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In 1999, after three years of secular living in Eastern Europe, Joelle Kidd moved back to Canada and was enrolled in the strange world of an evangelical Christian school. Immediately, she found herself in a strange world of upbeat Christan pop music, purity education, and desperately trendy Bible redesigns, trying to make sense of this unfamiliar preteen cultural landscape. In Jesusland, Joelle writes about the Christian pop culture that she was suddenly immersed in.

What happens when you grow up riding in the back of a station wagon, drinking from garden hoses, and vanishing until the streetlights come on—and then live long enough to see childhood tracked by GPS? If you were a kid in the 1970s, it’s a miracle you’re here to listen to this. You rode in the back of station wagons with no seatbelts, drank warm hose water without a second thought, disappeared into the neighborhood for hours, and somehow always managed to find your way home by dark. No one tracked your location. No one texted to check in.

You have heard that the human attention span has fallen below a goldfish's. It is one of the most quoted statistics of the digital age, repeated in TED talks and tenth-grade classrooms, in newspaper trend pieces and the pitch decks of companies selling a cure for the affliction they just named. The claim has a single defect its champions rarely raise. There was never a study. There was never a goldfish. The number was invented, and a century took it as a verdict on itself. The Eighteen-Minute Lie is the biography of that lie.

What if the greatest threat posed by smartphones and social media isn't simply distraction—but the way they quietly reshape the biology of the human brain? For years, conversations about technology have focused on screen time, productivity, and digital habits. Yet anxiety, poor sleep, emotional exhaustion, and attention problems continue to rise across every generation. While these challenges are often viewed as behavioral or psychological, Dr. Eugene Lipov presents a compelling new perspective: they are deeply biological.

In today's world, communication feels more complicated than ever. Words are chosen carefully. Conversations are approached cautiously. And in many cases, silence feels safer than speaking openly. But what happens when the effort to communicate thoughtfully begins to interfere with communication...

"An absolute must-read for anyone interested not just in big tech, but in what it takes to not lose your soul in modern-day America." —Naomi Fry, staff writer at The New Yorker A whip-smart, darkly funny, and timely memoir of one woman’s twelve years inside Google and her transformation from...

“A thought-provoking analysis on what exactly we’re doing with all our many hours of screen time.” —Harper’s Bazaar An eye-opening look at how social media shapes the stories we tell and the lives we lead Over the past two decades, platforms like Instagram, Facebook, and TikTok have...

Myths of Masculinity and American Film examines ideologies of white American manhood that permeated United States culture between 1974 and 2016—the period in which the boys of Generation X grew into adulthood. Stephen R. Duncan argues that the mass media of movies and television, along with...

El creador de campañas de marketing icónicas nos revela su secreto para influir en la sociedad: la conexión cultural Nos pasamos el día tratando de influir en los demás. Todos somos vendedores de algo. En este libro, Marcus Collins nos enseña que, para inspirar, para llegar a nuestra...

Magic can’t fix bad economics —discover why the wizarding world is still stuck in the Dark Ages! Discover the Shocking Economics of the Wizarding World! The world of Harry Potter is filled with magic, mystery, and adventure, but beneath the surface lies an economy struggling in the dark ages. Potternomics: Why Wizards Still Live in the Dark Ages and Other Economic Curiosities in the World of Harry Potter reveals why the wizarding world, despite its magic, remains economically backward.

In the fall of 1984, in a darkened lecture hall at the University of Nebraska-Lincoln, two professors offered competing arguments about why beauty matters. The art historian said beauty connects. The film scholar said beauty instructs. Both were right, and both were incomplete. The question that has taken forty years to formulate is the question this book attempts to answer: if beauty connects and instructs, who controls the connection, and who writes the lesson plan? The Human Universal Beautiful proposes a new framework for understanding how beauty operates as a historical force.

Manufactured Fear: When Fear Becomes a Tool for ControlFear kept your ancestors alive. It made them run from predators, avoid poisonous food, and stay close to the group when the dark came. Fear is not a flaw in the human design. Fear is the design. Every person alive today is the descendant of someone who was afraid enough, at the right moment, to survive. The problem is that someone figured this out. Somewhere in the deep past, long before written language, long before cities or governments or religion, someone noticed that a frightened person does what they are told.

Flamboyance ignites every aspect of our lives, from art and entertainment to ritual and protest. The word conjures exuberance and unashamed passion; in thought, expression and dress. Yet historically the term 'flamboyant' has been reserved for the over-the-top and the outré, invoked at times as a pejorative innuendo or worse.

In 1872, Fyodor Dostoevsky published a novel titled Demons, about a catastrophe that ensues from the nihilism that became prevalent in Russia in the 1860s. A group of young men incite chaos as they try to stage a revolution. In Dostoevsky’s portrayal, they seem possessed by the doctrines they espouse. In a 1957 essay, the Swiss psychologist, Carl Jung, made similar observations about “subversive minorities” in the West who are animated by “chimerical wish fantasies” that may rapidly spread like a contagion and develop into “psychic epidemics.”

What is normal? And more importantly… who decided that for you? From the moment you are born, expectations are already in place. How you should live, how you should look, what you should achieve. Most people never question it. They follow what feels natural. But what feels natural is often just repetition.

In the British Museum's Mesopotamian galleries, behind glass, sits a clay mask approximately three thousand eight hundred years old. The face was made to terrify. Hooded sockets sink the eyes into darkness, intestinal coils wrap the brow, and a chipped tooth grins from the left side of the mouth. The mask was paid for. Somebody walked silver from a temple administrator's hand to a workshop, where an artisan converted clay and several days of labor into a working monster, and the figure left the workshop on a delivery cart for a fee. The specific contract has not survived.

A personal and provocative exploration of relationships between humans and AI—romantic, platonic, therapeutic, and more—and how virtual companions are transforming our understanding of emotional connection, from the creator and host of the award-winning There Are No Girls on the Internet...

Read by the author. You'll Laugh. You'll Cry. You'll Kiss Despair Goodbye. Religious renaissances. Meaning crises. Movie reboots. Metamodernism. You listening to Creed again. It's all connected. Cynicism is out, sincerity is back, and there's a new generation looking for hope in unexpected...

From Georgian London’s gaudy pleasure gardens to the glamor of Studio 54 to the birth of techno in post-industrial Detroit, a brilliantly researched history charting four centuries of nightlife There is a specific energy to it. Cafes and shops close their shutters. Darkness descends. “The...

When Dungeon & Dragons made its debut in the mid-1970s, followed shortly thereafter by other, similar tabletop games, it sparked a renaissance in game design and critical thinking about games. D&D is now popularly considered to be the first role-playing game. But in the original rules, the term “role-playing” is nowhere to be found; D&D was marketed as a war game.