検索キーワード： 図書館・博物館に関する研究

In June 2015 Alberto Manguel prepared to leave his centuries-old village home in France's Loire Valley and reestablish himself in a one-bedroom apartment on Manhattan's Upper West Side. Packing up his enormous, 35,000 volume personal library, choosing which books to keep, store, or cast out, Manguel found himself in deep reverie on the nature of relationships between books and readers, books and collectors, order and disorder, memory and reading.

Libraries are a great resource for authors. In this easy-to-follow guide, authors will learn how to connect with the right library staff member to discuss adding your book to the collection, teach a workshop for aspiring writers, learn how to host a book signing with an ebook, get paid to teach writing workshops and seminars, and position yourself as an expert and get speaking gigs!

"Citizens and Kings", the new blockbuster show at the Royal Academy in London, contains an almost overwhelming number of celebrated paintings and sculptures, even if one or two of them, such as Jacques-Louis David’s Marat Assassiné, turn out to be studio versions rather than the real thing. The show aims to trace the shift in attitudes towards the human personality that was set in motion by the American and French Revolutions and the wars associated with these great political and social upheavals.

The term avant-garde continues to be used, in my opinion with far too much frequency, in discussions of contemporary art. It derives, of course, from military terminology, and implies that the art to which it is applied is somehow ahead of the game. It’s worth taking a look at how this assumption works in practice. Essentially, Western and now world art has witnessed the emergence of a series of avant-gardes since just before the third quarter of the 19th century.

How do cryptocurrencies work? Should you invest in them? In this audiobook, Devan Hansel, a tech-investor who has made six figures in profit from trading cryptocurrencies like Bitcoin, Ethereum, Dash, etc., reveals all the fundamentals you need to understand the current market landscape and how it is being revolutionized by cryptocurrency. If you're curious enough to explore the possible options, this audiobook will teach you everything you need to know.

Byzantine art has a slightly odd reputation. It is regarded, on the one hand, as something remote, hieratic, and difficult. On the other hand, the word Byzantium has a very romantic ring - it lives in our minds as the name of a citadel of civilization, a place that preserved for posterity both intellectual and material treasures that would otherwise have vanished forever. The remarkable exhibition now at the Royal Academy in London touches on both of these aspects.

A good art collection is always much more than the sum of its parts. This applies with especial force to collections of contemporary work. A collection of this kind, whether the collector intends it to be so or not, is always a portrait - a reflection in the mirror of a particular epoch, and, willy-nilly, a self-portrait of the person who takes the trouble to bring it together.

Cv/VAR 66 interviews Dr. Michael Ryan of the National Museum Dublin recorded at the opening of the exhibition The Work of Angels at the British Museum in 1989. He describes pieces found at Derrynaflan dating from the eighth century including an ecclesiastical paten, jewelry, accessories, and domestic artifacts. It carries a detailed account of Celtic and Pictish craftsmanship and iconography.

An interview recorded with Dr. Christopher Brown, director of the Ashmolean Museum in Oxford, in which he describes the major renovation and expansion of Britain's oldest museum, adding 39 galleries to house its collection of Egyptian, Persian, Japanese, Saxon, and Indian artefacts.

Librarians spend their lives weeding - not weeds, but books - books that have reached the end of their shelf life both literally and figuratively. They remove books that patrons no longer check out, and they put back books they treasure. Annie Spence, who has a decade of experience as a Midwestern librarian, does this not only at her Michigan library but also at home, for her neighbors, at cocktail parties - everywhere. In Dear Fahrenheit 451, she addresses those books directly.

Dr. Stephen Deuchar, director of the Art Fund, gives an interview to Cv/VAR, first published in Curators and Collections Volume Three 2010. He describes the history of the Art Fund, its foundation, aims and initiatives, and work as a major benefactor, enabling museums and galleries to preserve and develop their collections, including recently discovered treasure troves, and individual works saved for the future.

Pamela Roberts, curator of the Royal Photographic Society, Bath, gives an interview to Cv/VAR in 1994, which charts the development of photography from its primary innovation in the 1840s by Hill & Adamson, Fox Talbot, through Roger Fenton in the Crimea War, leading to Royal Patronage of Prince Albert and development of the society into the 20th century.

The Art of Relevance is your guide to mattering more to more people. You'll find inspiring examples, rags-to-relevance case studies, research-based frameworks, and practical advice on how your work can be more vital to your community. Whether you work in museums or libraries, parks or theaters, churches or afterschool programs, relevance can work for you. Break through shallow connection. Unlock meaning for yourself and others. Find true relevance and shine.

Every city usually has at least one library, so some people take libraries for granted. Instead of taking libraries for granted, we ought to praise them to high heaven for all their noble contributions to humanity.

Per prima cosa sfatiamo un mito. Non è assolutamente vero che l'Italia è il paese detentore del 50% dei beni culturali mondiali. Non abbiamo nemmeno idea di quanti siano in totale, per cui questa leggenda che spesso viene diffusa sui giornali e in tv è quanto meno approssimativa. È vero invece che il nostro paese ha molti beni culturali diffusi sul suo territorio e in certi casi si tratta di veri e propri tesori poco conosciuti.

Competition for jobs is at an all-time high, with rivalry for positions coming from across the globe. The recent recession has put a demand on all job opportunities with an average of over 300 applicants applying for each advertised vacancy. Experienced applicants are missing out on job offers for positions they have been working in for years because they don't know the new rules of job interviews.

This book considers the work of the celebrated 17th century court painter Diego Velázquez (1599-1660) presented in a comprehensive exhibition at The National Gallery London from October to January 2006-2007. It follows the phases of development charted from rooms one to four in the Getty Wing, ranging from the initial scenes of workers in bars and domestic scenes to the paintings made at the Court of King Philip IV in Madrid.

If you buy a book at the bookstore, you own it. You can take it home, scribble in the margins, put it on the shelf, lend it to a friend, or sell it at a garage sale. But is the same thing true for the eBooks or other digital goods you buy? Retailers and copyright holders argue that you don't own those purchases, you merely license them. That means your eBook vendor can delete the book from your device without warning or explanation - as Amazon deleted Orwell's 1984 from the Kindles of surprised readers.

This book contains an interview by Sarah Batiste recorded in 1989 with Jill Dunkerton, senior conservator of Italian Painting at the National Gallery London. In it she considers works by Duccio, Jacopo Di Cione and other early Trecento painters from 1270 to 1370 exhibited in Art in the Making at The National Gallery 1989-90.

Each of us has an ever-growing collection of personal digital data: documents, photographs, PowerPoint presentations, videos, music, emails, and texts sent and received. To access any of this, we have to find it. The ease (or difficulty) of finding something depends on how we organize our digital stuff.