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Philosophy for busy people. Listen to this succinct account of the philosophy of Socrates in just one hour. Socrates is widely renowned as one of the founders of Western philosophy, despite the fact that his ideas survive largely through the work of his pupil Plato. Socrates’ dialectic – a method of aggressive questioning – was the forerunner of logic; he used it to cut through the pretentions of his adversaries and arrive at the truth.

All of us are faced countless times with the challenge of persuading others, whether we're trying to win a trivial argument with a friend or convince our coworkers about an important decision. Instead of relying on untrained instinct - and often failing as a result - we'd win more arguments if we learned the timeless art of verbal persuasion, or rhetoric.

The greatest philosopher who ever lived. A dissolute tyrant in need of an education. What could possibly go wrong? Plato was the most brilliant thinker of his age. Head of the Academy in Athens, friend of the best minds of his generation, his philosophy was famous across the Greek world. But would he ever get the chance to try his ideas out?

Aristotle was the third key figure among the philosophers of Ancient Greece, after Socrates and Plato. Here, extensive sections of the main works for which he is still respected are given, following accessible introductions setting the scene.

"Non poche sentenze verissime, diverse considerazioni sottili, molti precetti, e ricordi sommamente utili, oltre una grata semplicità e dimestichezza del dire, fanno assai prezioso e caro questo libricciuolo." Inizia in questo modo la premessa di Giacomo Leopardi, che nel 1825 tradusse "L'Enchiridion" - che significa: oggetto che si tiene in mano - conosciuto come "Manuale di Epitteto".Si tratta di un insieme di regole filosofiche, etiche e stoiche, messe insieme attorno all'anno 100 d.C.

Il filosofo romano scrive all'amico Lucillo, e gli racconta l'animo umano. Le sue caratteristiche, i suoi vizi e le sue virtù. Come un esploratore dei sentimenti più intimi, e un gran conoscitore delle numerose sfaccettature che compongono i pensieri e i comportamenti degli esseri umani, Seneca indica una via possibile per vivere in armonia con se stessi e con gli altri, attraverso la riscoperta della consapevolezza di quello che davvero conta.

I pensieri, raccolti in questo opera, tratto da "Ad se Ipsum", "A Se stesso", o "Colloqui con se stesso", com'è conosciuto dai più, di Marco Aurelio...

Nel libro V della Repubblica, di Platone, è Socrate, il sommo filosofo, l’interprete di un dialogo serrato su una Repubblica che ancora non esiste e che...

"Quomodo adulator ab amico internoscatur": come distinguere l’adulatore dall’amico, è un vero e proprio manuale...

"Non si è mai troppo giovani né troppo vecchi per conoscere la felicità..." Inizia così il cammino verso la felicità secondo Epicuro...

Aristotle's Poetics is best known for its definition and analysis of tragedy and comedy, but it also applies to truth and beauty as they are manifested in the other arts. In our age, when the natural and social sciences have dominated the quest for truth, it is helpful to consider why Aristotle claimed: "poetry is more philosophical and more significant than history." Like so many other works by Aristotle, the Poetics has dominated the way we have thought about all forms of dramatic performance in Europe and America ever since.

Socrates is on trial for his life. He is charged with impiety and corrupting young people. He presents his own defense, explaining why he has devoted his life to challenging the most powerful and important people in the Greek world. The reason is that rich and famous politicians, priests, poets, and a host of others pretend to know what is good, true, holy, and beautiful, but when Socrates questions them they are shown to be foolish rather than wise.

In Euthyphro, Socrates is on his way to the court where he must defend himself against serious charges brought by religious and political authorities. On the way, he meets Euthyphro, an expert on religious matters, who has come to prosecute his own father. Socrates questions Euthyphro’s claim that religion serves as the basis for ethics. Plato lived in Athens, Greece. He wrote approximately two-dozen dialogues that explore core topics that are essential to all human beings.

Gorgias of Leontini, a famous teacher of rhetoric, has come to Athens to recruit students, promising to teach them how to become leaders in politics and business. A group has gathered at Callicles' house to hear Gorgias demonstrate the power of his art. This dialogue blends comic and serious discussion of the best life, providing a penetrating examination of ethics. Is it better to suffer evil or to do evil? Is it better to do something wrong and avoid being caught or to be caught and punished? Is pleasure the same as goodness?

Socrates questions Ion, an actor who just won a major prize, about his ability to interpret the epic poetry of Homer. How does an actor, a poet, or any other artist create? Is it by knowing? Is it by inspiration? As the dialogue proceeds, the nature of human creativity emerges as a mysterious process and an unsolved puzzle. Plato lived in Athens, Greece. He wrote approximately two-dozen dialogues that explore core topics that are essential to all human beings.

Laches, a general in the Athenian army, saw Socrates fight bravely in the battle of Delium. When he and Nicias, another general, are asked to explain the idea of courage, they are at a loss and words fail them. How does courage differ from thoughtless and reckless audacity? Can a lion be said to be courageous? What about small children who have little idea of the dangers they face? Should we call people courageous who do not know whether their bravery will produce good or bad consequences?

Plato’s dialogues frequently cover several topics and show their connection to each other. The "Phaedrus" is a model of that skill because of its seamless progression from examples of speeches about the nature of love to mythical visions of human nature and destiny to the essence of beauty and, finally, to a penetrating discussion of speaking and writing. It ends with an examination of the love of wisdom as a dialectical activity in the human mind.

Socrates is in prison, sentenced to die when the sun sets. In this final conversation, he asks what will become of him once he drinks the poison prescribed for his execution. Socrates and his friends examine several arguments designed to prove that the soul is immortal. This quest leads him to the broader topic of the nature of mind and its connection not only to human existence but also to the cosmos itself. What could be a better way to pass the time between now and the sunset? Plato lived in Athens, Greece.

The "Republic" poses questions that endure: What is justice? What form of community fosters the best possible life for human beings? What is the nature and destiny of the soul? What form of education provides the best leaders for a good republic? What are the various forms of poetry and the other arts, which ones should be fostered, and which ones should be discouraged? How does knowing differ from believing? Several characters in the dialogue present a variety of tempting answers to those questions. Cephalus, Polemarchus, Thrasymachus, and Glaucon all offer definitions of justice.

The dramatic nature of Plato’s dialogues is delightfully evident in the "Symposium." The marriage between character and thought bursts forth as the guests gather at Agathon's house to celebrate the success of his first tragedy. With wit and insight, they each present their ideas about love - from Erixymachus’s scientific naturalism to Aristophanes' comic fantasy. The unexpected arrival of Alcibiades breaks the spell cast by Diotima’s ethereal climb up the staircase of love to beauty itself.