検索キーワード： 特定の人口統計学

Аниме — это японская анимация, но в отличие от западной, ориентированной на детей, большинство аниме создается для взрослой или подростковой аудитории и выделяется уникальным стилем рисунка…. Так мы могли бы рассказать об этой книге, но аниме — это уникальное культурное явление со своими жанровыми особенностями, глубокими смыслами и философией. В этой книге вы найдете эссе на совершенно разные темы: подход к дизайну персонажей и "тайные смыслы", особенности романтики и творчества Хаяо Миядзаки.

As a young girl growing up in Houston, Margaret Juhae Lee never heard about her grandfather, Lee Chul Ha. His history was lost in early twentieth-century Korea, and guarded by Margaret's grandmother, who Chul Ha left widowed in 1936 with two young sons. To his surviving family, Lee Chul Ha was a criminal, and his granddaughter was determined to figure out why.

With 24 step-by-step tools for how you can feel more empowered in sex and in life, Turn Yourself On is a practical guide that will radically transform your relationship to sex. Rebellious, relatable and real talk, it takes you on the ultimate journey of self-discovery with the exact blueprint you need to feel more connected, to communicate more confidently, and ultimately, to enjoy sex – and life – like never before.

An exploration of artistic freedom, survival, and the hidden places of the imagination, including James Baldwin in Provence, Josephine Baker in Paris, Kevin Killian in San Francisco, and E. M. Forster in Cambridge, among other groundbreaking queer artists of the twentieth century. Nothing Ever Just Disappears is a radical new history of seven queer lives and the places that shaped these groundbreaking artists.

Bold and impassioned, sharp and defiant, Leslie Marmon Silko's essays evoke the spirit and voice of Native Americans. Whether she is exploring the vital importance literature and language play in Native American heritage, illuminating the inseparability of the land and the Native American people, enlivening the ways and wisdom of the old-time people, or exploding in outrage over the government's long-standing, racist treatment of Native Americans, Silko does so with eloquence and power, born from her profound devotion to all that is Native American.

In Richard III’s Bodies from Medieval England to Modernity, Jeffrey Wilson tracks disability over 500 years, from Richard’s own manuscripts, early Tudor propaganda, and x-rays of sixteenth-century paintings through Shakespeare’s soliloquies, into Samuel Johnson’s editorial notes, the first play produced by an African American Theater company, Freudian psychoanalysis, and the rise of disability theater.

Tackling the Everyday shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game.

In A Fire at the Center, Karen Van Fossan takes listeners behind the scenes of the Dakota Access Pipeline conflict, to penitentiaries where prisoners of war have carried the movement onward, to the jail cell where she was held for protesting Line 3, to a reimagining of decolonized family constellations, and to moments of collective hope and strength.

Philip Burnham tells the life story of the remarkable Packs the Dog, a member of the Minneconjou Lakotas who was born in 1864 east of the Black Hills. His father, Yellow Knife, died when the boy was five, and the family eventually enrolled at Pine Ridge Agency with the Oglalas under an uncle's name, Three Stars. In 1879 Packs the Dog joined the first class of Indian students to be admitted to the Carlisle Indian Industrial School.

In How to Lose the Hounds, Celeste Winston explores marronage—the practice of flight from and placemaking beyond slavery—as a guide to police abolition. She examines historically Black maroon communities in the Maryland suburbs of Washington, DC, that have been subjected to violent excesses of police power from slavery until the present day.

In 1948, seven hundred thousand Palestinians were forced out of their homes by the first Arab-Israeli War. More than seventy years later, most of their houses are long gone, but millions of their descendants are still registered as refugees, with many living in refugee camps. This group—unlike countless others that were displaced in the aftermath of World War II and other conflicts—has remained unsettled, demanding to settle in the state of Israel. Their belief in a "right of return" is one of the largest obstacles to successful diplomacy and lasting peace in the region.

American Christianity tends to view disabled persons as problems to be solved rather than people with experiences and gifts that enrich the church. Churches have generated policies, programs, and curricula geared toward "including" disabled people while still maintaining "able-bodied" theologies, ministries, care, and leadership. Ableism--not a lack of ramps, finances, or accessible worship—is the biggest obstacle for disabled ministry in America.

Going for Broke, edited by Alissa Quart, executive director of the Economic Hardship Reporting Project, and David Wallis, former managing director of EHRP, gives voice to a range of gifted writers for whom "economic precarity" is more than just another assignment. All illustrate what the late Barbara Ehrenreich, who conceived of EHRP, once described as "the real face of journalism today: not million dollar-a-year anchorpersons, but low-wage workers and downwardly spiraling professionals."

This heartfelt collection of letters written by eminent queer people across music, television, activism, comedy and politics, is a celebration of self-acceptance and an inspiring resource for anyone who has ever struggled with ‘growing up different’. Each letter is a testament to the strength of the human spirit and a powerful reminder that love transcends all.

Cassandra Snow's groundbreaking Queering the Tarot helped change the shape of tarot discourse for scores of new listeners to reclaim this ancient practice in their own way. Tarot in Other Words opens doors for these brilliant tarotists, offering unique insights and concepts for tarot readers of all levels. Queerness will be a thematic thread running throughout the project, with individual essays tackling a variety of topics that expand on that theme in new and compelling ways.

Part-autobiography, part frontline reportage and part cultural commentary, Julie Bindel examines what defines lesbian culture, love, friendship and happiness today. She distinguishes the particular challenges facing lesbians from the very different experiences of gay men, and asks: why do lesbians so often seem to face particular hostility? Comparing past attitudes to today, she argues that lesbians continue to suffer from bigotry and discrimination because sexism and enforced gendered roles are still left unchallenged.

Under the guise of writing about a single subject, Greg Tate’s essays in Flyboy in the Buttermilk branch out from his usual and explore social, pop cultural, political, and economic subjects. Taking on a wide diversity of topics—from the rise of hip-hop; the art of JeanMichel Basquiat; the music of Miles Davis, James Brown, Jimi Hendrix, Bad Brains, and many others; to the crisis of the Black intellectual and the irony of the GOP recruiting Black Americans— Tate writes in a brave and distinctive voice that is angry, joyous, anxious, and funny.

When she was twenty-five, Ursula Pike boarded a plane to Bolivia and began her term of service in the Peace Corps. A member of the Karuk Tribe, Pike sought to make meaningful connections with Indigenous people halfway around the world. But she arrived in La Paz with trepidation as well as excitement, 'knowing I followed in the footsteps of Western colonizers and missionaries who had also claimed they were there to help.'

Growing up in Montana, Chris La Tray always identified as Indian. Despite the fact that his father fiercely denied any connection, he found Indigenous people alluring, often recalling his grandmother's consistent mention of their Chippewa heritage. When La Tray attended his grandfather's funeral as a young man, he finally found himself surrounded by relatives who obviously were Indigenous. "Who were they?" he wondered, and "Why was I never allowed to know them?"

Apoyado en entrevistas con psicólogos, abogados, activistas y mujeres sobrevivientes, expone el vacío legal que rodea a este crimen, el desconocimiento de servidores públicos cuando una mujer trans desea arreglar sus documentos, la brutalidad de policías que las agreden y el silencio desdeñoso de la población cuando son lastimadas en las calles o en sus viviendas.