検索キーワード： 制作 "-- Kevin Wright --" メディア研究

Do you have a neighbor or, heaven forbid, friend or family member, who regularly spews utter nonsense in your direction along the lines of their government being out to chip them or that a quack aromatherapy pill like vitamin D might save lives from Covid? Or perhaps you have been accosted by a random conspiracy theorist in the street who adamantly believes that everyone should add horse-dewormer to their morning coffee or that lockdowns aren’t the pinnacle of scientific acumen that they clearly are and that whoever invented them should obviously win a Nobel Prize?

The phenomenon of “conspiracy” or “fringe” theories has always been with people, which makes sense since captivating and entertaining hypotheses arouse the public interest with seemingly sound conclusions that are often based on incomplete, unrelated, or erroneous suppositions. However, with the correct tweaking, they often appear to propound airtight arguments. Conspiracy theories make good use of real or imagined individuals or organizations operating behind a curtain of secrecy manipulating the action.

Beneath the outward appearance of legitimate government and accountable officials there lurk hidden agendas, shadowy personalities and special interest groups seeking to seize control of the nation for their own ends. These 'states within a state', unfettered by legal norms and unworried by public opinion, are known as 'deep states'.

Con l'avvento dei social media è scomparso il solco che divideva mondo reale e mondo virtuale, consentendoci di identificarli abbastanza nettamente. Oggi quello che troviamo on line è un mondo post-verità, al cui interno le notizie deliberatamente false o distorte sono usate per orientare anche in maniera significativa le decisioni individuali, soprattutto in relazione allo scontro politico e alle scelte elettorali.

"Why do conservatives hate comedy? Why is there no right-wing Jon Stewart?" These sorts of questions launch a million tweets, a thousand op-eds, and more than a few scholarly analyses. That's Not Funny argues that it is both an intellectual and politically strategic mistake to assume that comedy has a liberal bias. Matt Sienkiewicz and Nick Marx take listeners—particularly self-described liberals—on a tour of contemporary conservative comedy and the "right-wing comedy complex."

Manifestation: How Thoughts Become Things is unlike any other audiobook by the same name. Right from the jump, EQuin Cadmon peels back the veil of the elite's endless attempts to cover up our true past through resets every 100 years here on Earth. No other audiobook ever recorded walks you through and reveals our true intentionally buried past as it matters and relates to our power to manifest.

Influencer – das ist für eine ganze Generation inzwischen ein ernsthafter Berufswunsch, wenn nicht sogar ein Traumberuf. Es klingt auch zu verlockend: Ein bisschen posieren vor der Kamera, ein paar Likes und schon kommen die gut bezahlten Werbekooperationen wie von selbst. Sie filmen sich beim Schminken, reisen an paradiesische Orte, halten sich fit mit Sport und teilen ihre Tipps mit Fans. Doch dahinter steckt ein profitorientiertes Business, das große Begehrlichkeiten und Abhängigkeiten auf der Seite der Nutzer schafft.

Daniel Estulin, a través de esta excelente investigación, nos muestra lo que las élites globales han conspirado y planeado desde las sombras para imponer el nuevo orden mundial. Los enfrentamientos son inevitables y cada uno de estos jugadores pretende mejorar su posición.

Oggi, l'inondazione di immagini a cui molti bambini, adolescenti e adulti vanno incontro per l'abitudine di stare per molte ore davanti a uno schermo, (televisione, telefonino) espropria gli stessi di quel tipo di azione che è caratterizzato dal linguaggio parlato e dalla comunicazione sociale. Insomma, la tendenza naturale che l'individuo ha di immaginare, giocare, dialogare, viene lentamente ma progressivamente repressa dall'influenza di questi mezzi moderni di comunicazione.

Gerade in einer Zeit voller Umbrüche und Veränderungen suchen viele Menschen Halt und Orientierung in esoterischen Welterklärungsmodellen. Horoskope verraten, was die eigene Zukunft bringen wird. Der spirituelle Heiler wird zur Leitfigur. Der Esoterikmarkt boomt! Ist der Glaube an unsichtbare Kräfte, die unser Leben in die richtige Bahn lenken sollen, nur eine harmlose Spinnerei? Oder bringt der Esoterik-Trend gefährlichere Risiken mit sich, als es auf den ersten Blick erscheinen mag? Die Bestseller-Autorinnen klären auf.

The American Revolution was not only a political contest for liberty, equality, and independence (for white men, at least); it was also a contest to define certain accounts of reality to be truthful while defining others as false and dangerous. Misinformation Nation argues that we must also conceive of the American Revolution as a series of misperceptions, misunderstandings, and uninformed overreactions.

In this new world, one thing everyone needs to know is how to report well. Whether you’re starting out in community journalism or working at a major news organization; whether you’re working on traditional or new platforms; whether you want to learn the basics of good reporting or remind yourself of what the best reporting can and should be, The Ten Rules of Reporting is your essential guide to quality journalism.

The idea that journalism should be independent is foundational to its contemporary understandings and its role in democracy. But from what, exactly, should journalism be independent? This book traces the genealogy of the idea of journalistic autonomy, from the press freedom debates of the 17th century up to the digital, networked world of the 21st. Using an eclectic and thought-provoking theoretical framework, the authors analyze the deeper meanings and uses of the terms independence and autonomy in journalism.

We all know commercial reality is not the truth. Nation-state building, globalization transformed into corporation-ism. This book provides detailed information regardinga deep state control over what we believe to be a fair electoral system. The truth is not only what we know but what we make.

En este libro, Javier Horacio Contreras Orozco analiza las condiciones y procesos que han llevado a las redes sociales a constituirse en un jurado universal que ejerce un nuevo tipo de censura: la poscensura o censura horizontal.

Over recent decades the proliferation of conspiracy theories has fueled alternative explanations and false narratives for events and circumstances, influencing minds around the globe. While some turn out to be true, others turn out to be driven by an agenda created for monetary or political gain. Who really killed JFK? Is Covid-19 a Chinese bioweapon? Was Princess Diana murdered? Were the Moon landings hoaxed? Were the 911 attacks an inside plot by government factions? Conspiracy Machine examines the validity of these theories.

Have you ever wondered who actually rules the world? Where did they come from? Why do they have power? We may believe that we actually elect our leaders, but the truth is much more sinister and ancient. In actual fact, wealth and power was created over a vast period of time from within the world of the occult. Secret societies emerged within royalty and religion. Secret societies that had occult knowledge. Today we can still see traces of their original belief systems in huge business, governments, organizations, buildings, art and so much more.

We are living in a world of deception. We are constantly deluded and manipulated to do as we are told. It is often a very subtle system of control, but sometimes it is so obvious that nobody would even believe it. Ancient secret societies have grown over generations and their descendants now hold power in the biggest businesses, governments, organizations and religions on the planet. Using fear and enticement, they feed from us. Whether it is a global pandemic or a celebrity scandal, the hand of the hidden elite is in control.

Despite the high number of programs and their evident popularity, paranormal reality television has to date received little critical attention. Ghost Channels provides an overview of the paranormal reality television genre, its development, and its place in television history. Conducting in-depth analyses of over thirty paranormal television series, author Amy Lawrence suggests these programs reveal much about Americans' contemporary fears.

The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the "post-network" era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage. Rebecca Weeks fills the gap in this area and defends the historiographic power of long-form dramas.