検索キーワード： 言語学

Why do we love to swear so much? Why do we get so offended when others do it? In this lively and amusing exploration of the various puzzles that surround swearing, philosopher Rebecca Roache argues that what makes swearing offensive is not really the words at all: the offensiveness lies in what we don't say. The unspoken—and usually unconscious—inferences that speakers and listeners make about each other are key to explaining swearwords' capacity to shock.

In the much-anticipated follow-up to her critically-acclaimed, Word Up: Little Languaging Hacks for Big Change, Dani Katz focuses her Quantum Languaging word wizardry on societal overhaul. Equal parts cultural critique and (r)evolutionary handbook, The Language of Betterarchy offers tangible tools to unify the populace, and evolve our culture for the “better” with our every word.

O aparecimento da argumentação, seu uso intensivo, sua codificação fazem parte da marcha civilizatória. Ao abdicar do uso da força para empregar a persuasão, o homem se torna efetivamente humano. Todo discurso tem uma dimensão argumentativa. Alguns de forma explícita, como discursos políticos ou publicitários, enquanto outros não se apresentam como tal, como textos romanescos, didáticos ou líricos. Porém, todos são argumentativos. Apesar disso, faltavam estudos relevantes – e claros – sobre argumentação do ponto de vista discursivo.

Have you ever bunged it on? Behaved like a drongo? Added mayo to a story? Lost your Reg Grundies? Join bestselling storyteller William McInnes as he offers his own take on our colourful and colloquial way with words. From the simpler times of childhood to today's testing (and unprecedented!)...

Der gebürtige Südtiroler Jakob Philipp Fallmerayer (1790–1861) gilt als bedeutender Orientalist. Der Kleinbauernsohn (geboren in Tschötsch bei Brixen) war ein für seine Zeit liberaler Denker, der in München und Frankfurt tätig war, und noch heute als Gelehrter bekannt ist. Sein maßgebliches Werk "Fragmente aus dem Orient", 1845 erstmals erschienen, machte ihn weithin berühmt und war lange Zeit vergriffen. In ihm wird Fallmerayer als Mensch und als Wissenschaftler fassbar.

Come sono cambiati i media, con quali meccanismi e quali stratagemmi, nell'epoca che chiamiamo "Era della Comunicazione"? Umberto Eco osserva la stampa, la televisione, internet, interrogandosi sui linguaggi dei media, le loro strategie di manipolazione, le loro reciproche influenze, in un’ottica che vede già i vari media come sistema integrato.

Sem a linguagem não seríamos os humanos que somos. Assim, entrar nesse complexo universo é fascinante. Este audiolivro trata tanto de questões mais gerais, como “Por que falamos?”, “Como nascem as palavras?”, até das mais específicas, como “Nossa língua é machista porque usamos o masculino quando nos referimos a um conjunto de pessoas de ambos os sexos?”, “Só existe a palavra "saudade"em português mesmo? E isso quer dizer que os falantes de outras línguas não lidam com esse sentimento?”.

Fünf herrliche freie Wochen wollen sie gemeinsam verbringen, Kurt und seine Prinzessin, Lydia. Sie fahren nach Schweden, suchen sich ein einsames Plätzchen - Schloss Gripsholm. Mit Sonne, Wald, Unterkunft im Seitentrakt des Schlosses, dem See vor der Tür, und nichts, aber auch gar nichts, was sie noch an Berlin erinnern könnte. Als Karlchen, Kurts bester Freund, sich meldet, ob er nicht auch für ein paar Tage bei ihnen unterkommen könnte, da überlegen sie erst - und stimmen dann zu.

The story of how English became American—and how it became Southern, Bostonian, Californian, African American, Chicano, elite, working-class, urban, rural, and everything in between.

Are you ready to unleash your wit and master the art of sarcasm? Look no further than The Zen of Sarcasm: Mastering the Art of Witty Comebacks. In this captivating guide, you'll embark on a journey through the witty world of sarcasm, honing your skills and embracing the power of clever comebacks.

Many of the animals we encounter in everyday life, from the creatures in our fields to those in our fantasies, have remained the same since medieval times - but the words we use, and the ways we describe them, have often changed beyond recognition. Old English was spoken over a thousand years ago, when every animal was a deor. In this glittering Old English bestiary we find deors big and small, the ordinary and the extraordinary, the good, the bad and the downright baffling.

Enter the captivating world of Nathaniel Hawthorne's "Twice Told Tales." This collection of short stories takes listeners on a journey through the mysterious and dark corners of the human psyche. Hawthorne's masterful storytelling skillfully weaves together elements of the supernatural, romance, and allegory, creating a rich tapestry of narratives that explore the complexities of human nature. Each tale is beautifully crafted, immersing the listener in atmospheric settings and thought-provoking themes.

Our names are so mundane that we barely notice them. Yet each contains countless stories of tradition and belonging - be that a legacy of colonialism or persecution, the desire to fit in, or the complex cultural inheritance from one's parents. In What's in a Name?, Sheela Banerjee unravels the personal histories of friends and family through their names. And while tracing their heritage across centuries and continents - from west London to British India, and from 1960s Jamaica to pre-Revolutionary Russia - Sheela also tells the story of twentieth-century immigration to the UK.

From television shows to the manosphere, and from alt-right communities to fatherhood forums, debates about masculinity have come to dominate the media landscape. This growing cultural tension around masculinities has been discussed and analyzed both for general audiences and in burgeoning academic scholarship. What has been typically overlooked, however, is the role that language plays in these mediated performances of masculinity. In Language and Mediated Masculinities, Robert Lawson draws on data to explore language and masculinities across a range of media contexts.

In this unique new history of the world's most ubiquitous language, linguistics expert David Crystal draws on words that best illustrate the huge variety of sources, influences and events that have helped to shape our vernacular since the first definitively English word was written down in the fifth century.

WINNER OF THE NAACP IMAGE AWARD A fun and thoughtful dictionary of Black language you didn’t know you needed, Historically Black Phrases is a love letter to the Black community and the ways it drives culture. “This perfect blend of explanation, definition and social commentary will have...

En el lenguaje actual de las mujeres nombrar es poder, por eso esta obra propone palabras y situaciones cercanas a las mujeres, pero jamás exclusivas porque, como el lenguaje, este es un libro plural, cualquier persona interesada en el debate de por qué y cómo se expresan, es bienvenida a estas páginas. La autora se ocupa fundamentalmente de palabras, pero también de anécdotas, de casos reales, recuerdos, entrevistas, reflexiones, datos, estadísticas, referentes históricos y actuales; lugares, instituciones, consignas, canciones, lemas… pues cuando se trata de palabras todo suma.

Leksykon „Do domu!!!”, autorstwa profesora Jerzego Bralczyka, to kolejny po „Jeść!!!” i „W drogę!!!” przewodnik po słowach i ich znaczeniach. Znany i lubiany językoznawca zaprasza do domu na niezwykle pouczający i zarazem dowcipny spacer po pomieszczeniach, okraszony wieloma powiedzonkami i cytatami z klasyki polskiej literatury. Czytelnicy zwiedzą salon, kuchnię i jadalnię, ale też alkowę i buduar, zajrzą do spiżarni i lodówki, ocenią, co jest bardziej wygodne: kanapa, tapczan czy wersalka, będą podziwiać żyrandole i etażerki, a na koniec wyjdą na balkon, a może taras lub werandę – z pewnością jednak nie będą się snuli z kąta w kąt.

„W drogę!!!” to kolejny po „Jeść!!!” bogato ilustrowany, tematyczny leksykon profesora Jerzego Bralczyka. Tym razem przedmiotem rozważań autora są słowa związane z podróżowaniem, drogą, wędrowaniem. Każde z haseł to osobny, pełen humoru i imponującej erudycji felieton. Profesor Bralczyk pisze o pochodzeniu wybranych przez siebie słów, ich zmieniających się przez lata znaczeniach, zaskakujących kontekstach w jakich bywają używane i skojarzeniach jakie budzą. Ten słownik wciąga jak pasjonująca powieść.

Wyjątkowy leksykon w którym znany i lubiany językoznawca, prof. Jerzy Bralczyk, omówił sto osiemdziesiąt jeden „smacznych słów”. Są to w większości nazwy apetycznie brzmiących potraw, pozostałe służą jedzeniu lub się z nim kojarzą. Nie jest to jednak przewodnik kulinarny sensu stricto, ponieważ autor przede wszystkim delektuje się nie samym smakiem jedzenia, lecz słowami, ich brzmieniem, urodą i funkcją.