検索キーワード： 労務・労使関係

William Dudley Haywood, nicknamed “Big Bill,” was an American labor organizer as well as founding member and leader of the Industrial Workers of the World (commonly referred to as the “Wobblies”). He was also a member of the executive committee of the Socialist Party of America.

In the tradition of Barbara Ehrenreich and David Graeber, journalist Robin Kaiser-Schatzlein exposes the hidden authoritarianism of the American workplace—where employers hold near-total power, and workers navigate a daily landscape of surveillance, silencing, and control—arguing that work...

La demolición de los derechos de los trabajadores se observa en el lenguaje de la economía on demand: no trabajas para, sino que colaboras con; no te despiden, te desconectas; no te controlan, te valoran. Nos hemos convertido en pilas que fabrican datos, braceros de la información, jornaleros...

In American history, the prevailing narratives of the tumultuous late-nineteenth century focus on wealthy individuals and tycoons while downplaying the very high social and economic stresses they caused. The Age of Discontent reveals that it was not the tycoons, but rather the laborers and farmers, who in a great uprising of popular democracy reinvented the nation for the emerging industrial world never imagined by the Founders.

For decades, coal has been crucial to America's culture, society, and environment, an essential ingredient in driving out winter's cold, cooking meals, and lighting the dark. In the coalfields and beyond, Bob Wyss describes how this magical elixir sparked the Industrial Revolution, powered railroads, and built urban skylines, while providing home comforts for families.

Theatre Work: Reimagining the Labor of Theatrical Production investigates both the history and current realities of life and work in professional theatrical production in the United States and explores labor practices that are equitable, accessible, and sustainable. In this book, Brídín Clements Cotton and Natalie Robin investigate the question of artmaking, specifically theatrical production, as work.