検索キーワード： 特定の人口統計学

In this dazzling work of restorative history, Dr Anthony Delaney has traced the stories of people daring to challenge society's expectations, unearthing archives and court records to reveal the tragedies and the joys of queer life three centuries ago.

From the bestselling author of 21 Things™ You May Not Know About the Indian Act comes a powerful new book on dismantling the Indian Act and advancing Indigenous self-governance.

Why do so many Black Americans—whether privileged or poor, urban or suburban, young or old—live in a state of chronic anxiety, fear, and shame? Rock My Soul: Black People and Self-Esteem breaks through collective denial and dares to imagine a more liberatory framework for understanding “self and identity in a world where loss is commonplace.” With visionary insight, hooks exposes the underlying reality that it has been difficult—if not impossible—for our nation to create a culture that promotes and sustains healthy self-esteem.

In Teach like an Ally, veteran classroom teacher and celebrated transgender advocate Flint Del Sol weaves humor, storytelling, and expertise into a guide for educator-allies. Del Sol offers actionable strategies that you can implement in classrooms. He also tackles the complex questions teachers face: What should you do when a student asks for one name in the classroom, but another at home?

Denied its true place in history, the pre-Civil War black press was a forward looking, socially responsible press. Through her analysis of the content of black newspapers and magazines from the 1830s to the 1860s, Frankie Hutton not only presents a prism through which to view the social origins of black journalism in America, but also examines how this little-known ethnic press interfaced with the whole of journalism during the dark ages of the profession.

The conversation about masculinity, patriarchy, and misogyny has never been so prominent or heated. Alarmed by a new generation of angry, broken young men, genderqueer writer Jacob Tobia sets out to explore what’s going on and comes to a shocking conclusion: Emotionally and spiritually speaking, men and boys may be the ones suffering the most under the gender binary right now.

The Color Pynk is a passionate exploration of Black femme poetics of survival. Sidelined by liberal feminists and invisible to mainstream civil rights movements, Black femmes spent the Trump years doing what they so often do best: creating politically engaged art, entertainment, and ideas. In the first full-length study of Black queer, cis-, and trans-femininity, Omise'eke Natasha Tinsley argues that this creative work offers a distinctive challenge to power structures that limit how we color, gender, and explore freedom.

To the colonized, the term 'research' is conflated with European colonialism; the ways in which academic research has been implicated in the throes of imperialism remains a painful memory. This essential volume explores intersections of imperialism and research—specifically, the ways in which imperialism is embedded in disciplines of knowledge and tradition as 'regimes of truth.

Drawing on their personal history as a former urban equestrian, Black queer person, and child of Jamaican and Filipino immigrants, essayist and art critic Bitter Kalli contends the horse should be regarded as a critical source of power and identity in Black life. In a series of astute essays, Kalli explores the work of Black artists and influencers from Beyoncé to filmmakers Tiona Nekkia-McClodden and Jeymes Samuel and explores their own life-long relationship to equines.

Raymond Antrobus was first diagnosed as deaf at the age of six. He discovered he had missing sounds—bird calls, whistles, kettles, alarms. Teachers thought he was slow and disruptive, some didn’t believe he was deaf at all. The Quiet Ear tells the story of Antrobus’s upbringing at the intersection of race and disability. Growing up in East London to an English mother and Jamaican father, educated in both mainstream and deaf schooling systems, Antrobus explores the shame of miscommunication, the joy of finding community, and shines a light on deaf education.

En junio de 1994 se desenterró en Palenque, Chiapas, uno de los más grandes misterios arqueológicos del siglo xx: una tumba colmada de jade y cinabrio, pero sin inscripciones. El cuerpo era de una mujer, algo inaudito hasta entonces: ninguna gobernante maya, que se supiera, había recibido ese tipo de honores.

La existencia del brillante editor jubilado Javier Salazar transcurre apacible y confortablemente en su elegante piso de Madrid. Tiene la sensación de hallarse por fin equilibrado y apaciguado, compensado en cierto modo por la vida... Hasta que una tarde de lectura interrumpida le conduce a un parque y al encuentro con un muchacho malagueño, Ramón Durán. El inicio de una relación entre ambos disparará antiguos resortes de la conciencia: atormentada, reservada, cargada de brillantez y encanto, pero también de desprecio, vanidad, soberbia y afán de destrucción.

Featuring fifteen new essays by trans people of color—spanning writers, scientists, actors, activists, and drag queens—Both/And explores what it means to live as a trans or gender nonconforming person of color today. Acclaimed authors Akwaeke Emezi, Tanaïs, Meredith Talusan, and J Wortham, share their stories alongside activist and organizer Raquel Willis and RuPaul’s Drag Race star Peppermint, as well as a host of rising literary talent.

The dominant cultural worldview is based upon extraction and exploitation practices that have brought us to the precipice of social, environmental, and climate collapse. Braiding poetic storytelling, climate justice analyses, and collective knowledge of Earth-centered cultures, The Story Is in Our Bones opens a portal to restoration and justice beyond the end of a world in crisis.

How to Tell When We Will Die expands upon Hedva's paradigm-shifting perspective in a series of slyly subversive and razor-sharp essays that range from the theoretical to the personal―from Deborah Levy and Susan Sontag to wrestling, kink, mysticism, death, and the color yellow.

In 2007, Michael Thomas launched into the literary world with his award-winning first novel Man Gone Down, a beautiful and devastating story of a Black father trying to claim a piece of the American Dream. Called “powerful and moving...an impressive success,” by Kaiama L. Glover on the cover of the New York Times Book Review, Thomas’s debut introduced a writer of prodigious and rare talent. In his long-awaited encore and first work of nonfiction, The Broken King, Thomas explores fathers and sons, lovers and the beloved, trauma and recovery, and soccer and baseball.

Winner of the 2019 American Association for the History of Nursing Lavinia L. Dock Award for Exemplary Historical Research and Writing in a Book.

“Catchin’ babies” was merely one aspect of the broad role of African American midwives in the twentieth-century South. Yet, little has been written about the type of care they provided or how midwifery and maternity care evolved under the increasing presence of local and federal health care structures.

Through a series of essays, Du Bois explores the psychological impact of racism, the struggle for equality, and the concept of "double consciousness"—the tension of being Black in a society that marginalises you. A seminal work in American history and literature, this book challenges the notion of a "post-racial" world, urging readers to confront the deep-rooted injustices that continue to shape the lives of Black Americans.

「一番重要なのは、自分の頭の中の多様性」無駄に増える不要なルールやコンプライアンス至上主義、カタチだけの女性優遇、SNSで暴走する正義幻想、「変わり者」の徹底排除――。

Mapinguari representa os mistérios que permeiam o progresso que destrói as florestas e a conservação delas. O livro aborda as desigualdades sociais entre a cidade e o campo e as diferentes formas de vida entre a devastação da Amazônia e a relação do país com os povos indígenas.