検索キーワード： 言語学

Follow the journey of Horace Holly and his ward, Leo Vincey, to a lost kingdom in the African interior. There they encounter a primitive race of natives and a mysterious white queen named Ayesha who reigns as the all-powerful "She", or "She-who-must-be-obeyed". In this work, Rider Haggard developed the conventions of the Lost World subgenre, which many later authors emulated.

“As funny as it is informative, this book will have you laughing out loud while you contemplate the revolutionary power of words.” —Camille Perri, author of The Assistants and When Katie Met Cassidy A brash, enlightening, and wildly entertaining feminist look at gendered language and the...

Chandrakant Bakshi's Mahjati Gujarati is narrated by Pratik Gandhi...

This book is a collection of stories revolving around language by a seasoned conference interpreter and former chief interpreter in the United Nations system. Ewandro Magalhaes shares actionable career insights and offers an insider’s look into practical and historical aspects of one of the most exciting and stressful professions known to man.

In its long history, the English language has had many lawmakers - those who have tried to regulate or otherwise organize the way we speak. The Lexicographer's Dilemma poses a pair of questions: What does proper English mean? And who gets to say what's right? Our ideas of correct or proper English have a history, and today's debates over the state of the language - whether about Ebonics in schools, the unique use of language in a South Park episode, or split infinitives in the Times - make sense only in historical context.

All humans, but no other species, have the capacity to create and understand language. It provides structure to our thoughts, allowing us to plan, communicate, and create new ideas, without limit. Yet we have only finite experiences, and our languages have finite stores of words. Where does our linguistic creativity come from? How does the endless scope of language emerge from our limited selves? Drawing on research from neuroscience, psychology, and linguistics, David Adger takes the listener on a journey to the hidden structure behind all we say (or sign) and understand.

The Charmides is a dialogue of Plato, in which Socrates engages a handsome and popular boy named Charmides in a conversation about the meaning of sophrosyne, a Greek word usually translated into English as "temperance," "self-control," or "restraint." When the boy is unable to satisfy him with an answer, he next turns to the boy's mentor Critias. In the dialogue, Charmides and then later Critias champion that Temperance is "doing one's own work" but Socrates derides this as vague.

Where do our everyday words come from? The bagel you eat for breakfast, the bumf you have to wade through at the office, and the bus that takes you home again: we use these words without thinking about their origins or how their meanings have changed over time. Simon Horobin takes the listener on a journey through a typical day, showing how the words we use to describe routine activities - getting up, going to work, eating meals - have surprisingly fascinating histories.

Soon I felt something alive moving along my leg and up my body to my face, and when I looked down, I saw a very small human being, only 15 centimetres tall . . . I was so surprised that I gave a great shout. ’But that is only the first of many surprises which Gulliver has on his travels. He visits a land of giants and a flying island, meets ghosts from the past and horses which talk. An Oxford Bookworms Library reader for learners of English, adapted from the Jonathan Swift original by Clare West.

George Gissing’s 1893 gripping novel The Odd Women explores themes like the role of women in society, marriage, morals, and the nascent feminist movement. Set in London, Gissing's women range from the independent free-thinker Rhoda Nunn and the idealistic Mary Barfoot to the Madden sisters who struggle to make a living. The characters make their choices - some traditional and some bravely non-traditional, in two main plot lines. A remarkable late Victorian narrative, The Odd Women chronicles the shifting roles of women in a changing society in a most arresting way.

This short story takes you back to the start of radio in America. Filled with just the right amount of humor this story takes a millionaire's final wish and makes it possible for him to broadcast an approved message through a loud speaker in his headstone. This captured the attention of the nation, but no one expected the worst case scenario, but it is just this scenario that empties a cemetery. Narrated by Glenn Hascall.

With dazzling wit and astonishing insight, Bill Bryson—the acclaimed author of The Lost Continent—brilliantly explores the remarkable history, eccentricities, resilience and sheer fun of the English language. From the first descent of the larynx into the throat (why you can talk but your dog...

Confessions of an English Opium-Eater by Thomas De Quincey (1785-1859) was first published anonymously in 1821 in the London Magazine and was published in book form a year later. A revised edition was published in 1846. It is an account by the author of his addiction to laudanum and the effects it had on his life. This recording presents an abridged version of the 1856 edition.

Spoken by a quarter of the world's population, English is today's lingua franca—its common tongue. The language of business, popular media, and international politics, English has become commodified for its economic value and increasingly detached from any particular nation. This meteoric "rise of English" has many obvious benefits, but very real downsides as well. In The Rise of English, Rosemary Salomone offers a commanding view of the unprecedented spread of English and the far-reaching effects it has on global and local politics, economics, media, education, and business.

Tarzan the Terrible, written by Edgar Rice Burroughs, is the eighth book in the Tarzan series. Edgar Rice Burroughs was an American author best known for his science fiction and fantasy novels. Burroughs created the characters of Tarzan and John Carter, as well as the fictional landmass in the Earth known as Pellucidar.

The action is set during World War I. While John Clayton, Lord Greystoke (Tarzan), is away from his plantation home in British East Africa, it is destroyed by invading German troops from Tanganyika. On his return, he discovers among many burned bodies one that appears to be the corpse of his wife, Jane Porter Clayton. Another fatality is the Waziri warrior Wasimbu, left crucified by the Germans. Maddened, the ape-man seeks revenge not only on the perpetrators of the tragedy, but all Germans, and he sets out for the battlefront of the war in East Africa.

We all learn at least one language as children. But what does it take to learn six languages...or seventy? In Babel No More, Michael Erard, "a monolingual with benefits," sets out on a quest to meet language superlearners and make sense of their mental powers. On the way he uncovers the secrets of historical figures like Italian cardinal Giuseppe Mezzofanti, who was said to speak seventy-two languages; Emil Krebs, a pugnacious German diplomat, who spoke sixty-eight languages; and Lomb Kat, a Hungarian who taught herself Russian by reading Russian romance novels.

A survey of the quirks and quandaries of the English language, focusing on our strange and wonderful grammar. Why do we say "I am reading a catalog" instead of "I read a catalog"? Why do we say "do" at all? Is the way we speak a reflection of our cultural values? Delving into these provocative topics and more, Our Magnificent Bastard Tongue distills hundreds of years of fascinating lore into one lively history.

Like Tom Jones before him, Barry Lyndon is one of the most lively and roguish characters in English literature. He may now be best known through the colorful Stanley Kubrick film released in 1975, but it is Thackeray who, in true 19th-century style, shows him best.

This delightful sequel to Webster's Daddy Long-Legs centers on socialite Sallie McBride, who reluctantly agrees to become director of an orphan asylum. The asylum's benefactors, her friends Judy and Jervis Pendleton, insist she is just the person to institute the sweeping reforms the institution needs. The exuberant Sallie soon begins ruffling feathers of the staff, filling the children's lives with hope and love, and locking horns with the new Scotch doctor, the Dear Enemy of the title.