検索キーワード： メディア研究

Bestsellerautor Yuval Noah Harari erklärt, wie Informationsnetzwerke unsere Welt geschaffen haben und sie jetzt zu zerstören drohen. In den letzten 100.000 Jahren hat die Menschheit enorme Macht erlangt. Doch trotz all unserer Entdeckungen, Erfindungen und Eroberungen befinden wir uns heute in einer existenziellen Krise. Die Welt steht am Rande des ökologischen Zusammenbruchs. Zuhauf werden Falschinformationen verbreitet.

The early 2000s conjures images of dial-up internet connections, inflatable furniture, Hummer H2s, blinged out rap videos, and the feeling that the stock market would go up forever. The arrival of the new millennium was marked by a sense of both unbridled optimism and existential dread. For many it felt like the end of history; we’d solved all the big problems. No more wars, no more racism, no more sexism. But then history kept happening. In Y2K, Colette Shade offers a darkly funny meditation, unpacking everything from the pop culture to the political economy of the period.

The origins of COVID-19 are shrouded in mystery. Scientists and government officials insisted, for a year and a half, that the virus had a natural origin, ridiculing anyone who dared contradict this view. Tech giants swept the internet, censoring and silencing debate in the most extreme fashion. Yet it is undeniable that a secretive facility in Wuhan was immersed in genetically manipulating bat-coronaviruses in perilous experiments. And as soon as the news of an outbreak in Wuhan leaked, the Chinese military took control and gagged all laboratory insiders.

We're surrounded by fringe theories, fake news, and pseudofacts. These lies are getting repeated. New York Times best-selling author Daniel Levitin shows how to disarm these socially devastating inventions and get the American mind back on track. Here are the fundamental lessons in critical thinking that we need to know and share now. Investigating numerical misinformation, Daniel Levitin shows how mishandled statistics and graphs can give a grossly distorted perspective and lead us to terrible decisions.

Marriage equality has surged across the country. Closet doors have burst open in business, entertainment, and even major-league sports. But as longtime advocate Michelangelo Signorile argues in his most provocative book yet, the excitement of such breathless change makes this moment more dangerous than ever.

Soon to be a major motion picture starring Ben Kingsley and Theo James, the gripping true story of a young program coordinator at the United Nations who stumbles upon a conspiracy involving Iraq's oil reserves. "What made this episode in our collective history possible was not so much the lies we told one another, but the lies we told ourselves". Breaking a conspiracy of silence that had prevailed for years, Soussan sparked an unprecedented corruption probe into the Oil-for-Food program.

In Teaching to Transgress, Bell Hooks - writer, teacher, and insurgent black intellectual - writes about a new kind of education, education as the practice of freedom. Teaching students to "transgress" against racial, sexual, and class boundaries in order to achieve the gift of freedom is, for Hooks, the teacher's most important goal. Bell Hooks speakes to the heart of education today: how can we rethink teaching practices in the age of multiculturalism? What do we do about teachers who do not want to teach, and students who do not want to learn? How should we deal with racism and sexism in the classroom? Full of passion and politics, Teaching to Transgress combines a practical knowledge of the classroom with a deeply felt connection to the world of emotions and feelings. This is the rare book about teachers and students that dares to raise questions about eros and rage, grief and reconciliation, and the future of teaching itself.

Propaganda, an influential book written by Edward L. Bernays in 1928, incorporated the literature from social science and psychological manipulation into an examination of the techniques of public communication. Propaganda explored the psychology behind manipulating masses and the ability to use symbolic action and propaganda to influence politics, effect social change, and lobby for gender and racial equality.

COVID-19 was deadly, but the real killer was the coverup, led by America’s most durable medical bureaucrat—a man for whom the truth was too often expendable. Senator Paul makes a powerful case that funding dangerous bioengineering in a totalitarian country is madness.

Korean dramas, colloquially known as K-Dramas, have carved a prominent niche in the global entertainment landscape, captivating audiences far beyond their country of origin. With their intricate plots, compelling characters, and high production values, K-Dramas have emerged as a cultural force that transcends geographical boundaries.

In the following keynote address given at Saint Francis College, author Paul Levinson discusses Canadian philosopher and academic Marshall McLuhan's concept of "The Medium Is The Message" from his seminal book, Understanding Media: The Extensions of Man. "The Medium Is The Message" proposed that the media—not the content that they carry—affects the society in which it plays a role and, thus, should be the primary focus of study.

The international conspiracy explained. The best single work available on the evil conspiracy that has been responsible for the devastating wars and continuing conflicts of the past century. They are now close to its ultimate goal of total world domination through a dictatorial one world government.

According to the author of this book, we are currently living through the rise of a phenomenon known as "commercial democracy," in which public relations, promotional culture, and the media play a new and vital role. By providing the public with the promise of representation, voice, and agency, commercial democracy results in the formation of new types of social contracts.

Crikey owner and ex-News Corp and Fairfax editor lifts the lid on the abuse of power by media moguls–from William Randolph Hearst to Elon Musk–and on his own unique experience of working for (and being sued by) the Murdochs.

In the following keynote address given at Baylor University, author Paul Levinson discusses Canadian philosopher and academic Marshall McLuhan's seminal book, "Understanding Media: The Extensions of Man," which proposed that the media—not the content that they carry—affects the society in which it plays a role and, thus, should be the focus of study. Levinson, a colleague of McLuhan’s, lays out, how in the decades since its 1964 publication, McLuhan’s study of media theory and the concept that "the medium is the message," still holds true.

In News for the Rich, White, and Blue, Nikki Usher recasts the challenges facing journalism in terms of place, power, and inequality. Drawing on more than a decade of field research, she illuminates how journalists decide what becomes news and how news organizations strategize about the future. Usher shows how newsrooms remain places of power, largely white institutions growing more elite as journalists confront a shrinking job market.

In The Visual Detox, art expert and businesswoman Marine Tanguy explains how the imagery we see shapes our wellbeing. She gives us new tools to think critically about images, combat information overload and participate more in the visual world around us by engaging with the art and content that improves our day-to-day experiences online, at work, in our homes and in public spaces.

Fridays of Rage provides a glimpse into how Al Jazeera strategically cast its journalists as martyrs in the struggle for Arab freedom while promoting itself as the mouthpiece and advocate of the Arab public.

When Brian DePalma's operatically violent and profane Scarface debuted in 1983, the film drew almost as much fire as the relentless gunfire in the film itself. The movie was a remake of 1932's Scarface—revamped for a new era of drugs, sex, and graphic violence. Attacked as both a celebration of cocaine-fueled excess and a condemnation of it, the film's reputation only grew as the years went by. But the real story of its success started nearly a century ago—when Hollywood first fell in love with the American gangster....

Ten years ago, the online news platform Buzzfeed published completely false allegations that a British journalist was running a global fake news factory from his offices in Vienna, Austria. These claims devastated the reputation of an award-winning agency that had existed since 1993, supplying content to some of the biggest media brands in the world. This book documents the story behind the story and casts a spotlight on the real reason for the decline in trust in the media and the death of journalism.