検索キーワード： 言語学

The survivors of the shipwrecked 18th century vessel Glen Carrig fight for their lives amidst a vast continent of weeds. Mysterious wrecks, horrific monsters, and swashbuckling adventure!

A British lady seeks "the cure" among an assorted group of Germans in such tragic-comedic tales as "Germans at Meat", "The Sister of the Baroness", "Frau Fischer", "Frau Brechmacher Attends a Wedding", "The Modern Soul", "At Lehman's", "The Luft Bad", "A Birthday", "The-Child-Who-Was-Tired", "The Advanced Lady", "The Swing of the Pendulum", and "A Blaze".

Was that dear little lady Emily Benton guilty of murder, or was the written confession discovered by her tenant actually trumped up? This one will keep you guessing!

A squire's mansion is mistaken for an inn. His daughter, pretending to be a barmaid, tries to win the love of the bashful Marlowe. Havoc ensues.

During a high society party set in New York City in the early 1900s, a beautiful woman is murdered and her precious diamond stolen. A young woman attending the party had just accepted a marriage proposal from a handsome young man. Unfortunately, the young man is the prime suspect in the murder due to circumstantial evidence. From there, the story takes many twists and turns before the identity of the killer is finally revealed.

Follow the journey of Horace Holly and his ward, Leo Vincey, to a lost kingdom in the African interior. There they encounter a primitive race of natives and a mysterious white queen named Ayesha who reigns as the all-powerful "She", or "She-who-must-be-obeyed". In this work, Rider Haggard developed the conventions of the Lost World subgenre, which many later authors emulated.

Paula Power, the daughter of a wealthy railway magnate, inherits De Stancy Castle, an ancient castle in need of modernization. She commissions a young architect from London, George Somerset, to undertake the work. Somerset falls in love with Paula. But Paula, the Laodicean of the title, meaning a person who is lukewarm or halfhearted, is torn between George's admiration and that of Captain De Stancy, whose old-world romanticism contrasts with Somerset's forward-looking outlook.

Aristotle's Poetics is best known for its definitions and analyses of tragedy and comedy, but it also applies to truth and beauty as they are manifested in the other arts. In our age, when the natural and social sciences have dominated the quest for truth, it is helpful to consider why Aristotle claimed poetry is more philosophical and more significant than history. Like so many other works by Aristotle, the Poetics has dominated the way we have thought about all forms of dramatic performance in Europe and America ever since.

Socrates questions Ion, an actor who just won a major prize, about his ability to interpret the epic poetry of Homer. How does an actor, a poet, or any other artist create? Is it by knowing? Is it by inspiration? As the dialogue proceeds, the nature of human creativity emerges as a mysterious process and an unsolved puzzle.

Sketches New and Old is a compilation of fictional stories written by Mark Twain. Among them is "A Ghost Story". In each story, one can catch a great sense of Twain's humor and creativity. These classic sketches from Twain are no longer than 10 minutes each, but all show his quick-witted humor in response to the events of the day.

Brothers Greg and Tom Hunter are shocked at the news that their father Roger had died in an accident while prospecting for ore in the Asteroid Belt, but a too-generous buy-out offer from the powerful but unethical Jupiter Equilateral Corporation suggests it may not have been an accident at all. Roger had hit something big - really big - and Greg and Tom want to find out what. But will they live long enough to solve the mystery out in the lawless Belt with an evil corporation poised to jump their claim?

George and Weedon Grossmith were born in London into a theatrical family, and it was natural that they should both take up careers on the stage. Weedon initially studied art but later joined his brother, George, in the theatre.

In A Hero of Our Time, Grigory Pechorin is a bored, self-centered, and cynical young army officer who believes in nothing. With impunity he toys with the love of women and the goodwill of men. He is brave, determined, and willful, but his wasted energy and potential ultimately result in tragedy.

Pericles, prince of Tyre, sets out to woo a princess and sails headlong into harrowing adventure. Pursued by an evil king, Pericles is blown from port to exotic port. Along the way he finds the love of his life, then loses her and their infant daughter in a storm-tossed sea. Happily, this is a romance - Shakespeare's first - where, in true storybook fashion, miracles reunite the lost with those who love them, bringing joy and safe harbor at last.

Gorgias of Leontini, a famous teacher of rhetoric, has come to Athens to recruit students, promising to teach them how to become leaders in politics and business. A group has gathered at Callicles' house to hear Gorgias demonstrate the power of his art. This dialogue blends comic and serious discussion of the best life, providing a penetrating examination of ethics.

Socrates is in prison, sentenced to die when the sun sets. In this final conversation, he asks what will become of him once he drinks the poison prescribed for his execution. Socrates and his friends examine several arguments designed to prove that the soul is immortal. This quest leads him to the broader topic of the nature of mind and its connection not only to human existence but also to the cosmos itself. What could be a better way to pass the time between now and the sunset?

Phaedrus lures Socrates outside the walls of Athens, where he seldom goes, by promising to share a new work by his friend and mentor, Lysias, a famous writer of speeches. This dialogue provides a powerful example of the dialectical writing that Plato uses to manifest ideas that are essential to human existence and to living a good life. Phaedrus shows how oral and written forms of language relate to each other and to philosophy.

A dialogue between Socrates and Meno probes the subject of ethics. Can goodness be taught? If it can, then we should be able to find teachers capable of instructing others about what is good and bad, right and wrong, or just and unjust.

Laches, a general in the Athenian army, saw Socrates fight bravely in the battle of Delium. When he and Nicias, another general, are asked to explain the idea of courage, they are at a loss, and words fail them. How does courage differ from thoughtless and reckless audacity? Can a lion be said to be courageous? What about small children who have little idea of the dangers they face? Should we call people courageous who do not know whether their bravery will produce good or bad consequences?

In Euthyphro, Socrates is on his way to the court, where he must defend himself against serious charges brought by religious and political authorities. On the way he meets Euthyphro, an expert on religious matters who has come to prosecute his own father. Socrates questions Euthyphro's claim that religion serves as the basis for ethics. Euthyphro is not able to provide satisfactory answers to Socrates' questions, but their dialogue leaves us with the challenge of making a reasonable connection between ethics and religion.