mutilation. She has seen first-hand how the family court deepens the trauma of vulnerable women, staking their futures on the biases of individual judges and forcing them to endure the torture of a judicial process that stretches over months and sometimes years.

What happened to feminism in the twenty-first century? This question feels increasingly urgent after a period of cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert identifies an inflection point in the late 1990s and early 2000s, when the energy of third-wave and “riot grrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization.

"Atenție, nelegiuiții pe două roți nu mai sunt la porțile orașului! Sunt chiar printre noi!" Așa ar fi sunat titlul vreunui ziar local din America anilor 1960 după ce Hell’s Angels ar fi dat năvală în oraș, doar ca să se distreze în stilul lor caracteristic: motoare, raiduri, femei, droguri și bere. Mituri, exagerări sau adevăruri îngrozitoare? Prejudecăți sau fapte dovedite? Ziariștii îi adorau pentru că le ofereau subiecte de scandal, iar publicul era fascinat de aerul lor amenințător și, într-un fel, misterios de răzvrătiți și antieroi neînțeleși.

Exploring issues from the #MeToo movement, gender bias in division of labor and the workplace, and the underrepresentation of women of color in leadership, to cultural trends including food and travel shows, the intersection of fashion and food, and the evolution of food writing in the last few decades, Women on Food brings together food's most vital female voices.

Do you constantly feel overwhelmed, even when nothing major is happening? Do you jump between moments of brilliance and total shutdown? Do you feel like you’re performing a version of yourself every day? Do you struggle with shame, guilt, or a sense of never being “enough”? Have you always sensed something was different about you—but no one ever noticed? If you answered yes, this book is for you. Inside, you'll find 10 powerful stories—each one a mirror for adult women who’ve lived with undiagnosed A.D.H.D.

Die grauen Haare waren ein Schock, dann kam der Schlafentzug und diese unkontrollierte Wut auf alles und jeden, aber Wechseljahre? – das ist doch ...

“Women of faith, discussing complicated things.” That’s how authors Susan Hinckley and Cynthia Winward describe At Last She Said It, and they don’t expect the knots to untangle themselves. Even with two very different personalities and a decade or so between them, as their friendship developed they kept stumbling onto what felt like an uncanny amount of common ground in their church experiences. Often their conversations ended with, “Why isn’t anyone talking about this? Someone should do a podcast!” So they did.