検索キーワード： 制作 "-- Kevin Wright --" メディア研究

For a century, magazines were the authors of culture and taste, of intelligence and policy — until they were overthrown by the voices of the public themselves online. Here is a tribute to all that magazines were, from their origins in London and on Ben Franklin’s press; through their boom — enabled by new technologies — as creators of a new media aesthetic and a new mass culture; into their opulent days in advertising-supported conglomerates; and finally to their fall at the hands of the internet.

That Day in Dallas: Lee Harvey Oswald Did Not Kill JFK is best described as a prosecution by Robert K. Tanenbaum of those corrupt, unscrupulous government and unelected agency officials, who from inception with predetermined outcomes, deceitfully engaged in insecure, phony pretense probes regarding the assassination in Dealey Plaza. Those responsible are prosecuted while those who speak truth to power are exonerated.

The best, the fastest, the hippest and the most unorthodox account ever published of the US presidential electoral process in all its madness and corruption. In 1972 Hunter S. Thompson, the creator and king of Gonzo journalism, covered the US presidential campaign for Rolling Stone magazine alongside the establishment newsmen of Washington. The result is a classic piece of subversive reportage and a fantastic ride on the rollercoaster of Hunter’s uniquely savage imagination.

COVID-19 was deadly, but the real killer was the coverup, led by America’s most durable medical bureaucrat—a man for whom the truth was too often expendable. Senator Paul makes a powerful case that funding dangerous bioengineering in a totalitarian country is madness.

Facebook, MySpace, Twitter, Linkedln sono ormai termini entrati nel lessico quotidiano e sempre più spesso capita di sentire persone che ci chiedono se abbiamo una pagina su Facebook o se siamo iscritti a questo o quel gruppo. I social network sono dunque una moda o qualcosa di duraturo? Se non sono una moda, che effetti hanno sulle nostre modalità di relazione? Sono utili o costituiscono una perdita di tempo? Questo volume affronta il fenomeno dei social network: come sono nati e come si sono evoluti, quali effetti hanno prodotto sulle relazioni e sull'identità delle persone.

You’ve seen it all before. A malicious online rumor costs a company millions. A political sideshow derails the national news cycle and destroys a candidate. Some product or celebrity zooms from total obscurity to viral sensation. What you don’t know is that someone is responsible for all this. Usually, someone like me. I’m a media manipulator. In a world where blogs control and distort the news, my job is to control blogs - as much as any one person can.

Professor of Classics Peter Meineck traces Marvel’s lineage back to its earliest roots at the dawn of human culture. Using Marvel’s most beloved heroes (and antiheroes), such as Spider-Man and Deadpool, Meineck demonstrates how ancient themes continue to appear in our stories today and reintroduces characters like Achilles and Odysseus from Homer’s Iliad and Odyssey.

En personlig fortælling om internettets storhed og fald – om at blive forført og siden forrådt af en teknologi, der er sivet ind i alle sprækker af vores liv. Mikkel Boris, en ret så gennemsnitlig internetbruger og millenial, har med denne bog sat sig for at undersøge, hvorfor internettet ikke er så fedt, som det plejede at være. Han erindrer en fjern fortid, der gik med at spille Mujaffa i skolens edb-lokaler, chatte med piger fra parallelklassen på MSN og slå sine venner ihjel på netcaféens natarrangementer.

In Why Journalism – Real News in an Age of Lies, Erik Fichtelius explores the media's role in defending truth in an era of misinformation. With democracy under threat worldwide, this book reveals the challenges faced by journalists as they navigate political pressures, digital disruption, and AI's impact on newsrooms. Drawing on five decades of experience, Fichtelius, one of Sweden's most respected journalists, delves into major global events, from Cold War smuggling operations to modern-day conflicts between the press and political powerhouses.

प्रचार प्रसिद्धीच्या या युगात जग अगदी लहान झाले आहे. जगाच्या कानाकोपर्‍यात घडणारी कोणतीही गोष्ट तत्काळ या टोकापासून त्या टोकापर्यंत सर्वांपर्यंत पोचते असे म्हणतात. या विधानातले तथ्य एवढेच की, प्रचार माध्यमे अधिक शक्तिशाली झाली आहेत व रात्रंदिवस माहिती ऐकविण्याची त्यांची क्षमता अपरिमीत वाढली आहे. पण साधन हे कधीच चांगले अथवा वाईट नसते. ते वापरणार्‍यांच्या बुद्धीवर त्याचा चांगले वाईटपणा अवलंबून असतो. प्रसिद्धी माध्यमे आज सर्वसामान्य व्यक्तीचे प्रबोधन करणे, संस्कार करणे, जगात कुठे काय चांगले चालले आहे ते इतरांपर्यंत पोचवतो या भूमिकेपासून फार दूर आहेत.

Seit er die Tasse Bester Papa der Welt bekam, steht Daniel unter Druck, sich dieses Titels würdig zu erweisen. Da das Leben seiner sechsjährigen Tochter aber nicht nur aus Überraschungseiern, Achterbahn und Quatschmachen besteht, sieht er sich mit einer verrückten Aufgabe konfrontiert: Erziehung. Zu allem Überfluss bricht in seiner deutsch-türkischen Familie ein Kampf um den Titel »Lieblingsoma« aus, mit hohen Einsätzen: auf der einen Seite Lebensversicherung, Bioprodukte und pädagogisches Lernspielzeug, auf der anderen Seite Glitzerklamotten, Barbiepuppen und minutenlanges Knuddeln.

We all wear hoods: the Grim Reaper, Red Riding Hood, torturers, executioners and the executed, athletes, laborers, anarchists, rappers, babies in onesies, and anyone who’s ever grabbed a hoodie on a chilly day. Alison Kinney’s Hood explores the material and symbolic vibrancy of this everyday garment and political semaphore, which often protects the powerful at the expense of the powerless—with deadly results.

The mall near Mat thew Newton’s childhood home in Pittsburgh, Pennsylvania, was one of the state’s first enclosed shopping malls. Like all malls in their heyday, this one was a climate-controlled pleasuredome where strangers converged. It boasted waterfalls, fish ponds, an indoor ice skating rink larger than Rockefeller Center’s, and a monolithic clock tower illuminated year-round beneath a canopy of interconnected skylights. It also became the backdrop for filmmaker George A. Romero’s zombie opus Dawn of the Dead.

Today, trauma is everywhere, and it seems like everybody has it. Trauma shapes public debates on education, criminal justice and healthcare. It’s cited as a root cause of addiction, mental health issues, and relationship breakdowns. It permeates media, from music and television to films and books – my own included.

Professeure de chant de la Star Academy, Adeline Toniutti est LA révélation, sur TF1, de l'émission culte. Chaque semaine, sa flamboyance, son énergie, son expertise ont touché des millions de téléspectateurs. Derrière les feux des projecteurs, celle qu'on surnomme la « fille du facteur » ou la « soprano rock'n'roll » a réalisé un véritable parcours du combattant pour traverser les épreuves que la vie lui a infligées et pour retrouver le bonheur. Destinée à être chanteuse d'opéra, un accident domestique la prive de sa voix.

From the rise of leetspeak and words such as “unalive” to the trend of adding “-core” to different influencer aesthetics, the internet has ushered in an unprecedented linguistic upheaval. We’re entering an entirely new era of etymology, heralded by the invisible forces driving social media algorithms. And with over 7 billion internet users uploading over 2.5 quintillion bytes of media every day, the sheer volume of potential new words is astounding.

From a longtime Vanity Fair writer and editor, a delightfully entertaining, intelligent, and illuminating history and tribute to teen movies—from Rebel Without a Cause to Fast Times at Ridgemont High, and on to John Hughes, Mean Girls, The Hunger Games, and more.

Tap into the future of wealth creation with the power of ChatGPT and AI-driven automation, and unlock new ways to elevate your financial success beyond imagination…

We all feel it—the distraction, the loss of focus, the addictive focus on the wrong things for too long. We bump into the zombies on their phones in the street, and sometimes they’re us. We stare in pity at the four people at the table in the restaurant, all on their phones, and then we feel the buzz in our pocket. Something has changed utterly: for most of human history, the boundary between public and private has been clear, at least in theory. Now, as Chris Hayes writes, “With the help of a few tech firms, we basically tore it down in about a decade.”

Sophistry: The Dark Art Undermining Truth is a groundbreaking exploration into one of humanity’s oldest and most dangerous deceptions. This book reveals the insidious techniques of sophistry, exposing how it manipulates thought, divides societies, and erodes trust in an age of unprecedented complexity. Ethan Solace, an interdisciplinary psychologist and thought leader, takes listeners on a powerful journey through the shadows of manipulation, examining how sophistry infiltrates education, media, technology, and public discourse.